Bücher der Reihe The New Middle Ages

Representations of the Body in Middle English Biblical Drama combines epistemological enquiry, gender theory and Foucauldian concepts to investigate the body as a useful site for studying power, knowledge and truth.

Chaucerotics examines the erotic language in Chaucerian literature through a unique lens, utilizing the tools of "pornographic literary theory" to open up Chaucer's ribald poetry to fresh modes of analysis.

This Palgrave Pivot provides the first ever comprehensive consideration of the part played by women in the workings and business of the English Parliament in the later Middle Ages.

The Black Middle Ages examines the influence of medieval studies on African-American thought. Vernon focuses on nineteenth century uses of medieval texts to structure racial identity, but also considers the flexibility of medieval narratives more broadly in the medieval period, twentieth and twenty-first centuries.

This text combines ecocriticism with reading techniques associated with deconstruction, to provide innovative interpretations of the General Prologue, the Knight's Tale, the Miller's Tale, the Reeve's Tale, the Franklin's Tale, the Physician's Tale, and the Monk's Tale.

Whereas traditional scholarship assumed that William Shakespeare used the medieval past as a negative foil to legitimate the present, Shakespeare, Catholicism, and the Middle Ages offers a revisionist perspective, arguing that the playwright valorizes the Middle Ages in order to critique the oppressive nature of the Tudor-Stuart state. In examining Shakespeare's Richard II, The Merchant of Venice, Hamlet, King Lear, Macbeth, and The Winter's Tale, the text explores how Shakespeare repossessed the medieval past to articulate political and religious dissent. By comparing these and other plays by Shakespeare's contemporaries with their medieval analogues, Alfred Thomas argues that Shakespeare was an ecumenical writer concerned with promoting tolerance in a highly intolerant and partisan age.

Chaucerotics examines the erotic language in Chaucerian literature through a unique lens, utilizing the tools of "pornographic literary theory" to open up Chaucer's ribald poetry to fresh modes of analysis.

The fourteenth and fifteenth centuries were times of tumultuous change in medieval Europe; Few figures were as widely and as intimately involved in late medieval Europe's struggles as Saint Vincent Ferrer.

Drawing on a rich variety of material, this collection of essays demonstrates that the spaces in which reading took place (or in which reading could take place) in later medieval England directly influenced how and why reading happened.

Drawing on new historical principles, this book examines literary and historical narratives, legal statutes and records, sermons, lyric poetry, and biblical exegesis circulating in medieval England in order to theorize the figure of the outlaw and uncover the legal, ethical, and social assumptions that underlie the practice of outlawry.

Contrary to the widespread view that women exercised economic autonomy only in widowhood, Hutton argues that marital status was not the chief determinant of women's economic activities in the mid-fourteenth century and that women managed their own wealth to a far greater extent than previously recognized.

This study examines the post-medieval reception of Vienna's women's monastic institutions. Through analysis of the physical and historical place such women's institutions held in an important urban and political center, this book provides a new picture of the ways in which the medieval shapes later understandings of women's role and agency.

Miriamne Ara Krummel challenges the accepted history of the English Middle Ages as a monolithic age of Christian faith. By cataloguing and explicating the complex depictions of semitisms to be found in medieval literature and material culture, this volume argues that Jews were always present in medieval England.

Witnesses to the disappearance of a text, palimpsest manuscripts bear the marks of their own genesis, with their original inscription rubbed out and written over on the same parchment. This collection explores analogies of erasure and rewriting observed in editorial and literary practices underlying the production of texts from medieval England.

This study will significantly further our interpretations of the unique autobiography of Margery Kempe, lay woman turned mystic and visionary. Following the manuscript from a Carthusian monastery through history, Chappell bridges the gaps in our understanding of the transmission of texts from the medieval past to the present.

After establishing a feminist-historicist perspective on the tradition of biblical commentary, Tinkle develops in-depth case studies that situate scholars reading the bible in three distinct historical moments, and in so doing she exposes the cultural pressures that medieval scholars felt as they interpreted the bible.

This unique study traces fundamental parallels between medieval European and Middle Eastern cultures. By examining sources in cultural history, literature, and architecture, this book reveals mutual influences evident in the development of the current conception of the Middle Ages.

This collection explores marginalized figures in medieval and early modern Europe and Mesoamerica, including women, Jews, New Christians, and urban dwellers, drawing from such judicial sources as canonization hearings, the trials of the Inquisition, chancery, criminal, royal, municipal and other courts.

Samson and Delilah in Medieval Insular French investigates several different adaptations of the story of Samson that enabled it to move from a strictly religious sphere into vernacular and secular artworks.

This volume questions the extent to which Medieval studies has emphasized the period as one of change and development through reexamining aspects of the medieval world that remained static.

This book explores how Medieval and Early Modern writers reconstructed, and also how readers read, the contradictory meanings of "Lady" Wisdom.

Drawing from theatre, English studies, and art history, among others, these essays discuss the challenges and rewards of teaching medieval and early modern texts in the 21st-century university. Topics range from the intersections of race, religion, gender, and nation in cross-cultural encounters to the use of popular culture as pedagogical tools.

Addressing the myriad ways in which heresy accusations could fulfill political aims during the Middle Ages, this collection shows acts of heresy were not just influenced by religion. Essays examine individual cases, in addition to the close relationship of orthodoxy and political dominance in medieval games of power.

A period of great change for Europe, the thirteenth-century was a time of both animosity and intimacy for Jewish and Christian communities. In this wide-ranging collection, scholars discuss the changing paradigms in the research and history of Jews and Christians in medieval Europe, discussing law, scholarly pursuits, art, culture, and poetry.

An interdisciplinary approach to the study of women and property, combining literature, history, and economics. By looking at women's marriage narratives over a long period of time, the book reveals the deep discontent with the institution of property ownership as a unifying thread from the Middle Ages up through the twentieth-century.

This book illuminates the pervasive interplay of 'sacred' and 'secular' phenomena in the literature, history, politics, and religion of the Middle Ages and Early Modern periods. The essays gathered here constitute a new way of applying a classic dichotomy to major cultural phenomena of the pre-modern era.

In the context of current preoccupations with gender and sexuality, and consent in rape cases, this study is of interest to scholars investigating language and sexuality as well as those researching and teaching medieval literature and culture.

This book is first in its field to analyze how disability and gender both thematically and formally operate within late medieval popular literature. Reading romance, conduct manuals, and spiritual autobiography, it proposes a 'gendered model' for exploring the processes by which differences like gender and disability get coded as deviant.

This collection makes the compelling argument that Chaucer, the Perle -poet, and The Cloud of Unknowing author, exploited analogue and metaphor for marking out the pedagogical gap between science and the imagination. Here, respected contributors add definition to arguments that have our attention and energies in the twenty-first century.