Bücher der Reihe Vintage International

Set in Mississippi during the Civil War and Reconstruction, THE UNVANQUISHED focuses on the Sartoris family, who, with their code of personal responsibility and courage, stand for the best of the Old South's traditions.

Prize-winning German writer Ingo Schulze's first novel, Simple Stories, is a marvel of storytelling and craft. Set in the East German town of Altenburg after the fall of the Berlin Wall, it deftly leaps among an array of confused characters caught in the crossroads of their country's history: a lovelorn waitress who falls for a visiting West German investor; an art historian turned traveling salesman; a former Communist official plagued by his past; an unsuccessful writer who asks his neighbor to break his leg so that he can continue to live on welfare. Schulze skillfully intercuts an assortment of moving and comic vignettes about seemingly unconnected people, gradually linking them into an exhilarating whole of tidal unity and emotional force, until we see that all the time we have been reading a novel in glittering fragments, spun by a master. With a piercing eye for detail and a magical ear for dialogue, Schulze portrays the tragi-comedy of ordinary people caught up in the last great historical upheaval of the century.

Translated into English for the first time, a gripping short novel about an affair gone wrong, from the author of the Sea of Fertility tetralogy.Set in rural Japan shortly after World War II,The Frolic of the Beaststells the story of a strange and utterly absorbing love triangle between a former university student, Koji; his would-be mentor, the eminent literary critic Ippei Kusakudo; and Ippei's beautiful, enigmatic wife, Yuko. When brought face-to-face with one of Ippei's many marital indiscretions, Koji finds his growing desire for Yuko compels him to action in a way that changes all three of their lives profoundly. Originally published in 1961 and now available in English for the first time,The Frolic of the Beastsis a haunting examination of the various guises we assume throughout our lives, and a tale of psychological self-entrapment, seduction, and crime.

A milestone in American literature--a book that has continued to engage readers since its appearance in 1952. Nominated as one of America's best-loved novels by PBS's The Great American ReadA first novel by an unknown writer, it remained on the bestseller list for sixteen weeks, won the National Book Award for fiction, and established Ralph Ellison as one of the key writers of the century. The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "e;the Brotherhood"e;, and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be. The book is a passionate and witty tour de force of style, strongly influenced by T.S. Eliot's The Waste Land, Joyce, and Dostoevsky.

British writer Kazuo Ishiguro won the 1989 Booker Prize for The Remains of the Day, which sold over a million copies in English alone and was the basis of a film starring Anthony Hopkins. Now When We Were Orphans, his extraordinary fifth novel, has been called his fullest achievement yet (The New York Times Book Review) and placed him again on the Booker shortlist. A complex, intelligent, subtle and restrained psychological novel built along the lines of a detective story, it confirms Ishiguro as one of the most important writers in English today. Londons Sunday Times said: You seldom read a novel that so convinces you it is extending the possibilities of fiction.The novel takes us to Shanghai in the late 1930s, with English detective Christopher Banks bent on solving the mystery that has plagued him all his life: the disappearance of his parents when he was eight. By his own account, he is now a celebrated gentleman sleuth, the toast of London society. But as we learn, he is also a solitary figure, his career built on an obsession. Believing his parents may still be held captive, he longs to put right as an adult what he was powerless to change as a child, when he played at being Sherlock Holmes before both his parents vanished and he was sent to England to be raised by an aunt. Banks father was involved in the importation of opium, and solving the mystery means finding that his boyhood was not the innocent, enchanted world he has cherished in memory. The Shanghai he revisits is in the throes of the SinoJapanese war, an apocalyptic nightmare; he sees the horror of the slums surrounding the international community in a dreamscape worthy of Borges (The Independent). We think that if we can only put something right that went a bit awry, then our lives would be healed and the world would be healed, says Ishiguro of the illusion under which his hero suffers. It becomes increasingly clear that Banks is not to be trusted as a narrator. The stiff, elegant voice grows more hysterical, his vision more feverish, as he comes closer to the truth. Like Ryder of The Unconsoled, Ishiguros previous novel, Banks is trapped in his boyhood fantasy, and he follows his obsession at the cost of personal happiness. Other characters appear as projections of his fears and desires. All Ishiguros novels concern themselves with the past, the consequences of denying it and the unreliability of memory.It is from Ishiguros own family history that the novel takes its setting. Though his family is Japanese, Ishiguros father was born in Shanghais international community in 1920; his grandfather was sent there to set up a Chinese branch of Toyota, then a textile company. My father has old pictures of the first Mr. Toyota driving his Rolls-Royce down the Bund. When the Japanese invaded in 1937, the fighting left the international commune a ghetto, and his family moved back to Nagasaki.When We Were Orphans raises the bar for the literary mystery. Though more complex than much of Ishiguros earlier work, which has led to mixed reactions, it was published internationally (his work has been published in 28 languages) and was a New York Times bestseller.

';Haruki Murakami's Men Without Women examines what happens to characters without important women in their lives; it'll move you and confuse you and sometimes leave you with more questions than answers.' Barack ObamaAcross seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka's Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.

From the best-selling author of the National Book Award-winning The Year of Magical Thinking: two extended excerpts from her never-before-seen notebooks--writings that offer an illuminating glimpse into the mind and process of a legendary writer. Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles--and here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi, and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention. She writes about the stifling heat, the almost viscous pace of life, the sulfurous light, and the preoccupation with race, class, and heritage she finds in the small towns they pass through. And from a different notebook: the "e;California Notes"e; that began as an assignment from Rolling Stone on the Patty Hearst trial of 1976. Though Didion never wrote the piece, watching the trial and being in San Francisco triggered thoughts about the city, its social hierarchy, the Hearsts, and her own upbringing in Sacramento. Here, too, is the beginning of her thinking about the West, its landscape, the western women who were heroic for her, and her own lineage, all of which would appear later in her acclaimed 2003 book, Where I Was From. One of TIME's most anticipated books of 2017 One of The New York Times Book Review's';What You'll Be Reading in 2017'Incldued among the Best Books of March 2017 by both LitHub and Signature

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two letters, written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose, The Fire Next Time stands as a classic of our literature.

From the winner of the Nobel Prize in Literature and author of the Booker Prizewinning novel The Remains of the Day In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the "e;floating world"e;the nocturnal world of pleasure, entertainment, and drinkoffer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.

New York TimesBestsellerPecola Breedlove, a young black girl, prays every day for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for normalcy, for the blond hair and blue eyes that she believes will allow her to finally fit in.Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife. A powerful examination of our obsession with beauty and conformity, Toni Morrison's virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterized her writing."e;You can't go wrong by reading or re-reading the collected works of Toni Morrison.Beloved,Song of Solomon,The Bluest Eye,Sula,everything else they're transcendent, all of them. You'll be glad you read them."e;--Barack Obama

Speak, Memory, first published in 1951 as Conclusive Evidence and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov's life and times, even as it offers incisive insights into his major works, including Lolita, Pnin, Despair, The Gift, The Real Life of Sebastian Knight, and The Defense.

South of the Border, West of the Sun is the beguiling story of a past rekindled, and one of Haruki Murakami's most touching novels.Hajime has arrived at middle age with a loving family and an enviable career, yet he feels incomplete. When a childhood friend, now a beautiful woman, shows up with a secret from which she is unable to escape, the fault lines of doubt in Hajime's quotidian existence begin to give way. Rich, mysterious, and quietly dazzling, in South of the Border, West of the Sun the simple arc of one man's life becomes the exquisite literary terrain of Murakami's remarkable genius.

NATIONAL BESTSELLERWinner of the Pulitzer PrizeWinner of the National Book AwardWhen The Stories of John Cheever was originally published, it became an immediate national bestseller and won the Pulitzer Prize.In the years since, it has become a classic.Vintage Books is proud to reintroduce this magnificent collection.Here are sixty-one stories that chronicle the lives of what has been called "e;the greatest generation."e;From the early wonder and disillusionment of city life in "e;The Enormous Radio"e; to the surprising discoveries and common mysteries of suburbia in "e;The Housebreaker of Shady Hill"e; and "e;The Swimmer,"e; Cheever tells us everything we need to know about "e;the pain and sweetness of life."e;

National BestsellerNominated for the Academy Award for Best DocumentaryTo compose his stunning documentary film I Am Not Your Negro, acclaimed filmmaker Raoul Peck mined James Baldwin’s published and unpublished oeuvre, selecting passages from his books, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Weaving these texts together, Peck brilliantly imagines the book that Baldwin never wrote. In his final years, Baldwin had envisioned a book about his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King. His deeply personal notes for the project have never been published before. Peck’s film uses them to jump through time, juxtaposing Baldwin’s private words with his public statements, in a blazing examination of the tragic history of race in America. This edition contains more than 40 black-and-white images from the film.

An accomplished debut, The Flower Boy is the tragically romantic story of people from two cultures, one ruling the other, and the human passions that defy and nearly overcome social taboos.In the colonial society of 1930s Ceylon, the separation between servant and master is clearly drawn. Young Chandi, however, knows that the baby born to his mother’s mistress will be his friend. And, indeed, their friendship blossoms in the lush gardens of the tea plantation on which they live. Many, English and Ceylonese, are troubled by the friendship, but the English planter is charmed by the children’s bond, and ultimately by Chandi’s mother, Premawathi. But the world encroaches on their Eden. Beautifully observed, compellingly plotted, The Flower Boy is a compassionate novel of a lost world and those who struggled to hold on to it.