Bücher der Reihe Palgrave Studies in Nineteenth-Century Writing and Culture

Reflecting the current critical drive to reconcile formalist and historicist approaches to literature, it uses close readings to trace the complex interactions between memory as a theme and the (often-memorable) formal traits - such as brevity, stanzaic structure, and sonic repetition - that appear in the lyrics examined.

An ambitious weave of ideological, literary, and commodity history, The Reenchantment of Nineteenth-Century Fiction shows how Dickens, Thackeray, and George Eliot sacralized Victorian modernity in two contradictory ways: by incarnating their moment as one of transcendent development, and by reenacting bloody rituals from a fading Protestant past.

It is well known that much of our modern vocabulary of sex emerged within nineteenth-century German sexology. But how were the 'German ideas' translated and transmitted into English culture? This study provides an examination of the formation of sexual theory between the 1860s and 1930s and its migration across national and disciplinary boundaries.

A Tale of Two Cities has always been one of Dickens's most popular texts. Using a variety of disciplinary approaches, this new collection of essays examines the origins of Dickens vision of the French Revolution, the literary power of the text itself, and its enduring place in British culture through stage and screen adaptations.

Encounters in the Victorian Periodical Press focuses on the unique characteristic of the Victorian periodical press - its development of encounters between and among readers, editors, and authors.

This book re-examines cultural, social, geographical and philosophical representations of Victorian London by looking at the transformations in urban life produced by the rise and development of urban mass-transport.

An original and energetic examination of the relationship between theology, faith, religious history and national politics in the works of Oscar Wilde, which focuses in particular on his life-long attraction to Catholicism.

Although subject to novelist's ambivalent, even satirical, representations, missionary aesthetes nevertheless constituted an influential social network, imbuing fin-de-siecle artistic communities with political purpose and political lobbies with aesthetic sensibility.

Decadent Poetics explores the complex and vexed topic of decadent literature's formal characteristics and interrogates previously held assumptions around the nature of decadent form. Writers studied include Oscar Wilde, Charles Baudelaire and Algernon Charles Swinburne, as well as A.E. Housman, Arthur Machen and Hubert Crackanthorpe.

This exciting new study looks at degeneration and deviance in nineteenth-century science and late-Victorian Gothic fiction. The questions it raises are as relevant today as they were at the nineteenth century's fin de siecle: What constitutes the norm from which a deviation has occurred? What exactly does it mean to be 'normal' or 'abnormal'?

Why were so many late-nineteenth-century homosexuals passionate about the Italian Renaissance? This book answers that question by showing how the Victorian coupling of criminality with self-fashioning under the sign of the Renaissance provided queer intellectuals with an enduring model of ruthlessly permissive individualism.

This innovative book draws together literature, law and economic and social history to investigate the meanings and uses of legitimacy in nineteenth-century Britain. This broad range of essays highlights the ways in which contested narratives and interested performances shaped the idea of legitimate authority during this period.

As the nineteenth-century drew to a close, women became more numerous and prominent in British journalism. This book offers a fascinating introduction to the work lives of twelve such journalists, and each essay examines the career, writing and strategic choices of women battling against the odds to secure recognition in a male-dominated society.

This innovative study shows that nineteenth-century texts gave domesticity not just a spatial but also a temporal dimension. Novels by Dickens and Gaskell, as well as periodicals, cookery books and albums, all showed domesticity as a process.

This book offers new perspectives on the concept of habit in the nineteenth-century novel, delineating the complex, changing significance of the term and exploring the ways in which its meanings play out in a range of narratives, from Dickens to James.

This book takes a fresh look at childhood in Dickens' works and in Victorian science and culture more generally. It offers a new way of understanding Dickens' interest in childhood by showing how his fascination with new scientific ideas about childhood and practices of scientific inquiry shaped his narrative techniques and aesthetic imagination.

This book explores the intersections of gender with class and race in the construction of national and imperial ideologies and their fluid transformation from the Romantic to the Victorian period and beyond, exposing how these cultural constructions are deeply entangled with the family metaphor.

This book is an interdisciplinary collection of essays that explores the variety ofways in which the interface between understanding the figure of Christ, theplace of the cross, and the contours of lived experience, was articulated throughthe long nineteenth century.

As the nineteenth-century drew to a close, women became more numerous and prominent in British journalism. This book offers a fascinating introduction to the work lives of twelve such journalists, and each essay examines the career, writing and strategic choices of women battling against the odds to secure recognition in a male-dominated society.

This book explains why narrating the recent past is always challenging, and shows how it was particularly fraught in the nineteenth century. This book brings together Victorian histories and novels to show how these parallel genres responded to the challenges of contemporary history writing in divergent ways.

This book explores the intersections of gender with class and race in the construction of national and imperial ideologies and their fluid transformation from the Romantic to the Victorian period and beyond, exposing how these cultural constructions are deeply entangled with the family metaphor.

It is during the nineteenth-century, the age of machinery, that we begin to witness a sustained exploration of the literal and discursive entanglements of minds, bodies, machines. This book explores the impact of technology upon conceptions of language, consciousness, human cognition, and the boundaries between materialist and esoteric sciences.

This book tackles photography's role during Robert Louis Stevenson's travels throughout the Pacific Island region and is the first study of his family's previously unpublished photographs.

By 1840, the epistolary novel was dead. Letters in Victorian fiction, however, were unmistakably alive. Postal Plots explores how Victorian postal reforms unleashed a new and sometimes unruly population into the Victorian literary marketplace where they threatened the definition and development of the Victorian literary professional.

Victorian Time examines how literature of the era registers the psychological impact of the onset of a modern, industrialized experience of time as time-saving technologies, such as steam-powered machinery, aimed at making economic life more efficient, signalling the dawn of a new age of accelerated time.

The 'invisible hand', Adam Smith's metaphor for the morality of capitalism, is explored in this text as being far more subtle and intricate than is usually understood, with many British realist fiction writers (Austen, Dickens, Gaskell, Eliot) having absorbed his model of ironic causality in complex societies and turned it to their own purposes.

This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience.

What makes us human? Where is the limit between human and animal? These are questions that haunt post-Darwinian literature. Covering fiction from Kipling to Kafka, this study offers a historically embedded analysis of anthropological anxiety in the period between the publication of the Origin of Species and the beginning of the Second World War.

Comprising nine original essays by specialists in material culture, book history,literary criticism and curatorial and archival studies, this co-edited volumeaddresses a wide range of Bront├½ΓÇÖs writingΓÇöfrom vignettes composed during herteenage years (ΓÇ£The Tea PartyΓÇ¥ and ΓÇ£The SecretΓÇ¥) to completed novels (TheProfessor, Jane Eyre, Shirley and Villette) and unfinished works (ΓÇ£AshworthΓÇ¥ andΓÇ£EmmaΓÇ¥). In bringing to life the surprising array of embodied experiences thatshaped Bront├½ΓÇÖs creative practice (from writing to book-making, painting, anddrawing), Charlotte Bront├½, Embodiment and the Material World forges newconnections between historical, material, and textual approaches to the authorΓÇÖswork.