The exhilarating mix of humor, philosophy, fact and whimsy that marks these essays derives from more than 200 lectures Bruce Adolphe has given over most of the past decade, at the Chamber Music Society of Lincoln Center and at music festivals around the country. The composer of four operas as well as chamber music, concertos and orchestral works, Adolphe has written for Itzhak Perlman, David Shifrin, Beaux Arts Trio, the Orpheus Chamber Orchestra and many other renowned musicians. His essays, however divergent their apparent subjects, all serve a common purpose: to deepen our understanding of how music comes to be and how it may be enjoyed.
Sam Peckinpah is by his own admission and that of almost everyone else in this richly entertaining book a director who needs adversity to get the juices flowing. As shooting goes on complications multiply and tensions increase. The wild man fortified by booze and shots of vitamin B12 rides the whirlwind he creates firing the incompetents beneath him baiting the ones over him and bullying and testing and goading the rest...âThis book givesã a nuts and bolts account of the...complex interplay of power and art or movie and myth-making as practiced by an idiosyncratic but skillfull manipulator. ä ÊNew York TimesÊ Book Review
The Third and most recent edition of The Vampire Film featuring a new chapter, "The Vampire at the Millennium " was released in October 1996 to coincide with the centennial of Stoker''s novel Dracula. More vampire films have been produced since the First Edition of The Vampire Film appeared in 1974 than in the entire history of motion pictures prior to that year. The first completely revised and updated edition was published in 1993. The Third Edition insures that what began as the first book-length study of the subject in 1974 remains the most comprehensive available.
This is the bittersweet life story of a beloved bandleader who rose to fame and fortune, then spent the last 20 years of his life working to pay $1.6 million in back taxes. Written with Troup, jazz critic for New York Newsday, the book is a straightforward account of a successful career gone awry because of bad business judgment and misplaced trust. Long passages in which friends and band members reminisce about Herman add another dimension, for he was a humorous and compassionate man who helped a great number of musicians in their careers. - Publishers Weekly
"Reading like a who''s who of Broadway and Hollywood...âthisã is a valuable piece of theatrical history...Lloyd is a self-effacing, articulate actor-director-producer whose stories are as insightful as they are warm and often humorous." -Choice
The ultimate guide to stage fighting technique and basic swordplay this book covers everything an actor must do to give a dynamic and convincing performance as a stage combatant. âThis bookã is more than a manual... A necessity! Richard Lane''s concepts are vital...''Why'' and ''When'' are explained and make ''How'' easier to understand and execute...Read this pay heed and you will avoid sin and suffering...I raise my sword on high and salute you Richard. Well done! äOscar F. Kolombatovich former Fencing Master Metropolitan Opera New York and Executive Secretary Historical Fencing Society
"Mitchum's tales include beatings, hanging producers by their shoelaces, killings in Mexican bars and slapping Teutonic helmer Otto Preminger. And there are classic observations, such as his quip to Variety that 'the best producer is an absent one.' Mitchum editor Jerry Roberts...conducted one of the interviews, and has done a terrific job piecing together vintage conversations with David Frost, Dick Lochte, Richard Schickel and Charles Champlin, as well as collecting a wonderful array of prize quotes by and about Mitchum." - Steven Gaydos, Variety
A follow-up to Nigel Douglas's popular and succesful Legendary Voices, this volume boasts twelve more singers, their private lives and public careers, plus critical comment on their recorded works. Once again his pantheon covers the full range of voices and the whole repertoire from Tosca to TannhÄuser, from Lieder to light operetta. Artists include Maria Callas, Feodor Chaliapin, Kathleen Ferrier, Beniamino Gigli, Maria Jeritza, John McCormack, Lauritz Melchior, Claudia Muzio, Titta Ruffo, Elisabeth Schumann, Conchita Supervia, and Richard Tauber.
A companion guide to one of the bestselling Limelight Edition titles this book by Asaf Messerer a founder of what has become known as the Bolshoi School is one of the most celebrated manuals of classic dance instruction in the world. Messerer has gained an international reputation for his classes in classical technique-models of invention and well-rounded exercise stressing both precision and fluid artistic control. Nearly 500 photographs of principal Bolshoi dancers illustrate the positions and steps indicated and an introductory section by Messerer outlines his basic plan and philosophy of teaching.
Veteran dance writer Robert Greskovic''s comprehensive handbook on how to watch and appreciate the ballet is now available in this new edition. It includes a complete analysis of sixteen important and popular ballets, from Swan Lake to Twyla Tharp''s Push Comes To Shove., As Mikhail Baryshnikov states in the book''s foreword: "All the things that ballet fans talk about at intermission, while newcomers stand there wondering what they mean: those things are here...(Robert Greskovic) has been thinking about ballet --- watching it, reading, writing, and talking about it --- day after day for more than thirty years. He knows it through and through. Now he shares his knowledge."
The earlier Film Noir Readers, which now boast a combined sale of well over 30 000 copies, have all quite deliberately conveyed a sweeping overview of the classic period, demonstrating how broad and inclusive noir movies are. Film Noir Reader 4 moves in a different direction. Its purpose is to identify the key films and motifs of noir and to analyze in depth the prototypical pictures that, while vivid examples of certain cinematic themes, bend and break their molds to find new ways to enthrall and frighten us. Like its predecessors, Film Noir Reader 4 is generously illustrated and features essays by such respected film critics and scholars as Robin Wood, J.P. Telotte, R. Barton Palmer, and Robert Porfirio. All have as their purpose to explain why and how these classic films work; the way screenplay, direction, acting, cinematography, editing and all the other filmmaking crafts blended together to produce work that exemplifies both a particular movement in film history and the innovations that keep the noir style fresh and compelling.
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