Bücher der Reihe Oxford Studies in Dance Theory

Unworking Choreography considers how philosophy traditionally understands dance as space rather than art in order to postulate a new theory of unworking that is grounded in both historical and contemporary dance. work production.

This book shows how le hip hop reflects a republic of culture rather than a culture industry; a minority identity politics that takes shape as a movement poetics or figural language; and the public valorization of dance as a technique, meriting unemployment compensation and understood as a high-tech knowledge practice.

Watching Weimar Dance historicizes and theorizes the spectatorship of dances in and from interwar Germany - at home, on tour, and later returning from exile - developing a culturally-situated model of watching that not only offers a revisionist historical narrative, but also demonstrates new methods for dance scholarship to shape cultural history.

Choreographies of 21st Century Wars is the first book to analyze the interface between choreography and contemporary warfare, a pertinent inquiry since choreography has long been linked to war and military training. Authors from a range of disciplines reconceptualize choreography in the face of this century's never ending wars.

Ungoverning Dance examines recent contemporary dance in continental Europe. Placing this in the context of neoliberalism and austerity, it argues that dancers are developing an ethico-aesthetic approach that uses dance practices as sites of resistance against dominant ideologies. It attests to the persistence of alternative ways of thinking and living.

The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Author Gabriele Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity.