Bücher der Reihe Queer Screens

Provides critical analysis of both mainstream and independent audiovisual works, many of them little known, produced in Mexico since the turn of the twenty-first century. Paul Julian Smith aims to tease out the symbiotic relationship between culture and queerness in Mexico.

Offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini. Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world.

Explores the career of experimental filmmaker and visual artist Barbara Hammer. Hammer first garnered attention in the early 1970s for a series of films representing lesbian subjects and subjectivity. Keller's survey of her work is a vital text for students and scholars of film, queer studies, and art history.

Traces a history of ideas that spotlight an ever-shifting terrain associated with auteur theory and, in particular, queer-auteur theory. Engaging with the likes of Oscar Wilde, Walter Benjamin, James Baldwin, and other prominent critical thinkers, David Gerstner contemplates how the queer auteur in film theory might open us to the work of desire.