Bücher der Reihe Screening Spaces

This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium.

Commedia all'italiana, or Comedy, Italian style, became popular at a time of great social change. This book, utilizing comedies produced in Italy from 1958-70, examines the genre's representation of gender in the everyday spaces of beaches and nightclubs, offices, cars, and kitchens, through the exploration of key spatial motifs.

This book proposes new methodological tools and approaches in order to tease out and elicit the different facets of urban fragmentation through the medium of cinema and the moving image, as a contribution to our understanding of cities and their topographies.

The Zoo and Screen Media: Images of Exhibition and Encounter provides a new map of twentieth-century human-animal relations by exploring how the zoo, that modern apparatus for presenting living animals to human audiences, has itself been represented across a diverse range of moving image media.

In examining the relationship between the spectacular, iconic and vibrant New York of the musical and the off-screen history and geography of the real city-this book explores how the city shaped the genre and equally how the genre shaped representations of the city.

While urban films often reinforce spatial stereotypes, they can also produce a resistant reading that helps transgress spatial boundaries, especially in in urban contexts where spatial inequalities and urban divisions are stark. This book reveals the nature of urban film's influence through the lens and space of Johannesburg.

This book, a collection of essays by expert film researchers and lecturers, contributes to the growing body of scholarship on cinematic cities by looking at how one city-London-has been represented on film.

This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium.

This book, a collection of essays by expert film researchers and lecturers, contributes to the growing body of scholarship on cinematic cities by looking at how one city-London-has been represented on film.