Bücher der Reihe Salt Modern Poets

Since 1986, Rachel Blau DuPlessis has been writing a long poem in canto-like sections, grouped in nineteen units. The individual poems fold over each other, using repeated elements to construct a sense of memory and traces or reminders of prior statements. Their themes involve history, gender, mourning and hope, all in "socio-twisty" language.

A tenth anniversary edition of Chris Emery's black comedy debut, Dr. Mephisto, made simultaneously available in print and electronic form. Flamboyant, funny, poignant and excessive, Emery's modernist work is a picaresque, historical road show of hell from the brink of the 21st Century.

Emery's new book presents a dazzling array of voices: art dealers, TV stars, killers, cowboys, poets, coat check boys, checkout girls, composers, priests, gods, angels, winners, losers, lovers, the newly born and the dearly departed.

Next to Nothing records the years following the death of a beloved child in 2001. Though bereft of belief in the poetic outcome compared to the apocalypse of the loss itself (one sense of the title), the fidelity of these poems to the "heartscapes" of grief constitutes, nonetheless, a work of genuine honouring - spare, delicate, and deeply moving.

Zoo is Tobias Hill's third collection of poems. It shows the growing maturity of a voice already distinctive three years ago, when his first collection was noted for its 'grand irony and playful humour, with episodes of tenderness and even charm'.

Radio Nostalgia uses a range of personas and historical locations to examine our sense of community and what our lives can mean.

Fourth collection from award-winning poet Luke Kennard departs from previous outings in its scale and range while retaining his trademark wit and humour.

Schedule of Unrest selects from John Wilkinson's collections of poetry published from 1974 to 2008. A growing readership is seeking ways into an impassioned and beautiful body of writing. The unfamiliarity of its surfaces and soundscapes have too long delayed its appreciation.

The Mystic and The Pig Thief is, in part, an elegy. It is also a book about the pain of being imperfectly assimilated, a book about being torn between the culture you come from and the society you're obliged to live in; a book about being pulled both ways while belonging to neither camp.

'Selby's ringing titles evoke not just a subject but a sensibility, and her versatile forms and deftly run-on lines very persuasively re-enact the thrill of sense experience and the shape of thought.' Chandrahas Choudhury

Letters to the Sky examines themes of friendship, nostalgia, sadness, self-adornment, identity, hope and change. Ethereal, romantic and feminine, the poems draw on the aesthetic beauty of nature to convey emotional intimacies. Deeply visual, filled with colour and decorativeness, this collection celebrates the poet's love of London, fashion and art.

This stunning debut finds poetry in the dark underbelly of history and explores what it means to trust and to betray, to belong and be lost, to love and to remember. A courageous take on the violence and beauty of life past and present, this book celebrates what really endures: the lure of power and solace of home.

Pared-down, playful and often very funny, Clegg's poetry keeps faith with what is tactile and tangible (moss, leather, bone), distilling plainspoken diction, luminous imagery and a unique worldview into lines which remain in the head for a long while after the book has been closed.

Aaron McCollough's Double Venus meditates on social politics, personal politics, and the exchange between them. It concerns itself with the many manifestations of desire circulating within cultures of plenty. In doing so, Double Venus also adds to a tradition committed to socio-ethical practice based, in the final instance, on love.

Sills gathers together poems from four of O'Brien's early books and combines them with later work, forming a selection from 1960-1999. O'Brien writes, "The poems dance their dance of stillness and motion. The issue is a quiet, patterned music, animated, disciplined, ecstatic; not closure, but recognition."

In this first full-length collection, Anna Mendelssohn continues her explorations of power, persecution and loss. Mendelssohn's work shows the intense relationship between agency and structure in the modern world. Her magical, weaving and at times painful lyric poetry draws us into an ecstatic vision of our own dependencies, dreams and desires.

A collection of 10 years' work, in part lineated or syllabic but mostly in clustered prose, which investigates ontological echoes of the environmental condition of new scarcity, amid a wealth of inroads. The hoped-for terrain is where its own scarcity on the ground can set seed.

Jill McDonough's frank, funny, and tender second book offers each day fresh with the gift of it. Fierce/nose-sting of tears, quick breath out of nowhere. In love-poems, conversations, intimate jokes, from a hundred parties, five prisons, and three beloved bars, McDonough helps you better see Where You Live.

Intensely musical with daring use of image and idea, this debut introduces a poet charting her own path through language.

The book Leans completes the poet's twenty-three year project Gravity as a consequence of shape started in 1982. The work continues and extends the poet's concern for how we know anything and what vocabulary humans use to describe it. The poems encourage the reader's confidence and surprise.

The title of this book is taken from the genres of punk and electronic music and forms the way Aaron Fagan experienced these poems as he wrote them over the course of the past ten years - also as if they were, taken together, a kind of working purgatory, a garage as a place of trial and error where invention and failure are indistinguishable.

A pivotal book for Bernstein, The Sophist demonstrated his great range of subject matter, style, and genre. By contrasting wildly different approaches to poetry, Bernstein not only questions the intrinsic value of any given form but also provides a model for his later heterogeneous books.

Thaxton does not find easy solace for her terrible wife, but instead lets her confusion and weaknesses clink and jangle like wind chimes in an approaching storm. Thaxton's poems are as compelling as a lifetime of snapshots spilled on the floor, discovered in a box that, moments ago, one didn't know existed.

Between the Crackups is a frolicking romp through the abandoned factories, overcrowded highways, and forgotten rural landscapes of America. Part serious meditation and part carnival fun house, these poems will make the reader chortle, chuckle, snort, and maybe even blush.

Luxe is a magnificent spree in a bric-a-brac shop. A haul of pre-loved and glittering objets - pralines in a crystal bowl, a handful of tame ladybirds, a portrait in vinyl and cola-cubes - are artfully displayed on the poems' shelves to represent the conflicts and connections of a fabulous circle of friends and lovers, those real, remembered and imagined.

The poems in More Shadow Than Bird are imagistic narratives of emotional situations that offer not the story of a life, but of the consciousness accompanying the life lived.

From Ovid's Rome to the blood-soaked trenches of Gallipoli, The Word for Sorrow, brings new resonance to ancient grief. Its powerful and spellbinding poems give voice to the universal suffering of exile, war or grief, celebrating the enduring common humanity that binds us across countries and over all the centuries.

Folklore is an ecstatic, dreamlike, and starkly realist poem sequence which extends, challenges, and continues the tradition of Shakespeare's A Midsummer Night's Dream, John Clare's visionary lyrics, the elegiac minimalism of AE Houseman, contemporary work of Geoffrey Hill, and linguistic innovation of Gertrude Stein and the language poets.