Bücher der Reihe Pantheon Graphic Library

***FINALIST FOR THE 2020 PEN/JEAN STEIN BOOK AWARD****** NEW YORK TIMES 100 NOTABLE BOOKS OF THE YEAR ***A major graphic novel event more than 18 years in progress: part one of the ongoing bifurcated masterwork from the brilliant and beloved author of Jimmy Corrigan: The Smartest Kid on Earth and Building Stories.Rusty Brown is a fully interactive, full-color articulation of the time-space interrelationships of three complete consciousnesses in the first half of a single midwestern American day and the tiny piece of human grit about which they involuntarily orbit. A sprawling, special snowflake accumulation of the biggest themes and the smallest moments of life, Rusty Brown literately and literally aims at nothing less than the coalescence of one half of all of existence into a single museum-quality picture story, expertly arranged to present the most convincingly ineffable and empathetic illusion of experience for both life-curious readers and traditional fans of standard reality. From childhood to old age, no frozen plotline is left unthawed in the entangled stories of a child who awakens without superpowers, a teen who matures into a paternal despot, a father who stores his emotional regrets on the surface of Mars and a late-middle-aged woman who seeks the love of only one other person on planet Earth.

For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day. Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda. He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey-with his singular artistry and his characteristic provocation, outrage, and wit-the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.

The paperback boxed set of the Pulitzer Prize-winning graphic novel in its original two-volume format, re-released to include a sixteen page booklet designed by the artist. Acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal), Maus is considered "the first masterpiece in comic book history" (The New Yorker).A brutally moving work of art-widely hailed as the greatest graphic novel ever written-Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.

"Originally published in France as Oáu est Anne Frank! by Calmann-Lâevy, Paris, in 2021."--Title page verso.

Marjane Satrapi recounts her childhood and coming of age in Tehran during the Islamic Revolution, as well as her self-imposed exile from her native country, through comic strips that reflect how her own history is tied to the history of Iran.

"Meet little Maurice Vellekoop, the youngest of five children raised by Dutch immigrants in the 1970s in a middle class suburb of Toronto. He loves watching Cher and Carol Burnett on TV, making clothes for his best friend's Barbie dolls, and helping his mum with her hair salon which she runs out of the basement of the house. In short: he is really, really gay. Which is a huge problem, because his family is part of the Christian Reformed Church, a strict Calvinist sect, which is not accepting of homosexuality to say the least. We see him participating in weekly church services, catechism classes, going to Christian schools, his stint as a member of the Calvinist Cadet Corps. Vellekoop struggles through all of this, until he finally graduates high school and gets accepted into the Ontario College of Art and Design in 1982. It is there that his life truly changes, thanks in no small part to his taking a class called "Plays In Performance" taught by the wildly flamboyant and brilliant Paul Baker. Baker is the first "out" gay man Maurice has ever met, and the two soon become close friends. It is through witnessing Baker's functional relationship with his long-time partner Martin that Maurice finally starts to reconcile with himself and begin to accept who he actually is. But it's going to be a long, messy, difficult, and occasionally hilarious process. I'm So Glad We Had This Time Together is an enthralling portrait of what it means to be true to yourself, to learn to forgive, and to be an artist."--

"Portions of this book originally appeared, in different form, in Tablet in 2017 and in The Believer in Spring 2018 and Summer 2019"--Copyright page.