Bücher der Reihe Routledge Library Editions: Beckett

This book, first published in 1999, addresses Beckett¿s visual and musical sensibilities, and examines his visionary use of such diverse modes of creative expression as stage, radio, television and film, when his medium was the written word.

This book, first published in 1985, assembles essential facts on Samuel Beckett and makes vital but elusive information available. It contains a comprehensive checklist of all the writer's plays, with a detailed performance history, excerpted reviews, and most importantly, a selection of Beckett's own comments on their work drawn from essays, interviews, letters and diaries. Other features include a chronology of life and work, a checklist of non-dramatic writings and an annotated bibliography.

The essays in this book, first published in 1975, suggest how best to approach Beckett, how to read him, how to get closer to the concrete experience offered by this most concrete of writers. It aims to bring out the full diversity of Beckett's art as dramatist and story-teller. His astonishing flexibility and inventiveness is stressed throughout, either in studies of single novels, or from the whole range of the fiction and stage drama, or from the experiments in other media: the solitary film, the radio plays. Beckett's bilingualism, one of the strangest aspects of his Proteanism, is examined through a comparison of the French and English texts of some of his stage plays. The emphasis of the essays is literary rather than philosophical: they explore narrative and dramatic processes, the strange partial transitions between them, the fine relations of form and feeling which Beckett aims at through whatever medium he is using, and his humaneness, expressed through the many nuances of his humour. The shorter fiction and the later writings also receive close attention.

This book, first published in 1999, addresses Beckett's visual and musical sensibilities, and examines his visionary use of such diverse modes of creative expression as stage, radio, television and film, when his medium was the written word. The first section of the book focuses on music; the second part analyses the visual arts; and the third part examines film, radio and television. This book uncovers aspects of his thinking on, and use of the arts that have been little studied, including the nonfigurative function of music and art in Beckett's work; the 'collaborations' undertaken by composers, painters and choreographers with his texts; the relation of his literary to his visual and musical artistry; and his use of film, radio and television as innovative means and celebration of artistic process.