Bücher der Reihe The Scarecrow Filmmakers Series

Stereographer and film historian, Ray Zone, presents the insights of twenty-one professionals who have worked in the stereoscopic motion pictures field.

The popular screen and stage star Laurence Harvey (1928-1973) is best remembered for his stellar performance in the film The Manchurian Candidate-a 20th century classic. Of his 50 films, Room At the Top not only brought sexual permissiveness to American and British screens and an Oscar nomination, but it also branded him a heartthrob sensation.For all his fame and fortune, Harvey's short life was riddled with controversy, demonized by critics, and fraught with tragedy. In this revealing biography by Harvey's sister-in-law, readers are provided a close-up view of his career, his three marriages and his longtime sexual affair with one of his male producers. It also details his battle with cancer and his failure to acknowledge its seriousness.Packed with personal anecdotes, more than twenty black and white photographs, and a filmography, Reach for the Top: The Turbulent Life of Laurence Harvey will fascinate film students, scholars, and fans of the actor.

Malcolm St. Clair was a master director of sophisticated silent comedy. This book traces his career, beginning with his start as a Mack Sennett Keystone Kop.

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From her stage debut in 1922 to her final professional appearance in 1996, Elisabeth Welch was an important figure in the world of popular song. In 1923 she launched the Charleston and throughout the Jazz Age, she was associated with some of the great names of the Harlem Renaissance, including Josephine Baker, Adelaide Hall, Bill 'Bojangles' Robinson, and Ethel Waters. On Broadway she popularized Cole Porter's scandalous song "Love for Sale." After settling in London in 1933, she introduced the classic torch song "Stormy Weather" to British audiences, and that same year she began a career in English musical theatre (Cole Porter's Nymph Errant) that lasted sixty years. In 1930s Britain, Ivor Novello wrote songs for her, Paul Robeson was her leading man in films, and she enjoyed popularity as a cabaret star of London's cafe society. Remaining in her adopted country for the duration of the war (1939-45), Elisabeth entertained the troops and the British public, alongside such theatrical giants as Sir John Gielgud. In the post-war years she reigned supreme in sophisticated revues in London's West End. In 1979 Elisabeth's appearance in Derek Jarman's film version of William Shakespeare's The Tempest (in which she sang "Stormy Weather") won her a whole new legion of fans. At the age of 81, she returned to the Broadway stage and her performance in Jerome Kern Goes to Hollywood earned her a Tony nomination. In Elisabeth Welch: Soft Lights and Sweet Music, author Stephen Bourne celebrates the stage, screen, and radio career of this sophisticated African American actress and singer, who always defied categorization. Spanning almost a century of popular music, she did not fit the definition of jazz, torch, pop or ballad singer but defined her art quite simply as "telling a story in song." Whatever she sang, she demonstrated that she had no peer in the art of interpreting songs by the likes of Cole Porter, Noël Coward, Irving Berlin and Jerome Kern. Includes more than 25 photos.

This is the first full-length biography of Irene Dunne, one of the most versatile actresses of Hollywood's Golden Age. A recipient of the Kennedy Center Honors award in 1985, Dunne's acting highlights include five Best Actress Oscar nominations, occurring in almost as many different genres: the Western Cimarron (1931), the two screwball comedies Theodora Goes Wild (1936) and The Awful Truth (1937), the romantic comedy Love Affair (1939), and the populist I Remember Mama (1948). Her other memorable films include My Favorite Wife (1940), Penny Serenade (1941), Anna and the King of Siam (1946), and Life with Father (1947). After delving into Dunne's childhood and early acting forays, the book reveals details about key events in her life and career, including a difficult, bi-coastal marriage. The author also examines Dunne's pivotal roles on stage and in film, her movement among the genres of melodrama and screwball comedy, her ties to director Leo McCarey, and her post-war film career. Gehring's research and insightful analysis shed light on what made Irene Dunne so unique and her performances so memorable. Includes 16 pages of photos.

Young Man in Movieland is the autobiography of Jan Read, a young man from a quiet Scottish town, who seemed destined to follow in his father's footsteps. Instead of pursuing a career in chemistry, however, Read's passion for the cinema and a bit of luck led him in a completely different direction.

For nearly 40 years, David Lynchs works have enthralled, mystified, and provoked viewers. Lynchs films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the directors unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynchs life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter.To fully delineate the directors life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmakers works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.

The author relates the film's subsequent history against the background of the worsening political situation in Europe. The events leading up to World War II were to have a profound effect on the future of the film. Aside from the political issues, the book describes the fascinating story of the making of an epic film.

Discovered by Charlie Chaplin in 1919, four-year-old Jackie Coogan soared to overnight stardom for his title role in the silent masterpiece, The Kid. A string of successes followed, including Peck's Bad Boy, Oliver Twist, and A Boy of Flanders, earning Coogan a fortune of four million dollars. Dubbed 'The Millionaire Kid' by the press, he later had to sue his parents in a futile attempt to recover his squandered fortune. His later years were marked with penury and the cruel diminishment of his childhood fame. As an adult, he found work in character roles and gained unexpected but fleeting fame as 'Uncle Fester' in the series The Addams Family. He continued to make guest appearances on television until his death in 1984. In Jackie Coogan: The World's Boy King, Diana Serra Cary reveals the little-known and even less understood private life of this famous child star and his dysfunctional family. She looks at the highs and lows of an actor who reached the height of fame before ten and whose subsequent career took an inevitable fall. Cary also examines the conduct of Coogan's parents, whose behavior served as an unfortunate model for countless others who sought fame and fortune through their children's success. The author, a major child star (the former Baby Peggy), employs her own hard-won insight to explore the career and family woes of another in this fascinating account about one of the greatest child stars of all time. Includes more than 30 photos.

Many remember Charlie Chaplin's comic masterpiece, The Gold Rush, as the finest blend of comedy and farce ever brought to the screen. Far fewer remember its heroine, Georgia Hale (1900-1985).Seventy years after the film's appearance, Heather Kiernan brings Georgia Hale back to life in this edition of her hitherto unpublished memoirs. Research work embodied in her perceptive introduction clears up many uncertainties about Hale's life and provides an outline of her most significant years.Hale's own chief purpose was to describe her long and close relationship with Chaplin and his dual personality, which made the relationship at times a love-hate one. As Chaplin's constant companion during the years 1928-1931, she became a part of his social circle, meeting people as diverse as Marion Davies, Sergei Eisenstein, Ralph Barton, and Albert Einstein. The memoir effectively ends with Chaplin's marriage in June 1943 to Oona O'Neill.This unique book contains illustrations from the Chaplin archive, most of which are published here for the first time.

This volume provides a collection of critical writings by professional film critics about Steven Spielberg and his films, bringing together many articles and reviews. The entries are both complimentary and critical and provide a comprehensive overview of the films and the director.

A biographical account of the insights, memories and professional knowledge of Paul Landres. Director of many 1950s television series, Paul Landres reminiscences are mixed with the authors own narration.

Providing more than just another musical profile, James details everything from his first encounter with Chaplin to his frequent visits to Switzerland when he lived at Chaplin's Manoir de Ban in Vevey.

Provocatively capturing the controversy and sentiments surrounding this period of political imbalance, Actors on Red Alert explores the repercussions of the 1940s blacklist through career interviews with five prominent actors and actresses.

This first full-length biography of a legendary and award-winning Hollywood writer, producer, and director (Duck Soup, My Favorite Wife, An Affair to Remember, Going My Way, andThe Bells of St. Marys) explores the directors life as filtered through his art.

A survey of the impressive career of Hugo Friedhofer, composer for Hollywood movies. His life is examined through essays, personal letters, and interviews with film historians and friends of the composer, but the largest contribution is by Friedhofer himself in the form of an oral history.

This text follows the career of Peter Cushing, one of England's finest actors, from regional theatre to the role of the world's most famous detective. It details his career as Holmes through anecdotes and reminiscences from colleagues and Cushing himself.

The first full-length account of the life and work of Joseph H. Lewis, the noted director of films such as My Name is Julia Ross (1945) and The Halliday Brand (1957).

An expanded and updated study of the thematic concerns and the underlying humanism and morality in Scorsese's films. Contains individual chapters on fifteen Scorsese films, the most complete Scorsese filmography available, and a host of illustrations.

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Now in Paperback! Ronald Neame's autobiography takes its title from one of his best-loved films, The Horse's Mouth (1958), starring Alec Guinness. In an informative and entertaining style, Neame discusses the making of that film, along with several others, including In Which We Serve, Blithe Spirit, Brief Encounter, Great Expectations, Tunes of Glory, I Could Go on Singing, The Prime of Miss Jean Brodie, Scrooge, The Poseidon Adventure, and Hopscotch. Straight from the Horse's Mouth provides a fascinating, first-hand account of a unique filmmaker, who began his career as assistant cameraman on Hitchcock's first talkie, Blackmail, and went on to direct Maggie Smith, Judy Garland, Walter Matthau, and many other prominent performers. The book includes tales of the on-and-off-the-set antics of comedian George Formby, and original accounts of his experiences working with Noel Coward and David Lean. This is not simply an autobiography, but rather a history of British cinema from the 1920s through the 1960s, and Hollywood cinema from the 1960s through the present. Aside from Neame's own writing, the book contains original commentary by many of his contemporaries and associates including Alec Guinness, Andrew Lloyd Webber, Shirley MacLaine, Walter Matthau, John Mills and Shelley Winters. Includes more than 40 photos!

Now in paperback. William Desmond Taylor (1872-1922) was a leading silent film director remembered as the victim of Hollywood's most sensational unsolved murder, which shook the nation and shattered the reputations of several top Hollywood stars. Until now, Taylor's film career and leadership role in the Hollywood film industry have been completely overshadowed by the scandal of his death. By reprinting over 400 items from contemporary newspapers, magazines, and trade journals, the book reveals Taylor's life in Hollywood_from his arrival as a minor actor in 1912 until his death in 1922 as one of Hollywood's top directors. These annotated clippings and articles, many containing Taylor's own words, provide substantial insight into Hollywood life and film production during the decade that transformed Hollywood into the movie capital of the world. Included in the book is the most extensive filmography of Taylor's work ever published. Taylor's murder is also examined, including a critical analysis of two published 'solutions' to the crime.

This volume provides a collection of critical writings by professional film critics about Steven Spielberg and his films, bringing together many articles and reviews. The entries are both complimentary and critical and provide a comprehensive overview of the films and the director.

In the 1950s, Hammer Film Productions, a small British filmmaking company, introduced the world to a new genre of motion picture. Referred to by some as "e;horror,"e; by others as "e;fantasy,"e; Hammer films had a unique look and feel that many other studios would later attempt-and fail-to capture. Hammer films also had a unique sound. For although the studio was small and the budgets limited, those involved in making the Hammer films recognized that the musical score was just as important as the set, the actors, and the script in telling the story. Consequently, Hammer Films Productions recruited the best musical talent to make its films come alive. Those artists and the work they did are chronicled here in careful detail by Randall D. Larson. From the studio's fledging days, through its great successes of the 60s and early 70s, Music from the House of Hammer offers an inside look at how the "e;Hammer sound"e; was developed and nurtured.

This study of Martin Sorsese's films is intended as a close look at the cinematic text of the films themselves.

Herbert Strock, head of his own production company, provides an in-depth guide for film makers. The book covers many topics including pre-planning, producing, screenplay writing, directing, acting, camera, insurance, publicity, budget and union relations.

An essential text on filmmaking. In this book, some of the motion picture industry's most important directors including Steven Spielberg, Martin Scorsese, Howard Hawks, Louis Malle, Federico Fellini, Blake Edwards, Francois Truffaut, and René Clair answer questions on the decisions that all directors must make before filming a movie, the directors' sources of inspiration, and their philosophy of filmmaking.

Rungs on a Ladder looks at part of the movie industry from a unique perspective. Christopher Neame, son of director Ronald, started his career (in the early 1960s) at the very bottom, but determinedly made his way to the top. Neame fondly recalls his learning years at Bray Studios and beyond. Simply and often amusingly, he recounts his days with Hammer Films and observes many of the characters both in front of and behind the camera-names synonymous with those classic tales of Gothic horror: director Terrence Fisher, producers Anthony Hinds, Michael Carreras and Anthony Nelson Keys, screenwriter/producer Jimmy Sangster, and of course, Peter Cushing and Christopher Lee. Along the way, he encounters those less obviously connected to Hammer like Joan Fontaine, Joseph Cotten, Norman Lloyd, and Bette Davis. Never the one to reserve his critical eye for others alone, Neame willingly says mea culpa when deserved. The book begins with his rude awakening to the "e;string and sealing wax"e; world of Dracula Prince of Darkness and follows his journey through sixteen subsequent productions including three Frankensteins, The Devil Rides Out (which American distributors thought was going to be a Western!), and a couple of Mummy films. Neame also shares stories of his participation in non-genre ventures like Quatermass and the Pit, The Anniversary, Demons of the Mind and Fear in the Night.Includes 16 pages of photos.

From the silent era into the early days of television, hundreds of small production companies turned out low-budget films that were played as second features in this country and abroad. As might be expected, a high percentage of these films were Westerns. The people who made these films-producers, directors, writers, actors, and technicians-inhabited what came to be known as Poverty Row, eking out a living doing a job they loved.Author C. Jack Lewis spent 25 years in this world of low-budget Westerns, and here he portrays the human side of the industry through the many people with whom he came into contact as he worked his way from film to film. Highly personal, filled with rare glimpses of a life that lives only in the memory of a few, this narrative is a nostalgic memoir of a bygone time, of those who shared life on Poverty Row-and of the hard work, failures, successes, and dreams made or broken.Liberal use of photos helps readers identify the faces they have seen on their television screens in the reruns of these pictures still making the rounds. A must-read for students of film and popular culture-great for fans of Westerns as well.