Bücher der Reihe Lit Z

Old Schools marks out a modernist countertradition: a series of engagements with classical education after the rise of progressive pedagogical theories. The book shows how figures in various cultural vanguards, from Victorian Britain to 1970s Brazil, reimagined the old school to make it facilitate the change it seemed to impede.

Examines various forms of the middle (such as the medium, moderation, and mediocrity) that re-negotiated in the writings of British and German romanticism, along with a consideration of how our own relationship to romanticism is influenced by its medial thinking.

How do we read after the so-called death of literature? Graff Zivin elaborates anarchaeological reading: reading for the blind spots, errors, points of opacity or untranslatability. Through interdiscursive exposure between continental philosophy and Argentine literature, art, and film, Graff Zivin shows how anarchaeological reading radicalizes the possibility of justice.

Modernity's Mist explores an understudied aspect of Romanticism: its future-oriented poetics. In the work of John Keats, Jane Austen, Lord Byron, and William Hazlitt, Modernity's Mist describes a poetics of future anteriority or the uncertainty of "what will have been"-a grammar of historical engagement for a time of unprecedented political change.

This book examines the affinity between the notions of "theory" and "deconstruction" that developed in the American academy in the 1970s by way of a semi-fictional collective, the "Yale Critics": Harold Bloom, Paul de Man, Geoffrey Hartman, and J. Hillis Miller, in association with the French philosopher Jacques Derrida.

Mendicino retraces the ways in which the task of translation is tied in Romantic writing to prophecy, not in the sense of telling future events, but in the sense of speaking in the place of another, such that language takes place in more than one voice-and tongue-at once, unpredictably.

This book proposes the "formless" as a way of thinking through the impasses of contemporary politics. The writing of the formless, as it can be traced in the work of Lezama Lima and the Cuban Revolution, is the point of departure in thinking through the relationship between politics and time.

Translation of a posthumous work by Philippe Lacoue-Labarthe on Maurice Blanchot. Discusses such topics as literature, myth, the experience of death, autobiography, metaphysics, psychoanalysis, and deconstruction, as well as the political and ethical implications thereof.

Reading with John Clare argues that poetry and its repression lies at the heart of biopolitical thinking. By rereading the emergence of biopolitics and focusing on the exemplary case of John Clare, it renews our understanding of the relation between aesthetics and politics from romanticism to the present.

On the Nature of Marx's Things traces to Marx's earliest writings a Lucretian practice that Lezra calls necrophilological translation.

Lives of the Dead Poets explores the biographical interest that has marked the posthumous reception of John Keats, Percy Bysshe Shelley, and Samuel Taylor Coleridge. It argues that this fascination with the poetic life-a special case of the attachments we form to poetic figures-speaks to the mode of poetry's survival into modernity.

Working from the Bible to contemporary art, Shibboleth surveys the politics of border crossings, the policing of identities, and the linguistic performances on which such actions depend.

Infectious Liberty traces the origins of our contemporary concerns about public health, world population, climate change, global trade, and government regulation to a series of Romantic-era debates and their literary consequences.