Bücher der Reihe The Scarecrow Filmmakers Series

William Beaudine began his tenure in film as an assistant to the legendary D. W. Griffith. At the height of his career, Beaudine worked for every major studio and directed many greats of the silent era including Mabel Normand, George Sidney, Laura LaPlante, and Tom Mix. When Mary Pickford returned to the screen after a year-long hiatus, she chose Beaudine to direct her comeback film, Little Annie Rooney. Beaudine's career continued through the sound era and well into golden age of television and beyond, where he worked on such programs as The Green Hornet and Lassie. In his unsurpassed employment of 60 years in the business, Beaudine racked up more than 500 films and in excess of 350 television programs. Until his death at age 78, he was the oldest active director in the business. Just before he died, The Canadian, his 1926 film starring Thomas Meighan, was acknowledged as one of the best films of the pre-sound era and received the Film Critics Award of the New York Arts Institute. In this detailed biography, author Wendy Marshall chronicles Beaudine's swift rise through the ranks, his triumph as one of the most successful directors of British comedies, his accumulation and loss of personal fortunes, his fall from fame, and his prolific work in television. Marshall corrects much misinformation that has been written about the director and has compiled the most complete list of his directorial credits to date. This volume will serve as the ultimate authority on William Beaudine's life and career.

A survey of the impressive career of Hugo Friedhofer, composer for Hollywood movies. His life is examined through essays, personal letters, and interviews with film historians and friends of the composer, but the largest contribution is by Friedhofer himself in the form of an oral history.

An expanded and updated study of the thematic concerns and the underlying humanism and morality in Scorsese's films. Contains individual chapters on fifteen Scorsese films, the most complete Scorsese filmography available, and a host of illustrations.

Stereographer and film historian, Ray Zone, presents the insights of twenty-one professionals who have worked in the stereoscopic motion pictures field.

This first full-length biography of a legendary and award-winning Hollywood writer, producer, and director (Duck Soup, My Favorite Wife, An Affair to Remember, Going My Way, andThe Bells of St. Marys) explores the directors life as filtered through his art.

Providing more than just another musical profile, James details everything from his first encounter with Chaplin to his frequent visits to Switzerland when he lived at Chaplin's Manoir de Ban in Vevey.

This volume provides a collection of critical writings by professional film critics about Steven Spielberg and his films, bringing together many articles and reviews. The entries are both complimentary and critical and provide a comprehensive overview of the films and the director.

Many remember Charlie Chaplin's comic masterpiece, The Gold Rush, as the finest blend of comedy and farce ever brought to the screen. Far fewer remember its heroine, Georgia Hale (1900-1985).Seventy years after the film's appearance, Heather Kiernan brings Georgia Hale back to life in this edition of her hitherto unpublished memoirs. Research work embodied in her perceptive introduction clears up many uncertainties about Hale's life and provides an outline of her most significant years.Hale's own chief purpose was to describe her long and close relationship with Chaplin and his dual personality, which made the relationship at times a love-hate one. As Chaplin's constant companion during the years 1928-1931, she became a part of his social circle, meeting people as diverse as Marion Davies, Sergei Eisenstein, Ralph Barton, and Albert Einstein. The memoir effectively ends with Chaplin's marriage in June 1943 to Oona O'Neill.This unique book contains illustrations from the Chaplin archive, most of which are published here for the first time.

Discovered by Charlie Chaplin in 1919, four-year-old Jackie Coogan soared to overnight stardom for his title role in the silent masterpiece, The Kid. A string of successes followed, including Peck's Bad Boy, Oliver Twist, and A Boy of Flanders, earning Coogan a fortune of four million dollars. Dubbed 'The Millionaire Kid' by the press, he later had to sue his parents in a futile attempt to recover his squandered fortune. His later years were marked with penury and the cruel diminishment of his childhood fame. As an adult, he found work in character roles and gained unexpected but fleeting fame as 'Uncle Fester' in the series The Addams Family. He continued to make guest appearances on television until his death in 1984. In Jackie Coogan: The World's Boy King, Diana Serra Cary reveals the little-known and even less understood private life of this famous child star and his dysfunctional family. She looks at the highs and lows of an actor who reached the height of fame before ten and whose subsequent career took an inevitable fall. Cary also examines the conduct of Coogan's parents, whose behavior served as an unfortunate model for countless others who sought fame and fortune through their children's success. The author, a major child star (the former Baby Peggy), employs her own hard-won insight to explore the career and family woes of another in this fascinating account about one of the greatest child stars of all time. Includes more than 30 photos.

The author relates the film's subsequent history against the background of the worsening political situation in Europe. The events leading up to World War II were to have a profound effect on the future of the film. Aside from the political issues, the book describes the fascinating story of the making of an epic film.

For nearly 40 years, David Lynchs works have enthralled, mystified, and provoked viewers. Lynchs films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the directors unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynchs life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter.To fully delineate the directors life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmakers works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.