Bücher der Reihe Routledge Advances in Feminist Studies and Intersectionality

This volume centers on theories and methodologies for postgraduate feminist researchers engaged in interdisciplinary research, in a context of increasing globalization, giving special attention to cutting-edge approaches at the borders between humanities and social sciences and specific discipline-transgressing fields such as feminist technoscience studies.

Examining the ways in which feminist and queer activists confront privilege through the use of intersectionality, this edited collection presents empirical case studies from around the world to consider how intersectionality has been taken up (or indeed contested) by activists in order to expose and resist privilege.

Making Gender, Making War is a unique interdisciplinary edited collection which explores the social construction of gender, war-making and peacekeeping. It highlights the institutions and processes involved in the making of gender in terms of both men and women, masculinity and femininity. The "war question for feminism" marks a thematic red thread throughout; it is a call to students and scholars of feminism to take seriously and engage with the task of analyzing war. Contributors analyze how war-making is intertwined with the making of gender in a diversity of empirical case studies, organized around four themes: gender, violence and militarism; how the making of gender is connected to a (re)making of the nation through military practices; UN SCR 1325 and gender mainstreaming in institutional practices; and gender subjectivities in the organization of violence, exploring the notion of violent women and non-violent men.

In a time of growing demand for methodological renewal that promotes justice and equality, this edited collection focuses on emergent writing methodologies in feminist studies. It explores some of the central politics, ideas, and power dimensions that condition and shape knowledge, elaborates with critical, embodied, reflective and situated writing practices and discusses the relationship between author, text and audiences. The book is excellent literature for postgraduates, researchers and academics in feminist and intersectionality studies, and helpful as guidance for writing sessions and workshops.

Through a series of case studies of groups challenging social inequalities - based in class, race, culture, nationality, sexuality, religion, age, and disability - this book develops a critical-theoretical account of forms of resistance. It explores how people make sense of their subjectivity as they are constructed and reconstructed within relations of power, and what kinds of subjectivities are needed to struggle against forms of dominance. While each contribution to the volume foregrounds particular subjectivities, they apply an intersectional analysis to the particular sites of the struggle they are addressing.

This volume maps the intersection between war and violence from a gendered postcolonial perspective. Its unique analyses disrupt traditional notions of violence by exploring the transition from conflict to resolution. It accounts for the history of empire and its lingering influence into present-day configurations of gender, race, nationality, class and sexuality.

This co-authored volume explores multiple links between academic and creative writing practices and writing methodologies from feminist and intersectional perspectives. It discusses what it means for academic writing processes to consciously write in and from intersectional in-between spaces between monolithic identity markers and power differentials such as gender, race, ethnicity, class, sexuality and nationality.

Exploring the use of assisted reproduction technologies in many different locations, this volume addresses five central themes--transnational reproflows, national constraints and conditions, religious and other kinds of fundamentalism, demographic agendas and biopolitics, and "new normals" and their discontents--to provide a general understanding of policies, discourses and practices of ARTs in the contemporary world.