Bücher der Reihe Mint Editions--Black Narrative

Despite being a medical professional and a veteran of the First World War, Dr. Kenneth Harper finds it difficult to overcome the deep inequities of life in the American South. Determined to open a clinic in his native Georgia, he encounters opposition from neighbors and the Ku Klux Klan. The Fire in the Flint is a novel by Walter Francis White.

Born the son of a prince, Venture Smith was captured and sold into slavery as a boy. Taken to Barbados across the Middle Passage, he was bought by Robinson Mumford from the colony of Rhode Island. There, he experienced firsthand the horrors of American slavery. A Narrative of the Life and Adventures of Venture is an autobiography by Venture Smith.

At a meeting of the Rochester Ladies¿ Anti-Slavery Society on July 5th, 1852, Frederick Douglass, a writer and orator who escaped from slavery, gave a speech that would go down in history. What to the Slave Is the Fourth of July? is an impassioned cry for freedom, exposing the emptiness of democratic ideals in a nation built by slaves.

Originally written during his two year imprisonment in Atlanta, The Tragedy of White Injustice and Other Meditations is a collection of short thoughts or, impromptu poetry, from one of the Fathers of Black Nationalism, Marcus Garvey. In 1925, Garvey was tried and sentenced for the crime of mail fraud in relation to his business with the Black Star Line. Left to the mercy of the United States Federal Penitentiary of Atlanta, Garvey had not much to do except write-to his wife, to the U.N.I.A, and to anyone who could help spread his message of total and complete independence for Black people across the world. With the support of his wife, Amy Jacques Garvey, he was able to publish, The Philosophy and Opinions of Marcus Garvey in 1925, and The Meditations of Marcus Garvey in 1927. Beginning with the lines, "Lying and stealing is the white man's game / For rights of God nor man he has no shame / (A practice of his throughout the whole world) / At all, great thunderbolts he has hurled," Garvey penned "The Tragedy of White Injustice," a cry for the people of the world to wake up to the atrocities of colonialism and racism. Described by Garvey as neither verse nor orthodox prose, "The Tragedy of White Injustice" as well as his other meditations, showcased his never-ending pursuit of worldwide Black independence and his everlasting Black pride even in the face of the harshest of circumstances.Including such pieces as, "Keep Cool," "The Black Woman," and "Hail! United States of Africa!,"Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Ida B. Wells exposes a series of racially-motivated acts that disproportionately affect African Americans and is overwhelmingly ignored by a majority white criminal justice system. It's crucial documentation of a brutal practice that tormented a community.In the late nineteenth century, Ida B. Wells was a thriving journalist and civil rights activist. She used her writing and skills as an investigative reporter to reveal the horrifying reality that many African Americans experienced. The Red Record: Tabulated Statistics and Alleged Causes of Lynching in the United States, is an explosive report on how mob violence and white supremacy had become the de facto law of the land. It created a culture of cruelty and anti-blackness that promoted public attacks, including lynchings.Ida B. Wells' work helped to initiate conversations about racism, policy and policing. Shortly after the release of The Red Record: Tabulated Statistics and Alleged Causes of Lynching in the United States, the first anti-lynching bill was introduced into Congress. Wells' efforts were critical for African Americans seeking justice in a historically racist system.Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Magnolia Leaves (1897) is a collection of poems by Mary Weston Fordham. Published toward the end of her life, Fordham's only collection appeared in print with an introduction by Booker T. Washington, who saw in its author an undeniable gift which could prove "[t]he Negro's right to be considered worthy of recognition in the field of poetic effort." Meditating on such themes as morality, labor, maternity, liberty, and faith, Mary Weston Fordham displays not only a mastery of poetic form, but a hard-earned wisdom and talent for observing life in all its forms. "With hands all reddened and sore, / With back and shoulders low bent, / She stands all day, and part of the night / Till her strength is well-nigh spent." In "The Washerwoman," Fordham depicts a woman whose life on earth revolves around labor, for whom life after death means the promise of hard-earned rest, to "be found on the other shore." While many, if not all, of Fordham's poems revolve around Christian imagery and themes, some, including "Chicago Exposition Ode," "Stars and Stripes," and "Alaska," reflect on the promise of freedom and liberty in the aftermath of the Civil War. Her poems strive to depict the diversity of nineteenth century America, such as in "Atlanta Exposition Ode," which celebrates the end of war and the coming together of former slaves, Union soldiers, and Confederate forces alike. "Song to Erin" and "Highland Mary" depict the immigrant experience, while "The Cherokee" mourns the murder and displacement of America's indigenous peoples. In sixty-six poems, Mary Weston Fordham distils the experience of a lifetime and the wisdom of one who has experienced loss and found the strength to move forward. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Weston Fordham's Magnolia Leaves is a classic of African American literature reimagined for modern readers.

First appearing in 1845 The Narrative of the Life of Frederick Douglass, with its painfully vivid depiction of life in bondage, was both a bestseller in its day and one of the most powerful, authoritative texts lending support to the abolitionist movement. The author traces his life from an infant born into slavery and taken from his mother at birth, to a displaced child hungry for knowledge, to an abused and beaten laborer seeking freedom and a chance to marry the woman he loved. Offering bright, cameo glimpses into a world that should not be forgotten, Douglass chronicles both the cruel violence of a system that saw him as little more than livestock, and the brighter moments of success, of courageous support from friends and allies. Initially greeted by some with doubt that it could have been written by a black man and former slave, the book had a profound effect on American society, making the author something of a celebrity and his cause less an abstract ideal and more of an urgent human concern. Solemn, powerful and passionate The Narrative of the Life of Frederick Douglass is more than an important historical document--it is a personal account of striving for human freedom in a world where the author was regarded as neither free nor human. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Narrative of the Life of Frederick Douglass is both modern and readable.

Bronze (1922) is a collection of poetry by Georgia Douglas Johnson. As Johnson's second published volume, Bronze is an invaluable work of African American literature for scholars and poetry enthusiasts alike. Comprised of some of Johnson's best poems, and graced with a foreword by W.E.B. Du Bois, Bronze showcases her sense of the musicality of language while illuminating the experiences of African American women of the early twentieth century."Don't knock at my heart, little one, / I cannot bear the pain / Of turning deaf-ear to your call / Time and time again!" This poem, titled "Black Woman," contains the tragic lament of a woman for whom motherhood would mean exposing her child to the cruelties of a racist world. "You do not know the monster men / Inhabiting the earth. / Be still, be still, my precious child, / I must not give you birth." Far from denying life, this black woman knows that the life of a black child would be precious only to her, and that she would lack the ability to defend her "little one" from violence and hatred. Despite this bleak vision, Johnson also foresees a time of peace, a world in which "All men as one beneath the sun" will live "In brotherhood forever." Throughout this collection, Johnson shows an efficiency with language and ear for music that make her an essential, underappreciated artist of the Harlem Renaissance. With a beautifully designed cover and professionally typeset manuscript, this edition of Georgia Douglas Johnson's Bronze is a classic of African American literature reimagined for modern readers.

Lyrics of Sunshine and Shadow (1905) is a collection of poems by African American author Paul Laurence Dunbar. Published while Dunbar was suffering from tuberculosis, alcoholism, and depression, Lyrics of Sunshine and Shadow builds on his reputation as an artist with a powerful vision of faith and perseverance who sought to capture and examine the diversity of the African American experience. In "The Place Where the Rainbow Ends," Dunbar, perhaps reflecting on his proximity to death, provides a simple song with a cautionary, utopian vision of hope and happiness: "Oh, many have sought it, / And all would have bought it, / With the blood we so recklessly spend; / But none has uncovered, / The gold, nor discovered / The spot at the rainbow's end." Meditative and bittersweet, Dunbar rejects wealth and power as a means of achieving fulfillment, looking instead to establish an inner peace for himself that he might "find without motion, / The place where the rainbow ends," a place "[w]here care shall be quiet, / And love shall run riot, / And [he] shall find wealth in [his] friends." Whether a vision of heaven or of the possibility of peace on earth, this poem finds echoes across Dunbar's penultimate volume. Nearing death at such a young age, he prepares himself to lose the life he had fought so hard to achieve, a life devoted to reaching the hearts and minds of others. As we all must, he ends on a question, opening himself to the unknown without losing hope for the possibility of peace and reunion to come: "Where shall we meet, who knows, who knows?" In the reader, his song carries on. With a beautifully designed cover and professionally typeset manuscript, this edition of Paul Laurence Dunbar's Lyrics of Sunshine and Shadow is a classic of African American literature reimagined for modern readers.

Of One Blood (1902-1903) is a novel by Pauline E. Hopkins. Recognized as one of the earliest works of science fiction by an African American writer, Of One Blood was originally published in The Colored American Magazine, America's first monthly periodical covering African American arts and culture. Combining themes of racial identity and passing within a genre-blending narrative of Gothic horror and the occult, Hopkins weaves a masterful tale of conspiracy, a lost African kingdom, and murder. Struggling with the mental and financial pressures of medical school, Reuel Briggs-a Black man who passes as white-decides to take a night off in order to attend a local concert. There, he sees the singer Dianthe Lusk, a beautiful woman who possess a mysterious aura. The next day, Reuel is called to assist at the scene of a train accident. There, he chances upon Dianthe, who has sustained a blow to the head. Using an experimental form of mesmerism, Reuel brings her back to life, but she seems to be suffering from near total amnesia. After nursing her back to health with the help of his best friend Aubrey, Reuel finds her a place to stay in Boston. Hoping to marry her, he offers to embark on an archaeological expedition organized by Aubrey, who claims to have discovered a lost Ethiopian kingdom. As the story unfolds, redemption turns to betrayal, best friends become sworn enemies, and a secret from the distant past threatens to change Reuel's life forever. With this thrilling tale of race, adventure, and mystery, Hopkins proves herself as a true pioneer of American literature, a woman whose talent and principles afforded her the vision necessary for illuminating the injustices of life in a nation founded on slavery and genocide. This edition of Pauline E. Hopkins' Of One Blood is a classic work of African American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.