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Bücher der Reihe Palgrave Studies in Audio-Visual Culture

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  • von David Ireland
    75,00 €

    This book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film's images and narrative.

  • - Making Music for Silent Cinema
     
    117,00 €

    In recent years, there has been something of an explosion in the performance of live music to silent films. This book is the first of its kind in that it aims to bring together writings and interviews to delineate the culture of providing music for silent films.

  • - Making Music for Silent Cinema
     
    117,00 €

    In recent years, there has been something of an explosion in the performance of live music to silent films. This book is the first of its kind in that it aims to bring together writings and interviews to delineate the culture of providing music for silent films.

  • von Aimee Mollaghan
    136,00 €

    Adopting an interdisciplinary approach, The Visual Music Film explores the concept and expression of musicality in the visual music film, in which visual presentations are given musical attributes such as rhythmical form, structure and harmony.

  • von Jack Curtis Dubowsky
    30,00 €

    Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema.

  • - A Spatial Approach
    von Beth Carroll
    28,00 €

    Utilising film musicals ranging from those by Fred Astaire and Ginger Rogers to von Trier's Dancer in the Dark (2000), Feeling Film: A Spatial Approach investigates how we might go about understanding the audience's spatial relationship with film aesthetics, what it might look like, and the tools needed to conduct analysis.

  • - A Film Studies Approach
    von Emilio Audissino
    30,00 €

    This book offers an approach to film music in which music and visuals are seen as equal players in the game. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.

  • - The Way It Never Sounded
    von Andra Ivanescu
    74,00 €

    This book looks at the uses of popular music in the newly-redefined category of the nostalgia game, exploring the relationship between video games, popular music, nostalgia, and socio-cultural contexts.

  •  
    117,00 €

    This book serves as a comprehensive investigation into the ways in which current scholars working with sound are re-inventing acoustic ecology across diverse fields, drawing on acoustic ecology's focus on sensory experience, place, and applied research, as well as attendance to mediatized practices in sounded space.

  •  
    116,00 €

    This book serves as a comprehensive investigation into the ways in which current scholars working with sound are re-inventing acoustic ecology across diverse fields, drawing on acoustic ecology's focus on sensory experience, place, and applied research, as well as attendance to mediatized practices in sounded space.

  • - From the Birth of Rock 'n' Roll to the Death of Disco
    von Anthony Hogg
    83,00 €

    By dividing this period into five phases-The Classical American Musical Phase, The British Invasion Phase, The New Hollywood Alienation Phase, The Disco Phase and The Post-Disco Conservative Phase-the book pinpoints key moments at which individual developments occurred and lays out a path of expansion in popular music function.

  • - Musical Traditions in British Cinema, 1930s-1950s
    von Paul Mazey
    88,00 €

    This book offers a fresh approach to British film music by tracing the influence of Britain's musical heritage on the film scores of this era.

  •  
    51,00 €

    This edited collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research.

  • von K. J. Donnelly
    126,00 €

    This book reconsiders audiovisual culture through a focus on human perception, with recourse to ideas derived from recent neuroscience. It proceeds from the assumption that rather than simply working on a straightforward cognitive level audiovisual culture also functions more fundamentally on a physiological level, directly exploiting precise aspects of human perception. Vision and hearing are unified in a merged signal in the brain through being processed in the same areas. This is illustrated by the startling ¿McGurk Effect¿, whereby the perception of spoken sound is changed by its accompanying image, and counterpart effects which demonstrate that what we see is affected by different sounds accompanying sounds. This blending of sound and images into a whole has become a universal aspect of culture, not only evident in films and television but also in video games and short Internet clips. Indeed, this aesthetic formation has become the dominant of this period. The McGurk Universe attends to how audiovisual culture engages with and mediates between physiological and psychological levels.

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