Bücher der Reihe Music Reference Collection

Presenting detailed information about 14 standard anthologies, this useful music reference tool lists all excerpts and complete compositions, provides information concerning the type of score presented, and includes an index of composers and sources as well as an index of complete compositions and movements.

This collection provides more than 900 Latin texts and English translations of the "Propers of the Mass", those portions of the Roman Catholic Mass which change from day to day throughout the liturgical year.

Presenting detailed bibliographic information on all aspects of orchestration, instrumentation, and musical arranging with the broadest possible historical and stylistic palette, this work includes over 1,200 citations.

and music archives in Latin America. A comprehensive research tool for Latin American choral music, this volume will also serve scholars and researchers as a basic guide to sources for Latin American classical music.

This reference work catalogs music for organ and harpsichord written by more than 700 women composers from 40 countries. Compiler Adel Heinrich has expanded the organ and harpsichord repertoire to include choir and instruments accompanying organ and harpsichord.

Meeting the existing need for a resource on Spanish violin and viola music, this guide provides the teacher and performer with information on approximately 300 works for violin and viola in solo, with piano, and with orchestra.

For the first time, students and scholars will have access, in a single source, to biographical, historical, and bibliographical data concerning the writers of the hymn texts, the composers of the hymn tunes, and the various routes by which the hymns found their way onto the pages of that large collection of gospel and traditional hymnody.

With a listing of over 3,600 books about individual artists and groups, this is the most accurate and comprehensive bibliography available on Rock/Pop stars. It is the most authoritative source for English-language titles, which are listed in the main directory under an A-Z presentation of artists.

Jazz artists, as defined by Carner, are those who have made their mark as jazz performers and who have led the jazz life, playing the clubs and joints, not the legitimate concert stage, Broadway, Las Vegas, or the like.

Aaron Horne provides the most comprehensive guide to brass music written by black composers. and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers.

With a broad historical and stylistic palette, this work includes over 2600 citations with bibliographic information on all aspects of harmony in music. The sources range from treatises, dissertations, and textbooks to journal articles and book reviews and are cross-referenced and indexed.

Organized in two parts, the first is a profile of all set-classes in charts allowing quick comparisons among them, including set-class reference tables, set-classes arranged by ascending interval-class vectors, and a summary of transformational invariances.

A practical guide for guitarists searching for new repertoire that includes women composers, this unique work lists musical works by instrumentation followed by biographies of each composer.

Twentieth-Century American Music for the Dance: A Bibliography provides a guide to one of the most important areas of modern music.

An extensive list of works cited is followed by five indexes providing access to the material in the catalog by first line of text, Billings's anthem titles, text sources, musical form (tune types), and musical incipits.

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An introduction to a new way of modeling musical surfaces for theorists and for generating precompositional relationships for composers, this unique music theory reference work introduces, classifies, and enumerates graph theoretical models for musical transformations in compositional and analytical applications.

This work includes the entire spectrum. The work includes every book published about the band, every article that appeared in a major magazine or journal, chapters and entries in books, and articles from The San Francisco Chronicle and The San Francisco Examiner newspapers.

The form and analysis treatises chapters include publication, original language, English translation, reprint, and bibliographic information for book-length works (including master's theses and doctoral dissertations) that deal with questions of musical form and musical analysis in a significant way.

Anton Rubinstein, a seminal figure in Russian music, was not only a great pianist but also a monumental influence in Russian music education.

For the flutist wishing to perform music composed by women, this annotated catalog will come as a most welcome addition to the numerous flute bibliographies now available. It contains works for solo flute, duets, flute and piano, concertos, woodwind quintets, other chamber ensembles, or any work that employs soloistic use of the flute.

Following the introduction are four chapters cataloguing original works for the right hand alone, original works for the left hand alone, music arranged or transcribed for one hand alone, and concerted works for one hand in concert with other pianists, instruments, or voices.

More than 400 books have been published on the American musical icon, Elvis Presley. Informative addenda include a guide to collecting Elvis books and a chronological listing of Elvis books.

This reference guide provides access to almost 1,000 books, book chapters, articles, and dissertations about the three Mozart-Da Ponte operas, Le nozze di Figaro, Don Giovanni, and Cosi fan tutte.

Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective.

An indispensable supplement to even the most recent published reference works in the field of the vocal arts, Classical Singers of the Opera and Recital Stages should remain a standard work for years to come.

Designed as a practical reference guide for professional pianists and piano teachers, A Guide to Piano Music by Women Composers, Volume I, is an annotated catalogue of the available piano music in print composed by 144 women born before the 20th century.

This annotated chronology contains material concerning the background, philosophy, theory, notation, style, manuscript sources, theoretical sources, classes of music, composers and instruments for the period from 1425 to 1520, the first part of the Renaissance.

This catalog is divided into four major sections: singles, extended-play albums, long-play albums, and compact discs.