Bücher der Reihe Race, Rhetoric, and Media Series

Though separated by almost half a century, the campaigns of both George Wallace and Donald Trump broke new grounds for political partisanship and divisiveness. Andrew Stoner analyses the two candidates, their campaigns, and their speeches and activities, as well as their coverage by the media, through the lens of demagogic rhetoric.

In 2018, the US Senate unanimously passed the nation's first antilynching act. For the first time in US history, legislators classified lynching as a federal hate crime. This book focuses on several key social agents and organisations that played vital roles in the public and legal consciousness raising that finally led to the passage of the act.

Examines the career of Bishop Henry McNeal Turner, focusing on his work from 1896 to 1915. Drawing on Turner's speeches, editorials, and letters, Andre Johnson tells a story of how Turner provided rhetorical leadership during a period in which America defaulted on many of the rights gained for African Americans during Reconstruction.

In her latest book, award-winning author Lisa Corrigan suggests that Black Power provided a significant repository for negative feelings, largely black pessimism, to resist the constant physical violence against black activists and the psychological strain of political disappointment.

Focuses on fictionalized portrayals of 1960s activism in popular television and film. Kristen Hoerl shows how Hollywood has perpetuated politics deploring the detrimental consequences of the 1960s on traditional American values.

Probes the complex issues of identity confronting free blacks who attempted to meaningfully engage in colonization efforts. From a peculiarly voiced ""Counter Memorial"" against the ACS to the letters of wealthy black merchant Louis Sheridan, Stillion Southard brings to light the intricate rhetoric of blacks who addressed colonization to Africa.

Traces the history of the integration of radio broadcasting in New Orleans and tells the story of how African American on-air personalities transformed the medium. Analyzing a trove of primary data Bala James Baptiste constructs a formidable narrative of broadcast history, racism, and black experience in this influential radio market.

Investigates lynching as a racialized practice of civic engagement, in effect an argument against black inclusion within the changing nation. Ersula Ore scrutinizes the civic roots of lynching, the relationship between lynching and white constitutionalism, and contemporary manifestations of lynching discourse and logic today.

In recent years, the media has attributed the increasing numbers of people producing family trees to the aging of baby boomers, a sense of mortality, a proliferation of Internet genealogy sites, and a growing pride in ethnicity. A spate of new genealogy-themed television series and Internet-driven genetic ancestry testing services have now emerged, capitIn recent years, the media have attributed the increasing numbers of people producing family trees to the aging of baby boomers, a sense of mortality, a proliferation of Internet genealogy sites, and a growing pride in ethnicity. A spate of new genealogy-themed television series and Internet-driven genetic ancestry testing services have now emerged, capitalizing on the mapping of the human genome in 2003. This genealogical trend poses a need for critical analysis, particularly along lines of race and ethnicity. In contextual ways, as she intersperses an account of her own journey chronicling her Italian and Italian American family history, Christine Scodari lays out how family historians can understand intersections involving race and/or ethnicity and other identities inflecting families. Through engagement in and with genealogical texts and practices, such as the classic television series Roots, Ancestry.com, and Henry Louis Gates's documentaries, Scodari also explains how to interpret their import to historical and ongoing relations of power beyond the family. Perspectives on hybridity and intersectionality gesture toward making connections not only between and among identities, but also between localized findings and broader contexts that might, given only cursory attention, seem tangential to chronicling a family history. Given current tools, texts, practices, cultural contexts, and technologies, Scodari's study determines whether a critical genealogy around race, ethnicity, and intersectional identities is viable. She delves into the implications of adoption, orientation, and migration while also investigating her own genealogy, examining the racial, ethnic experiences of her forebears and positioning them within larger, cross-cultural contexts.There is little research on genealogical media in relation to race and ethnicity. Thus, Scodari blends cultural studies, critical media studies, and her own genealogy as a critical pursuit to interrogate issues bound up in the nuts-and-bolts of engaging in family history.alizing on the mapping of the human genome in 2003. This genealogical trend poses a need for critical analysis, particularly along lines of race and ethnicity.In contextual ways, Christine Scodari lays out how family historians can understand intersections involving race and/or ethnicity within families. Through engagement in and with genealogical texts and practices, such as the classic television series Roots, Ancestry.com, and Henry Louis Gates' documentaries, Scodari also explains how to decipher their import to historical and ongoing relations of power beyond the family. Perspectives on hybridity and intersectionality gesture toward making connections not only between and among identities, but also between localized findings and broader contexts that might, given only cursory attention, seem tangential to chronicling a family history.Given current tools, texts, practices, cultural contexts, and technologies, Scodari's study determines whether a critical genealogy around race, ethnicity, and intersectional identities is viable. She delves into the implications of adoption, orientation, and migration while also investigating her own genealogy, examining the racial, ethnic experiences of her forebears and positioning them within larger, cross-cultural contexts.There is little research on genealogical media in relation to race and ethnicity. Thus, Scodari blends cultural studies, critical media studies, and her own genealogy as a critical pursuit to interrogate issues bound up in the nuts-and-bolts of engaging in family history.

This study reveals how historian Carter G. Woodson (1875-1950) used the black press and modern public relations techniques to popularize black history during the first half of the twentieth century. Explanations for Woodson's success with the modern black history movement usually include his training, deep-rooted principles, and single-minded determination. Often overlooked, however, is Woodson's skillful use of newspapers in developing and executing a public education campaign built on truth, accuracy, fairness, and education. Burnis R. Morris explains how Woodson attracted mostly favorable news coverage for his history movement due to his deep understanding of the newspapers' business and editorial models as well as his public relations skills, which helped him merge the interests of the black press with his cause.Woodson's publicity tactics, combined with access to the audiences granted him by the press, enabled him to drive the black history movement--particularly observance of Negro History Week and fundraising activities. Morris analyzes Woodson's periodicals, newspaper articles, letters, and other archived documents describing Woodson's partnership with the black press and his role as a publicist. This rarely explored side of Woodson, who was often called the "e;Father of Black History,"e; reintroduces Woodson's lost image as a leading cultural icon who used his celebrity in multiple roles as an opinion journalist, newsmaker, and publicist of black history to bring veneration to a disrespected subject. During his active professional career, 1915-1950, Woodson merged his interests and the interests of the black newspapers. His cause became their cause.

Since the earliest days of the nation, US citizenship has been linked to military service. Even though blacks fought and died in all American wars, their own freedom was usually restricted or denied. In many ways, World War II exposed this contradiction.As demand for manpower grew during the war, government officials and military leaders realized that the war could not be won without black support. To generate African American enthusiasm, the federal government turned to mass media. Several government films were produced and distributed, movies that have remained largely unexamined by scholars. Kathleen M. German delves into the dilemma of race and the federal government's attempts to appeal to black patriotism and pride even while postponing demands for equality and integration until victory was achieved.German's study intersects three disciplines: the history of the African American experience in World War II, the theory of documentary film, and the study of rhetoric. One of the main films of the war era, The Negro Soldier, fractured the long tradition of degrading minstrel caricatures by presenting a more dignified public image of African Americans. Along with other government films, the narrative within The Negro Soldier transformed the black volunteer into an able soldier. It included African Americans in the national mythology by retelling American history to recognize black participation. As German reveals, through this new narrative with more dignified images, The Negro Soldier and other films performed rhetorical work by advancing the agenda of black citizenship.

Probes the social construction of race through the mixed-race identity of Blasians, people of Black and Asian ancestry. Myra S. Washington looks at the construction of the identifier Blasian and how this term went from being undefined to forming a significant role in popular media. Washington tracks the transformation of Blasian from being an unmentioned category to a recognized status.

Examines the public discourse surrounding Curt Flood (1938-1997), the star center fielder for the St. Louis Cardinals throughout the sixties. Khan examines the ways in which the media constructed Flood's persona. By examining the mainstream press, the black press, and primary sources, Khan exposes the complexities of what it means to be a prominent black American athlete - in 1969 and today.

Even though King cited and explicated the Bible in hundreds of speeches and sermons, Martin Luther King's Biblical Epic is the first book to analyze his approach to the Bible and its importance to his rhetoric and persuasiveness. It argues that King challenged dominant Christian supersessionist conceptions of Judaism in favour of a Christianity that affirms Judaism as its wellspring.

Winner of the 2017 Diamond Anniversary Book Award and the African American Communication and Culture Division's 2017 Outstanding Book Award, both from the National Communication AssociationIn the black liberation movement, imprisonment emerged as a key rhetorical, theoretical, and media resource. Imprisoned activists developed tactics and ideology to counter white supremacy. Lisa M. Corrigan underscores how imprisonment--a site for both political and personal transformation--shaped movement leaders by influencing their political analysis and organizational strategies. Prison became the critical space for the transformation from civil rights to Black Power, especially as southern civil rights activists faced setbacks.Black Power activists produced autobiographical writings, essays, and letters about and from prison beginning with the early sit-in movement. Examining the iconic prison autobiographies of H. Rap Brown, Mumia Abu-Jamal, and Assata Shakur, Corrigan conducts rhetorical analyses of these extremely popular though understudied accounts of the Black Power movement. She introduces the notion of the "e;Black Power vernacular"e; as a term for the prison memoirists' rhetorical innovations, to explain how the movement adapted to an increasingly hostile environment in both the Johnson and Nixon administrations.Through prison writings, these activists deployed narrative features supporting certain tenets of Black Power, pride in blackness, disavowal of nonviolence, identification with the Third World, and identity strategies focused on black masculinity. Corrigan fills gaps between Black Power historiography and prison studies by scrutinizing the rhetorical forms and strategies of the Black Power ideology that arose from prison politics. These discourses demonstrate how Black Power activism shifted its tactics to regenerate, even after the FBI sought to disrupt, discredit, and destroy the movement.

Southerners love to talk food, quickly revealing likes and dislikes, regional preferences, and their own delicious stories. Because the topic often crosses lines of race, class, gender, and region, food supplies a common fuel to launch discussion. Consuming Identity sifts through the self-definitions, allegiances, and bonds made possible and strengthened through the theme of southern foodways. The book focuses on the role food plays in building identities, accounting for the messages food sends about who we are, how we see ourselves, and how we see others. While many volumes examine southern food, this one is the first to focus on food's rhetorical qualities and the effect that it can have on culture.The volume examines southern food stories that speak to the identity of the region, explain how food helps to build identities, and explore how it enables cultural exchange. Food acts rhetorically, with what we choose to eat and serve sending distinct messages. It also serves a vital identity-building function, factoring heavily into our memories, narratives, and understanding of who we are. Finally, because food and the tales surrounding it are so important to southerners, the rhetoric of food offers a significant and meaningful way to open up dialogue in the region. By sharing and celebrating both foodways and the food itself, southerners are able to revel in shared histories and traditions. In this way individuals find a common language despite the divisions of race and class that continue to plague the South. The rich subject of southern fare serves up a significant starting point for understanding the powerful rhetorical potential of all food.

During the civil rights era, Mississippi was caught in the hateful embrace of a white caste system that enforced segregation. Rather than troubling the Closed Society, state news media, on the whole, marched in lockstep or, worse, promoted the continued subservience of blacks. Surprisingly, challenges from Mississippi's college basketball courts questioned segregation's validity and its gentleman's agreement that prevented college teams in the Magnolia State from playing against integrated foes.Mississippi State University stood at the forefront of this battle for equality in the state with the school's successful college basketball program. From 1959 through 1963, the Maroons won four Southeastern Conference basketball championships and created a dynasty in the South's preeminent college athletic conference. However, in all four title-winning seasons, the press feverishly debated the merits of a National Collegiate Athletic Association appearance for the Maroons, culminating in Mississippi State University's participation in the integrated 1963 NCAA Championship.Full Court Press examines news articles, editorials, and columns published in Mississippi's newspapers during the eight-year existence of the gentleman's agreement that barred black participation, the challenges posed by Mississippi State University, and the subsequent integration of college basketball. While the majority of reporters opposed any effort to integrate, a segment of sports journalists, led by the charismatic Jimmie McDowell of the Jackson State Times, emerged as bold advocates for equality. Full Court Presshighlights an ideological metamorphosis within the press during the civil rights movement. The media, which had long minimized the struggle of blacks, slowly transformed into an industry that considered the plight of black Mississippians on equal footing with whites.

Jason Edward Black examines the ways the US government's rhetoric and American Indian responses contributed to the policies of Native-US relations throughout the nineteenth century's removal and allotment eras. Black shows how these discourses together constructed the perception of the US government and of American Indian communities. Such interactions-though certainly not equal-illustrated the hybrid nature of Native-US rhetoric in the nineteenth century. Both governmental, colonizing discourse and indigenous, decolonizing discourse shaped arguments, constructions of identity, and rhetoric in the colonial relationship.American Indians and the Rhetoric of Removal and Allotment demonstrates how American Indians decolonized dominant rhetoric through impeding removal and allotment policies. By turning around the US government's narrative and inventing their own tactics, American Indian communities helped restyle their own identities as well as the government's. During the first third of the twentieth century, American Indians lobbied for the successful passage of the Indian Citizenship Act of 1924 and the Indian New Deal of 1934, changing the relationship once again.In the end, Native communities were granted increased rhetorical power through decolonization, though the US government retained an undeniable colonial influence through its territorial management of Natives. The Indian Citizenship Act and the Indian New Deal-as the conclusion of this book indicates-are emblematic of the prevalence of the duality of US citizenship that fused American Indians to the nation yet segregated them on reservations. This duality of inclusion and exclusion grew incrementally and persists now, as a lasting effect of nineteenth-century Native-US rhetorical relations.

Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement offers the first, and as of 2018, only comprehensive account of the 1955 murder, the trial, and the 2004-2007 FBI investigation into the case and Mississippi grand jury decision. By all accounts, it is the definitive account of the case. It tells the story of Emmett Till, the fourteen-year-old African American boy from Chicago brutally lynched for a harmless flirtation at a country store in the Mississippi Delta. Anderson utilizes documents that had never been available to previous researchers, such as the trial transcript, long-hidden depositions by key players in the case, and interviews given by Carolyn Bryant to the FBI in 2004 (her first in fifty years), as well as other recently revealed FBI documents. Anderson also interviewed family members of the accused killers, most of whom agreed to talk for the first time, as well as several journalists who covered the murder trial in 1955.Till's death and the acquittal of his killers by an all-white jury set off a firestorm of protests that reverberated all over the world and spurred on the civil rights movement. Like no other event in modern history, the death of Emmett Till provoked people all over the United States to seek social change. Anderson's exhaustively researched book is also the basis for a Hollywood mini-series produced by Jay-Z, Will Smith, Casey Affleck, Aaron Kaplan, James Lassiter, Jay Brown, Ty Ty Smith, John P. Middleton, Rosanna Grace, David B. Clark, and Alex Foster.For over six decades the Till story has continued to haunt the South as the lingering injustice of Till's murder and the aftermath altered many lives. Fifty years after the murder, renewed interest in the case led the Justice Department to open an investigation into identifying and possibly prosecuting accomplices of the two men originally tried. Between 2004 and 2005, the Federal Bureau of Investigation conducted the first real probe into the killing and turned up important information that had been lost for decades. Anderson covers the events that led up to this probe in great detail, as well as the investigation itself.This book will stand as the definitive work on Emmett Till for years to come. Incorporating much new information, the book demonstrates how the Emmett Till murder exemplifies the Jim Crow South at its nadir. The author accessed a wealth of new evidence. Anderson made a dozen trips to Mississippi and Chicago over a ten-year period to conduct research and interview witnesses and reporters who covered the trial. In Emmett Till, Anderson corrects the historical record and presents this critical saga in its entirety.

A sharecropper, a warrior, and a truth-telling prophet, Fannie Lou Hamer (1917-1977) stands as a powerful symbol not only of the 1960s black freedom movement, but also of the enduring human struggle against oppression. A Voice That Could Stir an Army is a rhetorical biography that tells the story of Hamer's life by focusing on how she employed symbols-- images, words, and even material objects such as the ballot, food, and clothing--to construct persuasive public personae, to influence audiences, and to effect social change. Drawing upon dozens of newly recovered Hamer texts and recent interviews with Hamer's friends, family, and fellow activists, Maegan Parker Brooks moves chronologically through Hamer's life. Brooks recounts Hamer's early influences, her intersection with the black freedom movement, and her rise to prominence at the 1964 Democratic National Convention. Brooks also considers Hamer's lesser-known contributions to the fight against poverty and to feminist politics before analyzing how Hamer is remembered posthumously. The book concludes by emphasizing what remains rhetorical about Hamer's biography, using the 2012 statue and museum dedication in Hamer's hometown of Ruleville, Mississippi, to examine the larger social, political, and historiographical implications of her legacy. The sustained consideration of Hamer's wide-ranging use of symbols and the reconstruction of her legacy provided within the pages of A Voice That Could Stir an Army enrich understanding of this key historical figure. This book also demonstrates how rhetorical analysis complements historical reconstruction to explain the dynamics of how social movements actually operate.