Bücher der Reihe Making the Modern South

The Churches of Christ offer a unique perspective for observing how Christian fellowship and human equality intersected during the civil rights era. In this study, Barclay Key reveals how racial attitudes and practices within individual congregations elude the simple categorizations often employed by historians.

Offers a cultural history of blues musicians in the segregation era, explaining how by both accommodating and resisting Jim Crow life, blues musicians created a counterculture to incubate and nurture ideas of black individuality and citizenship.

Established in 1964, the federal Legal Services Program (later, Corporation) served a vast group of Americans desperately in need of legal counsel: the poor. In Rationing Justice, Kris Shepard looks at this pioneering program's effect on the Deep South.

Tells the story of the Big Easy in the twentieth century. In this urban biography, J. Mark Souther explores the Crescent City's architecture, music, food and alcohol, folklore and spiritualism, Mardi Gras festivities, and illicit sex commerce in revealing how New Orleans became a city that parades itself to visitors and residents alike.

In 1957, Congress voted to set up the Civil War Centennial Commission. A federally funded agency, the commission's charge was to oversee preparations to commemorate the 100th anniversary of the central event in the Republic's history. Robert Cook recounts the planning, organisation, and ultimate failure of this controversial event.

The 1968 burning of the Lazy B Stables in Charlotte, North Carolina, attracted little notice beyond coverage in local media. By the mid-1970s, however, the fire had become the center of a contentious and dubious arson case against a trio of Black civil rights activists, who became known as the "Charlotte Three." The charges against the men garnered interest from federal law enforcement agents, investigative journalists-- including one who later earned a Pulitzer Prize for coverage of the trials--numerous New Left and Black Power activists, and Amnesty International, which declared the defendants "political prisoners." In Going to Hell to Get the Devil, J. Christopher Schutz offers the first comprehensive examination of this controversial case and its outcome. In the 1960s and 1970s, Charlotte's leaders sought to portray their home as a placid, business-friendly, and racially moderate community. When New Left and Black Power activists threatened that stability, city leaders employed a variety of means to silence them, including the use of law enforcement against African Americans they deemed too zealous. In the Charlotte Three case, prosecutors paid prisoners for testimony against the Black activists on trial, resulting in their convictions with lengthy prison sentences. The unwanted publicity surrounding the case of the Charlotte Three became a critical pivot point in the Queen City's post-World War II trajectory. Going to Hell to Get the Devil tells more than the story of an arson case; it also tells the story of the South's future, as the fate of the Charlotte Three became emblematic of the decline of the African American freedom struggle and the causes it championed.