Bücher der Reihe The Manchester Spenser

An essential supplement to Pastoral poetry of the English Renaissance: An anthology. The full-length introduction offers a historical and critical analysis of the pastoral tradition and the circulation of texts. -- .

Edmund Spenser and the romance of space seeks to gauge the roles that aesthetic subjectivity and the imagination play in early modern spatial and textual practices. -- .

Comic Spenser explains how the deep-rooted cultural bias against humour has skewed interpretation of The Faerie Queene since its first publication. As well as bringing a comic perspective to new areas of the poem, this study explores profound connections between humour, faith, and allegory. -- .

A novel account of Edmund Spenser as a moral theorist, Spenser's ethics situaties his ethics in the contexts of early modern moral philosophy and the English colonization of Ireland. -- .

This volume updates current assumptions about the early modern English sonnet and its reception and inclusion in poetic collections. It deals both with major (Shakespeare, Sidney, Spenser) and minor (Harvey, Barnes) sonneteers, and includes the first modern edition of a 1603 printed miscellany, The Muses Garland. -- .

Recontextualizing Edmund Spenser's Shepheardes Calender in relation to book history, this study analyses the first edition of 1579 as a material text, and provides the first clearly detailed facsimile available as a book. By illuminating the 1579 Calender's development, this volume much advances understanding of Spenser and Elizabethan culture. -- .

European Erotic Romance casts new light on the publication, translation and politicisation of three ancient Greek novels, Daphnis and Chloe, Leukippe and Kleitophon and An Ethiopian Story, and their impact in Renaissance England. -- .

An engaging study that offers new and provocative re-readings of Spenser's pastoral poems, with a focus on Spenser's acknowledged debt to Virgil and his Eclogues. Reception studies, politics and classical studies are interweaved to provide a greater understanding of both poets. -- .

Brink shows that Spenser began as the protege of churchmen, who expected him to take holy orders and that the Shepheardes Calender signaled his transition from shepherd-priest to shepherd-poet. A -- .

This book is the first to examine life in the leading province of Elizabeth I's nascent empire, an Ireland of colonizing English farmers and an imported Protestant elite living in fortified manors and medieval castles

The Art of The Faerie Queene offers a new approach to Spenser's massive Elizabethan epic, presenting it is as a formally radical and innovative text. Where previous criticism has presented Spenser as a conservative technician, this book explores his unexpected experiments with form in the service of its complex allegories. -- .

John Derricke¿s Image of Irelande, with a Discoverie of Woodkarne is one of the best and least known works produced in England on Tudor Ireland. This collection¿s sixteen essays examine the work¿s political and historical meaning, print history, iconographic elements, paratexts, literary and artistic influences and cultural archaeology. The collection will appeal to scholars of many disciplines.

The first full-length study to be devoted to Una, the beleaguered but ultimately triumphant heroine of Book One of The Faerie Queene -- .

English Literary Afterlives is a study about the ways in which readers and publishers reshaped (or even created) early modern authorial careers in the wake of the authors' deaths. Through a series of case-studies it presents a counter-narrative to the established idea of authorial self-fashioning. -- .

This edited collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge the traditionally dichotomous view of these two major poets and to shift the critical conversation towards a more holistic, relational view of the two authors' poetics and thought. -- .

Rereading Chaucer and Spenser: Dan Geffrey with the New Poete offers dynamic new approaches to the relationship between the works of Geoffrey Chaucer and Edmund Spenser. Contributors draw on current and emerging preoccupations in contemporary scholarship and offer new perspectives on poetic authority, influence, and intertextuality. -- .

This collection of essays covers a wide range of topics about Ralegh's diversified career and achievements. The essays shed light on less familiar facets such as Ralegh as a father and his representation in the Arts; others re-examine him as poet, historian, and figure of controversy. -- .

A meticulous study of a significant early modern manuscript. -- .

Spenser and Shakespeare both wrote with epic scope, a comprehensive view of human nature, but their characters and plots sprung from radically distinct psychologies. Renaissance psychologies explores this polarity, questioning the very distinct concepts of these two great poets and how they are related. -- .

Situates the poem in its political and religious context while offering a full textual analysis. -- .

The first ever book-length account of Spenser's monsters and their relation to the poetic imagination in the Renaissance. -- .

The volume's broad focus and extended timeline offer an unprecedented and comprehensive consideration of the features of renaissance that may be traced to the city from the fifteenth to the seventeenth century.

This book is the first ever concordance to the rhymes of Spenser¿s epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser¿s rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.

Innovative approach and study of Spenser's literature. Original ideas and perspectives methodolodgy when studying Spenser. Will appeal to wide market of Renaissance students.

William Shakespeare's The Rape of Lucrece and John Donne's Holy Sonnets are read against the background of concepts of the soul during the early modern period. This approach provides new insights into concepts of interiority and performance as well as a new understanding of the soliloquy in both poetry and drama. -- .

A detailed study of Spenser's poetic legacy, focusing on his reputation as a satirist and his influence on satirical poetry written by his contemporaries. -- .

Critical analysis of the importance and influence of Elizabethan biblical typology on Spenser and the composition of the Faerie Queene. -- .

This volume updates current assumptions about the early modern English sonnet and its reception and inclusion in poetic collections. It deals both with major (Shakespeare, Sidney, Spenser) and minor (Harvey, Barnes) sonneteers, and includes the first modern edition of a 1603 printed miscellany, The Muses Garland. -- .