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Bücher der Reihe Palgrave Studies in Screenwriting

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  • - Experimental Writing for Silent Film
    von Alexandra Ksenofontova
    83,00 €

    The Modernist Screenplay explores the film screenplay as a genre of modernist literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right.

  • - From Screenplay to Screen Performance
    von Adam Ganz
    30,00 €

    Robert De Niro at Work is the first critical study to examine how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance.

  • - A Critical History
    von Steven Price & Chris Pallant
    127,00 €

    This study provides the first book-length critical history of storyboarding, from the birth of cinema to the present day and beyond. It discusses the role of storyboarding in key films including Gone with the Wind , Psycho and The Empire Strikes Back , and is illustrated with a wide range of images.

  • von Kathryn Millard
    93,00 €

    Screenwriting in a Digital Era examines the practices of writing for the screen from early Hollywood to the new realism. Looking back to prehistories of the form, Kathryn Millard links screenwriting to visual and oral storytelling around the globe, and explores new methods of collaboration and authorship in the digital environment.

  • - From The Kingdom to The Killing
    von Eva Novrup Redvall
    34,98 €

    Offering unique insights into the writing and production of television drama series such as The Killing and Borgen, produced by DR, the Danish Broadcasting Corporation, Novrup Redvall explores the creative collaborations in writers' rooms and 'production hotels' through detailed case studies of Denmark's public service production culture.

  • - New Perspectives
     
    25,00 €

    Ethics in Screenwriting: New Perspectives is a book that breaks new ground by forging a link between screenwriting research and a burgeoning interest in film, media, and narrative ethics.

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