Bücher der Reihe Revels Student Editions

Usually considered to be John Marston's masterpiece, "The Malcontent" is one of the most original and complex plays of the Elizabethan theatre - complex in genre, structure and language. This edition has notes designed for modern undergraduate use.

Dr. Faustus is one of the jewels of early modern English drama, and is still widely performed today. Interestingly, the play has come down to the contemporary audience in two distinct versions that have become known as the 'A' and the 'B' texts. David Bevington and Eric Rasmussen, who edited the original Revels edition over twenty years ago (and are two of the most eminent editors currently working), have hit upon the fascinating idea of presenting both texts on facing pages. This allows readers to compare the two ¿versions¿, the ¿A¿ text which is the one closest to Marlowe, and the longer ¿B¿ text with additions by Samuel Rowley; in this unique edition, the reader is made aware of the changing tastes of audiences, the stage history of the play, and of just how intricate ¿editing¿ a play can be.With a concise and illuminating introduction, and relevant notes and images, this Revels Student Edition of the 'A' and 'B' texts of Dr. Faustus will prove to be an enthralling document, and an excellent edition for student and theatre-goer alike.

"Tamburlaine the Great" achieved, and sustained, great success on the Elizabethan stage, and it speaks to our own time too, when it has been the subject of numerous productions. Cunningham and Henderson illuminate the themes of the play to help make it accessible to today's readers. In the REVELS PLAYS STUDENT EDITIONS series.

John Ford's tragedy, first printed in 1633, takes as its theme incest between brother and sister. This edition includes notes and an introduction which has been rewritten to take account of recent studies and approaches.

Based on the reprinted Revels Plays Edition of 1964, the notes to this play have been augmented to cast futher light on Webster's dialogue. A new introduction sets the tragedy in the context of pre-Civil War England and discusses the play's themes, action and visual imagery.

The "revenge" play became the most durable and commercially successful type of drama on the Elizabethan stage. This example by Thomas Kyd, who was one of the originators of the genre, brings to life the intrigues of the Spanish court, dramatically juxtaposing romantic passion with violent death.

Depicts a morally corrupt world where the desire for justice is contaminated by the obsession for revenge. The characters take pleasure in watching adultery, incest and murder. The play's chief moral spokesman, Vindice, is at the same time enamoured of and disgusted by, the luxury of the court.

This classic text is the tale of a woman who becomes involved in murder without realizing the terrible price she will pay for it. This edition includes an introduction which analyzes the play in detail, and a commentary illuminating difficulties in the play for the modern reader.

"The Jew of Malta" was influential on Shakespeare when he came to write "The Merchant of Venice", the play exploring anti-Semitism and revenge. An introduction discusses the significance of this play, with detailed commentary provided for meanings of difficult words, lines and references.

In "Bartholomew Fair", Jonson satirizes the religious, social and political conflicts of Jacobean England. The play represents the climax to Jonson's great comic period. This edition includes glosses and notes intended to assist students, and examines elements of the play from a feminist viewpoint.

This edition of the multi-authored text The Witch of Edmonton offers a thorough reconsideration of the text, comprehensive notes and glossary, together with a complete transcription of the original pamphlet by Henry Goodcole.

In the REVELS PLAYS series. An anthology of plays which illustrate the ways in which both theatrical pleasures and social relations complicate the connection between women and plays in early modern drama. The plays are annotated and introduced by McLuskie using contemporary and feminist critical approaches. Aimed at students of Elizabethan drama.