Bücher der Reihe Routledge Studies in Shakespeare

This book considers early modern and postmodern ideals of health, vigor, ability, beauty, well-being, and happiness, uncovering the complex negotiations among physical embodiment, emotional response, and communally-sanctioned behavior in Shakespeare's world. It visits the history of the body and how early modern cultures understand physical ability or vigor, emotional competence or satisfaction, and joy or self-fulfillment. Integrating insights from Disability Studies, Health Studies, and Happiness Studies, this book develops a detailed literary-historical analysis and a provocative cultural argument about the emphasis we place on popular notions of fitness and contentment today.

This book sets out to explore the ways in which Mary Wroth negotiated the discourses that are embedded in the Shakespearean canon in order to develop an understanding of her oeuvre based, not on influence and imitation, but on difference, originality and innovation.

Visiting scenes of greeting, feeding, entertaining, and sheltering, this volume focuses on hospitality in Shakespeare¿s work, demonstrating how hospitality provides a compelling frame for the core ethical, political, theological, and ecological questions of Shakespeare¿s and our time. By reading the plays in conjunction with contemporary theory as well as early modern texts and objects, this book reimagines Shakespeare¿s playworld as one charged with the risks of hosting and the limits of generosity, demonstrating the importance of historicist, rhetorical, and phenomenological approaches to this diverse subject.

Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new `Shakespeares¿ to emerge, revealing Shakespeare¿s ongoing impact in popular culture.

This volume gives Asia''s Shakespeares the critical, theoretical, and political space they demand, offering rich, alternative ways of thinking about Asia, Shakespeare, and Asian Shakespeare based on Asian experiences and histories. Challenging and supplementing the dominant critical and theoretical structures that determine Shakespeare studies today, close analysis of Shakespeare''s Asian journeys, critical encounters, cultural geographies, and the political complexions of these negotiations reveal perspectives different to the European. Exploring what Shakespeare has done to Asia along with what Asia has done with Shakespeare, this book demonstrates how Shakespeare helps articulate Asianess, unfolding Asia''s past, reflecting Asia''s present, and projecting Asia''s future. This is achieved by forgoing the myth of the Bard''s universality, bypassing the authenticity test, avoiding merely descriptive or even ethnographic accounts, and using caution when applying Western theoretical frameworks. Many of the productions studied in this volume are brought to critical attention for the first time, offering new methodologies and approaches across disciplines including history, philosophy, sociology, geopolitics, religion, postcolonial studies, psychology, translation theory, film studies, and others. The volume explores a range of examples, from exquisite productions infused with ancient aesthetic traditions to popular teen manga and television drama, from state-dictated appropriations to radical political commentaries in areas including Japan, India, Taiwan, Korea, Indonesia, China, and the Philippines. This book goes beyond a showcasing of Asian adaptations in various languages, styles, and theatre traditions, and beyond introductory essays intended to help an unknowing audience appreciate Asian performances, developing a more inflected interpretative dialogue with other areas of Shakespeare studies.

In this interdisciplinary book, scholars from English literature, Italian studies, performance history, and comparative literature offer new perspectives on the engagements between Shakespeare and Italian theatre, literary culture, and politics, from the 16th to the 21stcentury. Essays address how the artistic and intellectual culture of Renaissance Italy shaped Shakespeare¿s drama in his own time, and how the afterlife of Shakespeare in Italy has permeated Italian drama, poetry, opera, novels, and film. This book moves beyond conventional source study and familiar questions about influence, location, and adaptation to propose a new, evolving paradigm of cultural interchange.

The essays in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media.