Bücher der Reihe The Slater Ibanez Books

Don't mess with the hotheador he might just mess with you. Slater Ibez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the jobs that his employer, Della, throws his way, and the back-channel support he gets from his idiot cop ex-boyfriend, Conrad.Hired to look into the theft of an expensive piece of jewelry, Slater soon finds himself entangled with a delusional high-end clothing manufacturer who sees the good in everyone, his snooty socialite wife, described as ';damaged,' and her book-smart smoking-hot stepson. Which one of them is lying to Slaterand who, exactly, is the slippery con artist in the red miniskirt? From his new digs in the Fashion District, and with the help of a new business partner, Slater stalks wealthy lowlifes and their minions in boutiques and clubs, breaking into places he's not supposed to be, winding up the middle of the desert in the middle of the nightand never hesitating to serve up a beatdown.

Don't mess with the hotheador he might just mess with you. Slater Ibez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the jobs that his employer, Della, throws his way, and the back-channel support he gets from his idiot cop ex-boyfriend, Conrad.In this introductory novel in the series, Slater runs surveillance on an injured tech worker, soon finding that there are secrets lurking beneath the surface at his company. How do they generate so much revenue without employing anyone? Why does the founder spend so much time at the border? And why does a tech company need such heavy security? Tangling with blackmailers, party girls, late-night hookups with a gamut of guys, and a lot of bourbon, Slater uses his wits and a strong right hook to sort out bad from worse.

Don't mess with the hothead-or he might just mess with you. Slater Ibanez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from his idiot cop ex-boyfriend, Conrad, and regular squeeze Andy.Hired by banker Tad to track down a missing shrink, Slater soon finds there's more going on, like the cryptic list Bianca left in her briefcase. An excursion to Bianca's college leads to an intriguing ex-husband, a conspiracy theorist's blog posts, and a suburban bungalow that's been thoroughly sanitized, but Bianca remains elusive. Slater goes undercover with a gardening crew, and infiltrates a police investigation at a seedy hotel, but what's the connection to Bianca's list? Meanwhile his field operative, Etta, has taken up renovating the office as a part-time gig, bringing a degree of chaos for Slater and his business partner, Max. As the conspiracy theories get more bizarre, Slater gets closer to the truth, uncovering why Bianca is lying low, and maybe even why Tad has been playing him all along. Trolling the underbelly of the city and the high-desert wilderness, Slater zeroes in on the truth, never hesitating to hit on guys, throw a punch, or demand answers.

Don't mess with the hothead-or he might just mess with you. Slater Ibanez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from his idiot cop ex-boyfriend, Conrad, and regular squeeze Andy.On an insurance job, Slater's hunt for missing beneficiary Daniel takes him from wrangling the hardscrabble grifters of Skid Row to infiltrating the sleazy pieds-a-terre and private jets of the city's moneyed elite. Eventually the quest takes Slater to New Mexico, where he rents an old pickup and revisits his equestrian past in pursuit of a shadowy group dedicated to flying saucers. Galliform, an old quarry, pops up in the sprawling desert, and Slater has to navigate around law enforcement, not quite willing to collaborate with them but intent on not winding up in the hoosegow. Hooking up with all the wrong guys and drinking way too much, Slater gradually starts to see what's really going on. As Galliform increases the pressure and things heat up, Slater has to decide between doing what's right and preserving his own neck.

Don't mess with the hothead-or he might just mess with you. Slater Ibanez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from his idiot cop ex-boyfriend, Conrad, and regular squeeze Andy.Trying to sort out the cause of shipping delays at a mine in a remote part of Nevada, Slater grills the driver Bender and the armed guard Vitale, responsible for trucking the shipments to the city, and ferrets out some of their secrets. Not sure whether the enigmatic Hernan is a birthright airhead or an exquisitely talented con artist, against his better judgment Slater winds up in the sack with him. Finally heading to the mining camp in a cargo plane, Slater and his operative Etta meet more of the players and see some strange things in the vast empty desert. The trip back to LA takes an unexpected turn, leaving Slater with a dilemma that threatens his very survival.

Don't mess with the hothead-or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap.Hired to track down Finley, the missing boyfriend of tech worker Truax, Slater soon discovers that the job isn't really what he was asked to do. The search for Finley leads him to an arcane book and the flying-saucer subculture, where a deep dive takes Slater out into the Mojave Desert, leaving him unsure of the precise boundaries of reality itself. With input from Doris and his operatives, and begrudging help from his romantic partner, Pike, to weasel him out of a jam, Slater cuts a dogged path to sort out what Truax really wants, and what Finley is really up to, all the while juggling high explosives, navigating his deepening narrative complex with Pike, and never failing to throw that punch.A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from main squeeze Pike, business partner Max, and operatives Andy and Etta.

Don't mess with the hothead-or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap.Hired by engineer Ben to find out why he'd been blackballed by a potential employer, Slater tries to uncover a nebulous nondisclosure agreement that Ben says he's never seen. Sleazy lawyer Sybil is no help, and Slater digs into her grift with wannabe film director and card-room boss Dragan. An excursion to Santa Fe uncovers more dirt, and a trip to a tiny island in the Pacific leads to Slater scrambling to save his own neck. As he closes in on the truth, Slater gets entangled with the mesmerizing redhead Graham, clashes with boyfriend Pike over his sex habits, and endures a tragedy that takes out an old friend. What he ultimately unearths leaves him frustrated and Ben enraged-but Slater devises a final scheme that will either outsmart the mastermind or send them all to the hoosegow.Freelance investigator Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from main squeeze Pike, business partner Max, and operatives Andy and Etta.