Bücher der Reihe Palgrave Studies in Utopianism

This book focuses on the most important utopian and dystopian literary texts in nineteenth and twentieth-century Hungarian literature, and therefore widens the scope of the traditionally Anglophone canon. Utopian studies is becoming increasingly interdisciplinary, and this research integrates literary hermeneutics with ideas and methods from political science and the history of ideas. In doing so, it argues that Hungarian utopianism was influenced by the region¿s (and Hungarian culture¿s) position of permanent liminality between Western and Eastern European patterns of power structures, social and political order. After a thorough methodological introduction, some early modern texts written in Hungary are discussed, while the detailed analyses focus on nineteenth-century texts, written by Bessenyei, Madách, and Jókai, whereas the twentieth century is represented by Karinthy, Babits and Szathmári. In the interpretations the results of contemporary scholarship is applied, particularly the works of Lyman Tower Sargent, Gregory Claeys and Fátima Vieira.

This book offers the first English translation and comprehensive analysis (inclusive of introductory study and endnotes to the translation) of the longest and most complex Italian Renaissance utopia, Ludovico Agostini¿s Imaginary Republic. It not only reveals the significance of a text that has been mostly forgotten; it also shows how an investigation of Imaginary Republic uncovers neglected and surprising facets of Renaissance utopianism. The current scholarly image of Renaissance utopianism is based, predominantly, on English texts. Other European utopian traditions are considered only tangentially and do not substantially inform the overall picture of the nature of Renaissance utopias. This book¿s study of Imaginary Republic, within the context of Italian sixteenth- and seventeenth-century utopias, contributes to filling this gap in the critical literature by expanding the current understanding of Renaissance utopianism.

'Comprehensive and thorough, Utopias in Nonfiction Film takes a new direction in its surprise application to documentary that has the potential to shake up the field.'- Jane Gaines, Columbia University, USA'Spiegel has introduced a new sub-genre to utopian studies, the documentary film. The book covers an impressive range of films, making the book one of the few truly international and comparative works in utopian studies.'- Lyman Tower Sargent, University of Missouri-St. Louis, USA"Simon Spiegel¿s magisterial overview of utopian documentaries and nonfiction films is a treasure trove of information and unearths many forgotten and half-forgotten films, providing perceptive discussions of sidelined movies that deserve his (and our) critical scrutiny.¿ - Eckart Voigts, University of Braunschweig ¿ Institute of Technology, GermanyThis book is the first major study on utopias in nonfiction film. Since the publication of Thomas More¿s Utopia more than 500 years ago, countless books have been written which describe a better world. But in film, positive utopias seem to be nonexistent. So far, research has focused almost exclusively on dystopias, since positive outlooks seem to run contrary to the mediäs requirement. Utopias in Nonfiction Film takes a new approach; starting from the insight that literary utopias are first and foremost meant as a reaction to the ills of the present and not as entertaining stories, it looks at documentary and propaganda films, an area which so far has been completely ignored by research. Combining insights from documentary research and utopian studies, a vast and very diverse corpus of films is analysed. Among them are Zionist propaganda films, cinematic city utopias, socialist films of the future as well as web videos produced by the Islamist terrorist group ISIS.

In a period when women faced legal and social restrictions ranging from coverture to slavery, the emergence of residential communities designed by French utopian writer, Charles Fourier, introduced spaces where female leadership and social organization became possible.

This book assesses key works of twentieth-century dystopian fiction, including Katharine Burdekin's Swastika Night, George Orwell's Nineteen Eighty-Four, and Margaret Atwood's The Handmaid's Tale, to demonstrate that the major authors of this genre locate empathy and morality in eroticism.

This book provides an account of how, in the years 1800-1825, enlightened entrepreneur and budding reformer Robert Owen used his cotton mill village of New Lanark, Scotland, as a test-bed for a set of political intuitions which would later form the bedrock of early socialism in Britain.

This book offers a new interpretation of William Morris's utopianism as a strategic extension of his political writing.

This book address the relationship between utopian and radical thought, particularly in the early modern period, and puts forward alternatives approaches to imagined 'realities'. and the circumstances in which radical and utopian fictions appear to become imperative.

This book analyses the aesthetic and utopian dimensions of various activist social movements in Western Europe since 1989. Through a series of case studies, it demonstrates how dreams of a better society have manifested themselves in contexts of political confrontation, and how artistic forms have provided a language to express the collective desire for social change.The study begins with the 1993 occupation of Claremont Road in east London, an attempt to prevent the demolition of homes to make room for a new motorway. In a squatted row of houses, all available space was transformed and filled with elements that were both aesthetic and defensive - so when the authorities arrived to evict the protestors, sculptures were turned into barricades. At the end of the decade, this kind of performative celebration merged with the practices of the antiglobalisation movement, where activists staged spectacular parallel events alongside the global elite's international meetings. As this book shows, social movements try to erase the distance that separates reality and political desire, turning ordinary people into creators of utopias. Squatted houses, carnivalesque street parties, counter-summits, and camps in central squares, all create a physical place of these utopian visions

This book provides the first English study (comprehensive of introductory essays, translations, and notes) of five prominent Italian Renaissance utopias: Doni's Wise and Crazy World, Patrizi's The Happy City, and Zuccolo's The Republic of Utopia, The Republic of Evandria, and The Happy City.

This book analyses the aesthetic and utopian dimensions of various activist social movements in Western Europe since 1989. Through a series of case studies, it demonstrates how dreams of a better society have manifested themselves in contexts of political confrontation, and how artistic forms have provided a language to express the collective desire for social change.The study begins with the 1993 occupation of Claremont Road in east London, an attempt to prevent the demolition of homes to make room for a new motorway. In a squatted row of houses, all available space was transformed and filled with elements that were both aesthetic and defensive ¿ so when the authorities arrived to evict the protestors, sculptures were turned into barricades. At the end of the decade, this kind of performative celebration merged with the practices of the antiglobalisation movement, where activists staged spectacular parallel events alongside the global elite¿s international meetings. As this book shows, social movements try to erase the distance that separates reality and political desire, turning ordinary people into creators of utopias. Squatted houses, carnivalesque street parties, counter-summits, and camps in central squares, all create a physical place of these utopian visions