Bücher der Reihe The New Middle Ages

His book examines how Middle English writers including Chaucer, Gower, Lydgate, and Malory treat unpredictable events such as sexual attraction, political disaster, social competition, traumatic accidents, and the textual condition itself - locating in fortune the very potentiality of ethical life.

The twelve essays in Women and Wealth in Late Medieval Europe re-examine the vexing issue of women, money, wealth, and power from distinctive perspectives - literature, history, architectural history - using new archival sources.

This book examines three aspects of Rolle's thinking used throughout this work: his ontology, phenomenology, and sound ecology. These facets of his work invoke both a way of understanding being in the world, an opening up of the body in queer ways to experience the divine, and a way to consider divine contemplation in terms of singing the body.

Situated within a larger discourse on childhood, Ages of Man theories, and debates about the status of the child in the late fourteenth century, Chaucer's literary children-from infant to adolescent-offer a means by which to hear the voices of youth not prominently treated in social history.

David Strong argues that where the philosophers John Duns Scotus and William of Ockham revolutionize the view of human potential through their theories of epistemology, ethics, and freedom of the will, Langland vivifies these ideas by contextualizing them in an individual's search for truth and love.

Drawing on the philosophical reading and writing practices of medieval author Christine de Pizan and twentieth-century philosopher Luce Irigaray, and through an engagement with Hans-Georg Gadamer's work on tradition and hermeneutics, it develops means to re-write the stories and ideas that shape society.

This volume examines the teaching of Jewishness within the context of medieval England. Jews in Medieval England: Teaching Representations of the Other also grounds medieval conceptions of the Other within the contemporary world where we continue to confront the problematic attitudes directed toward alleged social outcasts.

Byzantine Ecocriticism: Women, Nature, and Power in the Medieval Greek Romance applies literary ecocriticism to the imaginative fiction of the Greek world from the twelfth to fifteenth centuries.

This book explores the tangled relationship between literary production and epistemological foundation as exemplified in one of the masterpieces of Italian literature.

The essays in this interdisciplinary volume explore language, broadly construed, as part of the continued interrogation of the boundaries of human and nonhuman animals in the Middle Ages.

Medieval Welsh Pilgrimage, c.1100-1500 examines one of the most popular expressions of religious belief in medieval Europe-from the promotion of particular sites for political, religious, and financial reasons to the experience of pilgrims and their impact on the Welsh landscape.

For decades, medieval scholarship has been dominated by the paradigm that women who wielded power after c.

Medieval Healthcare and the Rise of Charitable Institutions: The History of the Municipal Hospital examines the development of medieval institutions of care, beginning with a survey of the earliest known hospitals in ancient times to the classical period, to the early Middle Ages, and finally to the explosion of hospitals in the twelfth and thirteenth centuries. For Western Christian medieval societies, institutional charity was a necessity set forth by the religion's dictums-care for the needy and sick was a tenant of the faith, leading to a unique partnership between Christianity and institutional care that would expand into the fledging hospitals of the early Modern period. In this study, the hospital of Saint John in Brussels serves as an example of the developments. The institution followed the pattern of the establishment of medieval charitable institutions in the high Middle Ages, but diverged to become an archetype for later Christian hospitals.

Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures.

The essays in this interdisciplinary volume explore language, broadly construed, as part of the continued interrogation of the boundaries of human and nonhuman animals in the Middle Ages.

This volume questions the extent to which Medieval studies has emphasized the period as one of change and development through reexamining aspects of the medieval world that remained static.

This collection examines gender and Otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Dürer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others.

Although numerous general studies of medieval women and a number of biographies of medieval queens have appeared in recent years, there have been comparatively few studies that combine biographical and prosopographical methodologies in order to develop portraits of specific women as case studies of the different life experiences of medieval women.

Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures.

This book examines social and medical responses to the disfigured face in early medieval Europe, arguing that the study of head and facial injuries can offer a new contribution to the history of early medieval medicine and culture, as well as exploring the language of violence and social interactions.

This book illuminates the connections and interaction among women and between women and men during the medieval period. Agnes was a real estate mogul and a patron of philanthropic institutions that permitted lower strata women to survive and thrive in a mature urban economy of the period before 1350.

The Medieval Fold presents a theory of the medieval subject from 1050-1215, informed by contemporary theories of subjection and power from Freud, Nietzsche, Foucault, Lacan, and Deleuze.

Early Christians sought miracles from Michael the Archangel and this enigmatic ecumenical figure was the subject of hagiography, liturgical texts, and relics across Western Europe. Entering contemporary debates about angelology, this fascinating study explores the formation and diffusion of the cult of Saint Michael from c. 300-c.800.

Analyzing Medieval and Early Modern art and literature replete with images of non-normative bodies, these essays consider the pernicious history of defining people with distinctly non-normative bodies or non-normative cognition as monsters.

The Gender of Money in Middle English Literature: Value and Economy in Late Medieval England explores the vital and under-examined role that gender plays in the conceptualization of money and value in a period that precedes and shapes what we now recognize as the discipline of political economy.

Negotiating the Art of Fatherhood in Late Medieval and Early Modern Italy examines contested notions of fatherhood in written and visual texts during the development of the mercantile economy in fourteenth- and fifteenth-century Italy.

Elionor of Sicily, 1325¿1375: A Mediterranean Queen¿s Life of Family, Administration, Diplomacy, and War follows Elionor of Sicily, the third wife of the important Aragonese king, Pere III. Despite the limited amount of personal information about Elionor, the large number of Sicilian, Catalan, and Aragonese chronicles as well as the massive amount of notarial evidence drawn from eastern Spanish archives has allowed Donald Kagay to trace Elionor¿s extremely active life roles as a wife and mother, a queen, a frustrated sovereign, a successful administrator, a supporter of royal war, a diplomat, a feudal lord, a fervent backer of several religious orders, and an energetic builder of royal sites. Drawing from the correspondence between the queen and her husband, official papers and communiques, and a vast array of notarial documents, the book casts light on the many phases of the queen¿s life.

From majestic Celtic crosses to elaborate knotwork designs, visual symbols of Irish identity at its most medieval abound in contemporary culture. Consdering both scholarly and popular perspectives this book offers a commentary on the blending of pasts and presents that finds permanent visualization in these contemporary signs.

Strange Beauty provides a new perspective on early Celtic stories of the Otherworld and their relevance to today's ecological concerns, arguing for a contemporary re-reading of the Otherworld trope in relation to physical experience.