Bücher der Reihe Margaret Walker Alexander Series in African American Studies

Recovers the work of early African American authors and editors such as Elisha Weaver who have been left off maps drawn by historians and literary critics. Individual chapters restore to consideration black literary locations in antebellum St. Louis, antebellum Indiana, Reconstruction-era San Francisco, and several sites tied to the Philadelphia-based Recorder during and after the Civil War.

Analyses riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers challenge misconceptions regarding Black protest through experimental explorations in their writings.

A history of the alliance between black farmers, sharecroppers, and the People's Party

A disproportionate number of male writers continue to be credited for constructing the iconic and ideological foundations for what would be perpetuated as the Black Art Movement. In this study, Carmen L. Phelps examines the work of several women artists working in Chicago, a key focal point for the energy and production of the movement.

Andrew W. Cooper (1927-2002) was a journalist, a political columnist, founder of Trans Urban News Service and the City Sun, a feisty Brooklyn-based weekly that published from 1984 to 1996. He fought tirelessly for Brooklyn's vitality when it was virtually abandoned by the civic and business establishments. This is his story.

Contributors to this volume explore several prominent intellectuals, from left-leaning leaders such as W.E.B. Du Bois to conservative intellectuals like Thomas Sowell, from well-known black feminists such as Patricia Hill Collins to Marxists like Claudia Jones, to underscore the variety of black intellectual thought in the United States.

The first study solely dedicated to exploring the power of African American haiku

A classic ethnographic study of rural children, their community, and their school

Before the innovative work of Zora Neale Hurston, folklorists from the Hampton Institute collected, studied, and wrote about African American folklore. Like Hurston, these folklorists worked within but also beyond the bounds of white mainstream institutions. They often called into question the meaning of the very folklore projects in which they were engaged. Shirley Moody-Turner analyzes this output, along with the contributions of a disparate group of African American authors and scholars. She explores how black authors and folklorists were active participants-rather than passive observers-in conversations about the politics of representing black folklore. Examining literary texts, folklore documents, cultural performances, legal discourse, and political rhetoric, Black Folklore and the Politics of Racial Representation demonstrates how folklore studies became a battleground across which issues of racial identity and difference were asserted and debated at the turn of the twentieth century. The study is framed by two questions of historical and continuing import. What role have representations of black folklore played in constructing racial identity? And, how have those ideas impacted the way African Americans think about and creatively engage black traditions? Moody-Turner renders established historical facts in a new light and context, taking figures we thought we knew-such as Charles Chesnutt, Anna Julia Cooper, and Paul Laurence Dunbar-and recasting their place in African American intellectual and cultural history.

Reveals Richard Wright's poetic vision toward the human world. These essays open up a new territory in Wright studies by tracing the development of Wright's aesthetic and its relationship to African and Japanese cultures.

Essays that reveal the public slide into disrepute of oncecherished male sports iconsEssays by Lisa Doris Alexander, Gregory J. Kaliss, Jeffrey Lane, Thabiti Lewis, Robert F. Lewis II, Shelley Lucas, Roberta J. Newman, C. Oren Renick and Joel Nathan Rosen, and Sherrie L. WilsonFame to Infamy: Race, Sport, and the Fall from Grace follows the paths of sports figures who were embraced by the general populace but who, through a variety of circumstances, real or imagined, found themselves falling out of favor. The contributors focus on the roles played by athletes, the media, and fans in describing how once-esteemed popular figures find themselves scorned by the same public that at one time viewed them as heroic, laudable, or otherwise respectable.The book examines a wide range of sports and eras, and includes essays on Barry Bonds, Kirby Puckett, Mike Tyson, Mark McGwire and Sammy Sosa, Branch Rickey, Joe Louis and Max Schmeling, Michael Jordan, Wilt Chamberlain, and Jim Brown, as well as an afterword by noted scholar Jack Lule and an introduction by the editors. Fame to Infamy is an interdisciplinary volume encompassing numerous approaches in tracing the evolution of each subject's reputation and shifting public image.David C. Ogden, Pacific Junction, Iowa, is associate professor of communication at the University of Nebraska at Omaha. Joel Nathan Rosen, Bethlehem, Pennsylvania, is assistant professor of sociology at Moravian College. He is the author of The Erosion of the American Sporting Ethos: Shifting Attitudes toward Competition.

Percival Everett (b. 1956) writes novels, short stories, poetry, and essays, and is one of the most prolific, acclaimed, yet under-examined African American writers working today. In this volume, scholars engage all of his creative production. These essays examine issues of identity, authenticity, and semiotics, in addition to postmodernism and African American and American literary traditions.

Examines the historical and political context of acclaimed African American actor Paul Robeson's three portrayals of Shakespeare's Othello in the United Kingdom and the United States. All three of the productions, when considered together, provide an intriguing glimpse into Robeson's artistry as well as his political activism.

Using the slave narratives of Henry Bibb and Frederick Douglass, as well as the work of W.E.B. Du Bois, James Baldwin, Walter Mosley, and Barack Obama, Ronda C. Henry Anthony examines how women's bodies are used in African American literature to fund the production of black masculine ideality and power.

Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Muller uses sonnets to open up fresh perspectives on African American literary history, and examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe.

Raymond Pace Alexander was a prominent black attorney in Philadelphia and a distinguished member of the National Bar Association. Yet his legacy to the civil rights struggle has received little national recognition. Alexander was a major contributor to the northern civil rights struggle and was committed to improving the status of black lawyers. This volume examines his life and work.

Reevaluates Charles Chesnutt's deft manipulation of the "passing" theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that "passing" is an intricate, essential part of Chesnutt's writing, and that it appears in all the genres he wielded.

History is made and remade by the availability of new documents, sources, and interpretations. Can Anything Beat White? contributes a great deal to this process. The experiences of the James family as documented in their letters challenge both representations of black people at the turn of the century as well as our contemporary sense of black Americans.

Reevaluates Charles Chesnutt's deft manipulation of the "passing" theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that "passing" is an intricate, essential part of Chesnutt's writing, and that it appears in all the genres he wielded.

Describes how the social and political movements that grew out of the Depression facilitated the left turn of several African American artists and writers. The formation of a black cultural front is examined by looking at the works of poet Langston Hughes, novelist Chester Himes, and cartoonist Ollie Harrington.

Contributors to this volume explore several prominent intellectuals, from such left-leaning leaders as W.E.B. Du Bois to conservative intellectuals like Thomas Sowell and from such well-known black feminists as Patricia Hill Collins to Marxists like Claudia Jones, to underscore the variety of black intellectual thought in the United States.

Born in 1893, Emmanuel Taylor Gordon (1893-1971) became an internationally famous singer in the 1920s at the height of the Harlem Renaissance. Despite his fame, Taylor Gordon has been all but forgotten. Michael Johnson illuminates Gordon's personal history and his cultural importance to the legacy of the Harlem Renaissance.

From the 1930s to the 1960s, the Popular Front produced a significant era in African American literary radicalism. While scholars have long associated the black radicalism of the Popular Front with the literary left and the working class, Christin Marie Taylor considers how black radicalism influenced southern fiction about black workers.

The Second Great Migration, the movement of African Americans between the South and the North that began in the early 1940s and tapered off in the late 1960s, transformed America. Over seven years, Lisa Krissoff Boehm gathered oral histories with women migrants and their children. In extended excerpts from the oral histories, this book offers a unique window into African American women's history.

This is the first study to consider the substantial body of African American writing that critiques whiteness as social construction and racial identity. Arguing against the prevailing approach to these texts, Veronica T. Watson identifies this body of literature as an African American intellectual and literary tradition that she names "the literature of white estrangement".

Post-Blackness. Post-Soul. Post-Black Art. New Blackness. Cameron Leader-Picone suggests that this proliferation of terms, along with the renewed focus on questioning the relationship between individual black artists and the larger black community, indicates the arrival of novel forms of black identity and black art.

The first book-length study of Frank Yerby's life and work. The collection explores a myriad of topics, including his connections to the Harlem and Chicago Renaissances; readership and reception; representations of masculinity and patriotism; film adaptations; and engagement with race, identity, and religion.

The first book-length study of Frank Yerby's life and work. The collection explores a myriad of topics, including his connections to the Harlem and Chicago Renaissances; readership and reception; representations of masculinity and patriotism; film adaptations; and engagement with race, identity, and religion.