Bücher der Reihe Peace and Conflict in Reihenfolge

Provides key data and documents trends in national and international conflicts ranging from isolated acts of terrorism to fully-fledged war.

On the evening of July 11, 1967, a Navy surveillance aircraft spotted a suspicious trawler in international waters heading toward the Quang Ngai coast of South Vietnam. While the ship tried to appear innocuous on its deck, Saigon quickly identified it as an enemy gunrunner, codenamed Skunk Alpha. A four-seaborne intercept task force was established and formed a barrier inside South Vietnam's twelve-mile territorial boundary. As the enemy ship ignored all orders to surrender and neared the Sa Ky River at the tip of the Batangan Peninsula, Swift Boat PCF-79 was ordered to take the trawler under fire. What followed was ship-to-ship combat action not seen since World War II. Capturing Skunk Alpha relates that breathtaking military encounter to readers for the first time. But Capturing Skunk Alpha is also the tale of one sailor's journey to the deck of PCF-79. Two years earlier, Raúl Herrera was growing up on the west side of San Antonio, Texas, when he answered the call to duty and joined the US Navy. Raúl was assigned to PCF Crew Training and joined a ragtag six-man Swift Boat crew with a mission to prevent the infiltration of resupply ships from North Vietnam. The brave sailors who steered into harm's way in war-torn Vietnam would keep more than ninety tons of ammunition and supplies from the Viet Cong and NVA forces. The Viet Cong would post a bounty on PCF-79; Premier Nguy¿n Cao K¿ and Chief of State Nguy¿n V¿nThi¿u would congratulate and decorate them for their heroism. Capturing Skunk Alpha provides an eyewitness account of a pivotal moment in Navy operations while also chronicling one sailor's unlikely journey from barrio adolescence to perilous combat action on the high seas.

The conflict in Vietnam has been rewritten and reframed into many corners of American life and has long shadowed contemporary political science and foreign policy. The war and its aftermath have engendered award-winning films and books. It has held up a mirror to the twentieth century and to the wars of the twenty-first. Set in wartime Vietnam and contemporary Vietnam, in wartime America and in America today, the stories that comprise Memorial Days were written from 1973 to the present. As our continuing reappraisals of the war's shadow have unspooled over the last half-decade, so too has Wayne Karlin returned to the subject in his fiction, collected and published together here for the first time. A girl in Maryland runs away from Civil War reenactors she imagines to be American soldiers in Vietnam, while a woman in Vietnam hides in the jungle from an American helicopter and another tries to bury the relics of the war. A man mourns a friend lost in Iraq while a helicopter crewman in Quang Tri loads the broken and dead into his aircraft. Extras playing soldiers in a war film in present-day Vietnam model themselves after other war films while a Marine in a war sees himself as a movie character. A snake coiled around the collective control of a helicopter in Vietnam uncoils in a soldier come home from Iraq. The chronology is the chronology of dreams or nightmares or triggered flashbacks: images and incidents triggering other images and incidents in a sequence that seems to make no sense--which is exactly the sense it makes. Some stories burn with the fresh experiences of a Marine witnessing war firsthand. Some stories radiate a long-abiding grief. All the stories reflect and reconfigure the Vietnam War as it echoes into the present century, under the light of retrospection.