Bücher der Reihe Politics, Literature, & Film

The main premise of Philosophical Perspective on Cinema is simple: Can a visual medium such as cinema put in greater perspective diverse aspects of human experience? Films are usually sorted by genres, but by applying metaphysical/existential categories to cinema, the author enables readers to reflect on the nature and essence of existence by making life appear less transparent to itself. Undoubtedly, the connection between sensual reality and philosophical reflection is often glossed over when the emphasis is placed on theoretical abstractions, and not life itself. While this work is a reflection on the philosophy of existence, the author embraces a practical approach to the metaphysical/existential foundation of human existence.

Popular Culture and Foreign Policy: The Case of Turkey and the Valley of the Wolves: Ambush analyzes Turkish Foreign Policy from an interdisciplinary perspective. It seeks to understand and discuss how foreign policy discourses can be reproduced by a popular television series and consequently produce consent for certain foreign policies.

Defenses Against the Dark Arts argues that performances of magic in Harry Potter show us how to leap into political action, from high politics of governments and elections to everyday politics of private lives and popular cultures. It features learning to face and defend against dark arts in dark times.

';As to Europekeep it in a gray, ominous, evil fog.'Ayn Rand (19051982) thus commented on the role of Europe in her key novel, Atlas Shrugged (1957). The same could be said of the way Europe features in her own biography and in the general perception of her persona. Even though Rand was born in pre-revolutionary Russia, she is nowadays considered anAmerican phenomenon, whose reach ends at the Atlantic shore. This book lifts the gray fog cast over her relationship with Europe, retracing the changing perception of the continent in both her fiction and thought. Her apparent lack of success with European readers is often explained by allegedly different reading tastes. However, a look at her publication history and reception shows that many factors played a role why her work found fewer European than US readers. Finally, an archipelago of European readers and admirers emerges which is testament to Rands impact on European art and politics.

Decades after its publication, Salman Rushdie's controversial novel The Satanic Verses remains much talked about and little understood. The Unknown Satanic Verses Controversy on Race and Religion now responds to this critical gap through painstakingly detailed attention to the totality of Rushdie's text.

This book offers the first sustained argument against the philosophy of Walter Benjamin and his readings of Charles Baudelaire. Drawing upon the existential insights of Baudelaire it is also a critique of politicized aesthetics, and cultural Marxism, of which Benjamin is a pioneering and emblematic figure.

Although he writes in a different genre than most other political thinkers, Francois Rabelais's contribution to political philosophy carries weight because of his famous humor and unique style, which provide sharp insight into the limits of human agency and throw doubt on the more "serious" projects of his peers.

As political units grow it becomes increasingly difficult to maintain a shared sense of humanity and to recognize people as individuals rather than anonymous beings. To overcome our most pressing political issues we need to develop a moral imagination so that we may renew our sense of connectedness and responsibility to one another. Bringing together politics and art is one way this can be accomplished. This book draws upon political sources as well as works in literature, film and theater to show the limits of politics and the need for a moral imagination.

This book analyzes works of late 20th century literature to unearth themes related to western classical liberal societies. The analysis suggests new ways of thinking about building political philosophies capable of replacing the classical liberal model.

This book looks at why Frank Capra's It's a Wonderful Life is either the most inspirational or the cruelest film American cinema has ever produced. It depicts, perhaps unwittingly, an ontological war in which two well-matched adversaries fight a series of pitched battles that neither side can win without producing tragic remainders.

This book provides an analysis of five of the best known comedies of the award winning American film makers Joel and Ethan Coen. It demonstrates that their films, while popular and entertaining, also contain substantial philosophic and political ideas, particularly focusing on the nature of liberal democracy.

Reality is made up of absolute and casualty ideals. This book analyzes the lower aspects of absolute ideals that result in personal and social dysfunction and the ultimate end of civilization. Conversely, a society based on casualty and justice is stable and vibrant. It is a classless society, free of gender and ethnic biases.

This book analyzes how films have accurately or inaccurately portrayed the powers, rights, and freedoms within the U.S. Constitution, and it also explores how filmmakers' lessons about the Constitution have changed over time. This book would make an excellent addition to a course or research on constitutional law or film analysis.

The Declaration of Independence claims that individuals need liberty to pursue happiness, but provides little guidance on the ';what' of happiness. Happiness studies and liberal theory are incomplete guides. Happiness studies offer insights into what makes people happy but happiness policy risks becoming doctrinaire. Liberal theory is better on personal liberty, but weak on the ';what' of happiness. My argument is that American novelists are surer guides on the pursuit of happiness. Treated as political thinkers, my book offers a close reading of four American novelists, Tom Wolfe, Walker Percy, Edith Wharton, and Nathaniel Hawthorne, and their critique of the pursuit of happiness. With a critical and friendly eye, they present the shortcomings of pursuing happiness in a liberal nation but also present alternatives and correctives possible in America. Our novelists point us toward each other in friendship as our greatest resource to guide us towards happiness.

Imagination and Environmental Political Thought: The Aftermath of Thoreau seeks to correct oversimplified readings of Henry David Thoreau's political thought by elucidating a key tension within his imagination. With the celebration of Thoreau's two-hundredth birthday now past, this study outlines, and builds on, his own understanding of imagination and considers its implications for environmental politics.Despite the use of the word, ';aftermath,' Thoreau's legacy for environmental political thought is primarily constructive and foundational for modern environmentalism. Thoreau's virtues and vices have been inherited by his environmentally-conscious readers. The author of Walden's preference for an abstract, ahistorical ';higher law,' his radical concept of autonomy, and his frustration with government and community foster an impractical political thought characteristic of an idyllic imagination. Nevertheless, Thoreau demonstrates a more prudential and moral imagination by emphasizing the inescapable relationship between the moral order of individuals and the order of political communities and by pioneering the central questions of humanity's relationship to non-human nature. Can this tension of imaginations be resolved? What are the consequences of this tension? Thoreau's overall vision ultimately creates significant problems with which environmentalists still struggle. While Thoreau's emphasis on freedom and the immaterial aspects of human and non-human nature are of considerable value, his abstract political morality, misanthropy and escapism must be resisted both for the sake of environmental well-being and human dignity.In addition, this book is an exercise in re-thinking how the humanities may provide scholars critical insights to better diagnose and respond to the environmental challenges of our time.

This book analyzes major films about the American political process since the 1930s. It considers the films' major themes about politics, ideology, and representation of race and gender over the past several decades.

This book offers a combined historical and aesthetic analysis of five novels from Philip Roth's later career. It reads these works in the context of political, cultural, and literary developments in America from the New Deal to the present.

Cowboy Politics uses key works of literature, film, and television to explore how westerns address political challenges of Western civilization. This book tracks how westerns supplement liberal politics with republican, populist, perfectionist, and environmentalist politics.

This book demonstrates how government bureaucracy is portrayed in the top ten box office grossing films from 2000-2015. Perhaps unsurprisingly, government is generally portrayed poorly, but individual government bureaucrats are typically depicted positively.

Walker Percy and the Politics of the Wayfarer is the first sustained treatment of Percy as a political thinker. The book argues that Percy provides a distinctive approach to politics, one that might allow us to give up the dangerous longing for limitless progress and perfection in our lives.

Milton's Socratic Rationalism focuses on the influence of Milton's years of private study of classical authors, chiefly Plato, Xenophon and Aristotle, on Paradise Lost. It examines the conversations of Adam and Eve as a mode of discourse closely aligned to practices of Socrates in the dialogues of Plato and eponymous discourses of Xenophon.

Romanticism and Civilization examines romantic alternatives to modern life in Rousseau's foundational novel Julie. It argues that through the novel's drama and characters, Rousseau seeks to recover the sincerity and longing of the heart and the unity of life.

This book seeks to fill a double lacuna in Borges scholarship. For one, this scholarship has been largely developed through the lens of literary and cultural studies, and not by political theorists who bring a distinct disciplinary perspective into the reading of literary works. Secondly, mainstream interpreters have overlooked or have not analyzed enough Borges's political sympathies. This book does not evaluate if these sympathies are truthful to political and historical facts or philosophical theories; rather, she shows in which aspects and around which topics Borges finds inspiration and gives literary form to the political. His texts abound with concepts and events such as liberty, individuality, war, and revolution, and they deal with topics such as the legitimacy of authority, the limits of reason, and the principle of representation, among others. This book also addresses Borges's democratic sensitivity and his critique of populism and militarism as related to salient national and global historical events that inspired his works. Above all, it calls attention to Borges's belief in the pre-eminence of individual liberty, his rejection of political oppression, and his warning against civic indifference brought about by an isolated individualism. This book may be of interest to students and professors of politics, philosophy and literature. It may also interest literary critics and readers who want to approach Borges's works with a political rather than a literary or a cultural lens.

Updike & Politics presents the first collection of essays devoted to the political aspects of Updike's work and showcases a variety of international perspectives.

The strange and wonderful place of Twin Peaks captivated audiences for more than two decades before its long-awaited return to television in 2017. In this edited collection, the authors approach Twin Peaks from a variety of perspectives with the concept of the political at its center.