Bücher der Reihe Refiguring American Music

Shana L. Redmond traces Paul Robeson's continuing cultural resonances in popular culture and politics, showing how he remains a vital force and presence for all those he inspired.

Audible Empire's contributors rethink the mechanisms of empire, showing how musical practice has been important to its spread around the globe. The volume's fifteen interdisciplinary essays cover large swaths of genre, time, politics, and geography to put forth music as a means of comprehending empire as an audible formation.

Shows how musical acts and performances generate their own aesthetic and political force, creating, however fleetingly, a shared sense of the world among otherwise diverse listeners. This book argues that communities grounded in the act and experience of listening can give rise to new political ideas and expression.

Using a theoretical framework built on Lacan and Foucault, Licia Fiol-Matta traces the careers of four iconic female Puerto Rican singers to explore how their voices, performance style, physical appearance, and subject matter of their songs challenged social and cultural norms.

In Tropical Renditions Christine Bacareza Balance examines how the performance and reception of post-World War II Filipino and Filipino American popular music provide crucial tools for composing Filipino identity, publics, and politics as well as challenge dominant racial stereotypes.

In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux.

Focusing on the hemispheric circulation of South American musical cultures, Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound to perceptions and constructions of geographic space, showing how people can use music and sound to challenge and transform dominant conceptions of place.

The autobiography of the pianist, composer, and bandleader Randy Weston, one of the worlds most influential jazz musicians and a remarkable storyteller.

Oliver Wang chronicles the history of the San Francisco Bay Area Filipino American mobile DJ scene of the late 1970s through the mid-1990s. He shows how DJ crews helped unify the Bay Area's Filipino American community, gave its members social status and brotherhood, and drew huge crowds.

Allison McCracken charts the rise and fall of crooners between 1925 and 1934, showing how the backlash against crooners' perceived sexual and gender deviance created stylistically masculine norms for white male pop singers that continue to exist today.

Alex E. Chavez explores the contemporary politics of Mexican migrant cultural expression manifest in huapango arribeno, a musical genre from north-central Mexico that helps Mexicans build communities on both sides of the US border and give voice to the transnational migrant experience.

Maureen Mahon documents the major contributions African American women vocalists such as Big Mama Thornton, Betty Davis, Tina Turner, and Merry Clayton have made to rock and roll throughout its history.

In Songbooks veteran music critic and popular music scholar Eric Weisbard offers a critical guide to American popular music writing, from William Billings's 1770 New-England-Psalm-Singer to Jay-Z's 2010 memoir Decoded.

Celeste Day Moore traces the popularity of African American music in postwar France to outline how it came to signify both state power and liberation for Francophone audiences throughout the world.