Bücher der Reihe Perspectives on Sensory History

An interpretation of early modern Paris demonstrating that sound was as important as vision during the reign of Louis XIV. Discloses myriad ways in which sound generated an interpenetration of elite and popular culture, revealing complex acoustic dimensions of class, politics, sexuality, and punishment.

Examines the relationship between sound and statuary in Western aesthetic thought in light of discourses on aurality emerging within the field of sound studies. Considers the sounding statue as an event and as conceptualized through acts of writing and performance.

Examines a series of linked case studies that not only highlight moments of seeming disconnect between seeing and believing, including hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, but also offer a sensory history of ways of seeing.