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Bücher der Reihe NHB Drama Classics

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  • - Full Text and Introduction (NHB Drama Classics)
    von Aphra Behn
    16,00 €

    The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding. The Rover is a classic Restoration comedy by the first English woman playwright. Arriving in Naples at carnival time, a group of exiled cavaliers determine to enjoy themselves. They are repeatedly tempted and tricked by various prostitutes and their pimps, until their leader, the Rover, is finally forced to give up his wild behaviour when he falls in love with a single-minded, wealthy virgin. Edited and introduced by Simon Trussler.

  • von Johann Wolfgang Goethe
    20,00 €

    Drama Classics: The World's Great Plays at a Great Little PriceA fresh, performable version by John Clifford of Goethe's 'unstageable' masterpiece.God and Mephistopheles vie for the mortal soul of Dr Faust. Signing a pact with the nihilistic spirit, Faust is privy to knowledge unbound and sensual delights of which most men can only dream. But before long, the Doctor comes to realise that you should always be very careful what you wish for.Goethe began working on Faust in about 1772-5. He published a first fragment of it in 1790, then the whole of Part One in 1808. He saw the first performance of Part One in Brunswick in 1829, and was still making minor revisions to Part Two shortly before his death in March 1832.This two-part English version by John Clifford, in the Nick Hern Books Drama Classics series, was first performed at the Royal Lyceum Theatre, Edinburgh, in February 2006.'A thoroughly modern interpretation, a litany of society's soul-selling compromises - sexual commoditisation, academic dumbing-down and capitalistic rapaciousness - that is entirely about today. It's frequently funny but never less than serious' - Guardian

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