Bücher der Reihe Via Folios

Poetry. Music. Italian American Studies. forgetfulness / is food for gods / and words are too / so I sit on the sill / of this white window / and plan a house / with means I get / bricks I collect / and stare outside / anticipating works--from Father

In summer of 1965, Christopher Ricci's mother has runaway. Unable to take care of him, his father decides to leave the thirteen year old with his own sister in upstate New York. In this poignant coming of age novel, Chris tries his best to adapt to life in rural New York, navigate first love, and make sense of his changing world.

Our Lively Kingdom is a poetry collection in four parts, navigating love, children, art, and death. It is poetry of life lived: "and the day begins again, un-remembering and un-making//that which must be felt again each night, the question repeating/and the question being answered." With patience and passion, Julia Lisella writes about the fragility of life fleeting and the interminableness of a prayer.

"Mike Fiorito shoots the brief documentary tales of "The Hated Ones" in a vivid black and white, bringing to life a "Basketball Diaries"-like world of ne'er-do-wells growing up on the wrong side of whatever tracks separate the silver spoons from the rest of us with our wayward fathers, disappointed mothers, and ill-defined dreams of being somebody"--

"In this historical novel, a Sicilian immigrant navigates the spheres of workers rights and organized crime in his adopted homeland"--Kirkus Reviews.

... Ciabattari brims with brio in this fanciful, cannily humorous look at the jungles of darkest Manhattan. Twenty-one brief "dreams" or vignettes introduce Rizzoli, a modern Everyman who tries to do his work, retain a shred of dignity, and, maybe, find a little affection. But life is tough in the big city.-Publishers Weekly

Palazzeschi is indeed a rare personality; in him a cool detachment does not stop sympathy; he scrutinizes, questions, even challenges convention without ever rejecting it. His outlook on life seems to combine that of a small boy at a circus (and probably one who has sneaked under the canvas) with that of a sage who knows that wisdom begins but does not necessarily stop at melancholy.-Thomas G. Bergin Aldo Palazzeschi is surely Italy's most neglected major twentieth century author . . . he ranks high as a poet and writer of fiction.-Nicolas J. Perella I found these translations of a major literary voice of the twentieth century, who has yet to enjoy much fame outside of Italy, to be faithful to the spirit of the originals and most capable in effectively rendering difficult texts. These most welcome translations are accompanied by critical essays by leading Palazzeschi scholars that help orient readers through the Futurist manifestos that lie at the foundation of Palazzeschi's career as a "tragicomic writer" and capture "the essence of his spiritual outlook" as well as his ambivalent relationship with Futurism throughout his literary career.-Mark Pietralunga

Anna Citrino has woven the story of Italian immigrants-their small joys and compelling heartaches-into a moonlit tapestry. Thread by poetic thread, this book is an exquisite fabric of personal journeys, cultural insights, and little known Italian American history. I loved entering this "space between," created with great love and profound grace.-Catherine Ann Lombard A Space Between is that rarity in books of poetry, a book that coheres, where everything is of a piece. . . . The book brings vividly alive the immigrant experience. The differences between the two worlds that the characters inhabit are rendered with skill and delicacy . . . A Space Between has epic sweep rendered in a wide range of voices, each distinctive, each compelling.-Michael L. Newell A massive, ambitious effort of epic proportions that rewards with its interweavings of history, consequence, heritage, and legacy. How heartening it is to witness in these poems the resonance through generations of immigration and sacrifice to provide for living, surviving, prospering. -Nicholas Samaras

Once again, Maria Famà makes us smile as she cajoles us with profound folk wisdom and ironic wit. This is a book everyone of any background can delight in. The witty folk wisdom it offers can be cherished for a lifetime. -Daniela Gioseffi, American Book Award winner The Good for the Good weaves wit and warmth into poems inspired by Italian and Sicilian sayings embraced by her family through generations. -Amy Barone, Author of We Became Summer These poems create a rich tapestry of folk wisdom, linguistic hybridism, and inter-generational transfer across two sides of an ocean. . . . Famà's reflections on the legacies of her Sicilian heritage are as timeless as the sayings that inspired her work. -Lina Insana, Associate Professor at University of Pittsburgh

Poetry. Literary Nonfiction. California Interest. Italian American Studies. Talarico's true-life narratives inevitably remind you of your own best, half-buried memories.--Chicago Tribune Ross Talarico is a truly gifted poet.--James Wright Some say Ross Talarico has done the impossible.--Katie Couric In Ross Talarico's poems is distilled much of what has been best in poetry.--Donald Justice Ross Talarico has a rare talent: he captures the inner thoughts of 'ordinary' people and reveals their extraordinary visions.--Studs Terkel Talarico writes like a latter-day Wordsworth.--H.L. Hix

Poetry. Italian Studies. In poems born of the rocky soil of the old country, where children learn to sew in a 'walled-in-garden' with 'one potted plant--crown of thorns, ' Frasca threads history and myth. She tells of immigrant hope that turns so quickly to devastating loss, and makes exile real--the self in search of the self. Writing to her counterpart, Anna, who dies young back in Sicily, and carrying her father's ghost, time feels endless, simultaneous. But Frasca is also a poet of wonder, and this work is alive, visionary, painterly. Here, myth isn't an old story, it is the art of transformation, and Frasca embodies an ever-present unfolding.--Anne Marie Macari Like mulberries that both stain and heal, these luscious poems and stories insist on our culpability in the misery of familiar or distant others while also consoling and nurturing with sensorial and sensual pleasures only a poet like Frasca, living within the tension between assimilation and alienation, between worlds that 'disorient & enlighten, ' can deliver. Frasca threads through memories wary of the ways nostalgia scars, seeking antidotes by turning writing into a 'battledress, ' and crafting introspection into a means of saving us 'from our ugly stink.' Enter WILD FENNEL's 'feral fires' and you will emerge both bruised and blessed, loving anise seeds and the smell of fox the way one should, on their own terms.--Mihaela Moscaliuc

Poetry. Italian Studies. The poems in SEASON OF SUBTRACTION are at once effortlessly attainable, and at the same time surprisingly fresh and delightfully unexpected...If you listen carefully, you can hear Michelle say, Yes, you come too. SEASON OF SUBTRACTION is an extraordinary book.--John Stanizzi The prose poems that make up SEASON OF SUBTRACTION bask in the poetics of language and syntax; they are bricks paving a dream-village, both American and Old World...I am in awe of the space Michelle Messina Reale creates: its friction, its strength, its mournful insistence, and the speaker who 'pin[s] my father's heart to the wall and pray[s] a novena to lost souls...'--Jennifer Martelli SEASON OF SUBTRACTION is like Sicily's own citrus fruits--hybridized, yet native and emblematic; sweet and intricate, yet often bitter in places at the whim of life's turning. With its nuanced language, crafted metaphors, and raw honesty, Reale's work is a treat to be savored.--Chad Frame In SEASON OF SUBTRACTION, Michelle Reale entangles you in the language of ache and need, and the search for a lost relative who becomes a found love...You will gather so many pieces in this beautiful collection, and you will exit it feeling whole, knowing what was once lost is now home.--Kailey Tedesco

MISSING MADONNAS begins with the lunar arrival of its author, Gil Fagiani, who throughout this collection explores mythical Madonnas, nonnas, and urban addiction and redemption for a portrait of a life lived in pain and triumph. Dedicated to his Orlandini family, this book, first posthumous, is the final in a trilogy-CHIANTI IN CONNECTICUT and STONE WALLS-from a first generation American whose poetry transcends the conventional visions of the post-war 50's, the turbulent 60's, and the bitter tenderness of a life that ended much too soon.

"And there was one more question posed to me, over and over again, mostly by my big-hearted, bull-headed, capa tosta of a father. It typically flew my way when the cyclone of rage and love and fear and affection ripped through the walls, shaking the everyday worlds . . . Who do you think you are?"

Not being a man, I bleed like this. -Bhanu Kapil, "What is the shape of your body?"

I can think of no other writer who can better express the ine able sense of being born into the working poor before moving through di erent genres of living-hired factory hand, engineer, professor, poet, then back to hired academic hand-as he searches for a sense of the real through genres of writing-memoir, ction, poetry, criticism. Samuel Taylor's Hollywood Adventure is as engrossing as any written lived experience, only more so: a meditation on what it is not to be a Hollywood celebrity, war hero, or anyone of note, but a human trying to make it, and trying to make sense of "it" as a writer who can look back and see how much of our lives are composed by the constraints of storytelling we and our societies create. Samuel Taylor's Hollywood Adventure begins with poetics, but ends as philosophy.-STEVE TOMASULA, author of VAS: An Opera in Flatland and Once Human: Stories

Poetry. Art. In PACKS SMALL PLAYS BIG, Phyllis Capello gives us exquisite, finely-crafted lyrical poems, polished and many-faceted as the finest jewels. These poems contain a woman's voice crying out from tenement windows and city streets. They both grieve for all that is lost to the passage of time and celebrate all that remains.--Maria Mazziotti Gillan PACKS SMALL PLAYS BIG packs a punch to the gut. Whether it's a feminist reclamation of myth and fable, an activist's prophetic cries of injustice, or the elusive compression of an attuned lyric poet, Capello offers measured solace and rousing intensity. Where else but with this poet's magic can bewitched urban landscapes of 'alarm jangles' and 'jabbering pizzicato' transform into redemptive homemade shrines--notwithstanding the 'patched potholes' and 'pedestrian plod.' The poems 'spark and hum' and the emotion catches our throats.--Peter Covino An exquisite redefinition of Time. The poet's meditation brings ancient sensibility to the urban landscape, Delos to the 'steel horizon, ' Athena to Avenue X. Through stars, dreams, shoelaces, women on the brink keening in tune with sirens, gears, brakes, the lurch of subways overhead, Capello burnishes an eternal lemniscate brimmed with passion.--Annie Rachele Lanzillotto

THE FOREWORD BLUESWesli Court said I should write a book,A bunch of blues-enough to fill a book,And he'd design the cover. I said, "Look,If you'll write half of them, then I will chooseA ball-point pen, a felt-tip-I will chooseTo join you in a modicum of blues."And that's the reason, Reader, we are here-You, Wes and me-we three assembled hereAmong these turning leaves yellow and sere.We hope you'll think the words we write are fine,Our writing bold and dark, but our wordage fine . . . ,At least we hope you'll like the cover design.Envoy EpilogueGo, little book of sorrows, cares and woes,But Wesli's gone. Where? Only goodness knows.

Gay Talese and Pete Hamill discuss the life and legacy of Frank Sinatra. "Like his hero, Jay Gatsby, Sinatra 'believed in the green light, the orgiastic future that year by year recedes before us.' It was that longing for a lost future that so permeated his music and life that gave it an essential quality of longing, loss, and nostalgia."

Poetry. Fiction. Art. A book of lyric essays and prose poems seeking truth through fragments and spectrums.