Bücher der Reihe Postphenomenology and the Philosophy of Technology

Acoustic Technics, aware that digital and computer embedded technologies produce data that today can be transformed into acoustic images, notes the transformations these phenomena imply for a diverse set of practices, such as music, communication, medical diagnosis, and scientific knowledge.

This book argues that our technological era is the most radical form of anarchism we have ever experienced. People are not only removing the role of the expert as a mediator, but also replacing the role of a transcendent god with an omnipresent, omniscient, and omnipotent technological entity that is totally immanent.

Science is highly dependent on the technologies needed to observe scientific objects. In How Scientific Instruments Speak, Bas de Boer develops a philosophical account of instruments in scientific practice, focusing on the cognitive neurosciences. He argues for an understanding of scientific instruments as mediating technology.

This edited collection explores the distinctive contributions of postphenomenological perspectives toward imaging in science, medicine, and everyday life. With its original empirical investigations of imaging across a variety of fields, the book expands our conceptual framework for understanding images.

Introduced in 1894 as a treatment for a deadly childhood disease, the diphtheria serum stands as a milestone in pharmaceutical history. Diphtheria Serum as a Technological Object: A Philosophical Analysis of Serotherapy in France 1894-1900 considers the production and use of this serum in France, analyzing the drug in terms of a technological object. To do this, Jonathan Simon draws on the philosophy of technology, exploring the application of this approach to medical drugs and suggesting how such an analysis can in turn contribute to this domain of philosophy. Starting with the manufacture of the serum from horses' blood, Simon then considers the processes involved in transforming the blood serum into a legal medical drug and establishing its efficacy as a treatment against diphtheria. The book looks at the place the drug assumed in French society at the time, as well as the legal and political implications of its manufacture and use. All these elements are deployed to characterize a specifically French serum, as the author argues that the constitution of the drug in its full sense is not only technical but also social, political, and legal. Considering the serum as technological object facilitates a philosophical reflection on the nature of medical drugs in general by means of a thorough analysis of this particular historical example. The insights offered in this book will be of interest to students and scholars working on the philosophy of technology, particularly the medical sciences, as well as to historians of medicine, particularly those interested in the history of pharmacy.

This volume explores the arrangement of science, technology, society, and education. Using the concept of 'feedback loop', this book processes subjects dear to the work of Joseph C. Pitt: technology as humanity at work, pragmatism, Sicilian realism, pragmatist pedagogy, instrumentation in science, and more.

The idea that animals make things has entered into popular news and public understanding, but inclusion of animal artifacts within engineering and technology studies lags. This volume works to unite animal construction literature with concepts from epistemology of technology.

In this book, Ingemar Nordin analyzes how not only scientific but also non-scientific knowledge is to be used in practice when establishing a rational technological and medical development.

Digital Media: Human-Technology Connection examines what it is like to be alive in today's technologically textured world and showcases specific digital media technologies that makes this kind of world possible. So much of human experience occurs through digital media that it is time to pause and consider the process and proliferation of digital consumption and humanity's role in it through an interdisciplinary array of sources from philosophy, media studies, film studies, media ecology and philosophy of technology. When placed in the interpretive lens of artifact, instrument, and tool, digital media can be studied in a uniquely different way, as a kind of technology that pushes the boundaries on production, distribution and communication and alters the way humans and technology connect with each other and the world. The book is divided into two sections to provide overarching definitions and case study specifics. Section one, Raw Materials, examines pertinent concepts like digital media, philosophy of technology, phenomenology and postphenomenology by author Stacey O Irwin. In Section Two, Feeling the Weave, Irwin uses conversations with digital media users and other written materials along with the postphenomenological framework to explore nine empirical cases that focus on deep analysis of screens, sound, photo manipulation, data-mining, aggregate news and self-tracking. Postphenomenological concepts like multistability, variational theory, microperception, macroperception, embodiment, technological mediation, and culture figure prominently in the investigation. The aim of the book is to recognize that digital media technologies and the content it creates and proliferates are not neutral. They texture the world in multiple and varied ways that transform human abilities, augment experience and pattern the world in significant and comprehensive ways.

Weiss, Propen, and Reid gather a diverse group of scholars to analyze the growing obsolescence of the human-object dichotomy in today's world. In doing so, Radical Interface brings together diverse disciplines to foster a dialog on significant technological issues pertinent to philosophy, rhetoric, aesthetics, and science.