Bücher veröffentlicht von 1st World Publishing

In the poems of Petroglyphs, Ostrander piles up image after image, in long and short lines, creating a cadence. Whether the poem is an epithalamium for a beloved daughter, the stark image of a suicide artist, or a climb in the Himalayas, the poet's unique voice comes through, and we see the work of a beautiful and probing mind, a generous spirit. Ostrander is a master craftsman, with patience and discipline to capture "The Word"-"which is always there, this reassembling of the self. . . a word that, ignored, appears for a moment and returns, lucid, to the circle of our reaching, the radius of our love." His poems, richly textured and resonant, are both shape and shadowshape. In the desert's shifting sands, he hears still the inland sea it has replaced, in a beach at Santa Cruz, California, the eternal forsakenness of Matthew Arnold's "Dover Beach." ~~~~~Ruth. G. Iodice, Founding Editor, Blue Unicorn: A Triquarterly of Poetry ~~~~~~~~ The Welsh poet Vernon Watkins said about writing poems, "Cold craftsmanship is the best container of fire." Fred Ostrander is a poet who understands such a dedicated and diligent approach to the use of language. His poetic vision, subtle and engaging, is very individual and is powered by the natural rhythms of a confiding voice, a voice that conveys a man of deep integrity and humanity. The poems in Petroglyphs are a real breath of fresh air, intimate and universal, lyrical and intelligent. They are first-class poems that call the reader back, again and again, to wander around their word and sound landscapes. This is a collection that truly deserves a wide readership. ~~~~~ ~~~~~~~Peter Thabit Jones, Editor, Seventh Quarry (Swansea, Wales)In Petroglyphs, Fred Ostrander distills a life filled with travel and observation into a series of poems that probe the depths of meaning in language that makes the failure of words all the more poignant and meaningful. Whether describing nature or art, the attention to detail is absolute; the deference to image steeped in reverence. In poem after poem, experience and memory, image and the effects of image are examined through the lens of language to erupt into the beautiful. Here is the essential quest revealed. This is a collection of poetry one simply must read again and again. ~~~~~~James Michael Robbins, Sulphur River Literary Review ~~~~~~~ In a period when trivial poetry is not only the norm, but apparently the ideal, Ostrander's work is complex, subtle, massive, and disturbingly romantic. ~~~~~~~Jeanne McGahey, winner, Quarterly Review of Literature Poetry Competition ~~~~~ ~~~~ To begin reading Fred Ostrander is to enter an alternate, intenser world where the great images rule and the tides of the universe palpably lift (and drop) us all. Ostrander is one of those poets of whom accomplished poets say, "I wish I could write like that." -~~~~~~~John Hart, two-time winner, Commonwealth Club Medal in Californiana ~~~~~~~

Will Walker has written a collection of poems so intelligent and clear that reading them I wake up-and find myself alive in the world. This is what art can do-and every time it happens it's a miracle. Here is a miraculous book-awake to what the Buddhists call the "full catastrophe" of living right now. If you want to feel yourself alive and in great company, buy this book and read it, and then pass it on.-Marie Howe, author of The Kingdom of Ordinary TimeThere is a calm meditative grace to the poems in Will Walker's Wednesday After Lunch. His is a narrative "in the American grain," to use William Carlos Williams' phrase. While some are quiet lyric poems of love of landscape and streetscape and quite human dogs, and some of a sweet domestic love, even asleep, a man and his wife "on your own side/of the bed/ split neatly into neighboring countries," Walker's work has that very American room for Khrushchev at the UN pounding his shoe, and rhinestones, and Monopoly, and Jack Ruby, and Marilyn Monroe. In a tour de force of a poem, he writes of a dream of a bonfire, a barbecue on the flats in Provincetown, everyone from his Edenic past reunited, and "even the ocean loves to gather by fire." These are poems to warm yourself by. -Gail Mazur, author of Zeppo's First WifeIWf you want a batch of poems that are consistently good, if you consistently enjoy the poems of, say, Billy Collins or William Stafford or Sharon Olds, and if you were inclined to take any one of them with you to a desert island, mountain retreat, or simply to your own home, you may find yourself content in the company of Will Walker's poems. All things being relative in poetry, these poems tend toward the precise and the astounding; these are most often "stories" told with attention to where any parts of the story are likely to lead the reader, digression to detour and closer inspection to wider perspective: like the diagram of the city containing the aroma and curiosity of time before you-past, future, present! The subjects journey, Italo Calvino-like, from what summons to what will not go away. In the space of these poems, there's a lot that won't go away and only some things, ephemeral by day, that are preserved as in a ghost-town you are happy to re-visit because when you do you, like the poet, will become closer to your nature. -Peter Money, editor and publisher of Harbor Mountain PressWill Walker's poems are vivid, poignant, often funny, and always big-hearted. He writes with a keen eye, a generous heart, and an expansive spirit, both embracing the everyday and transcending it. His poems always make me see with new eyes. They are love poems to the world. -Thea Sullivan, poet and teacher of The Intuitive Voice

Flying Backbone collects Christopher Buckley's poems from 1979 through 2007 responding to the life and paintings of Georgia O'Keeffe. Taken from one full-length book and two chapbooks-all long out of print-plus two new poems, the project concludes at 52 poems. Also reprinted is an essay in which Buckley not only speaks to his process, but to comment from art critics over the years. Buckley explains that he was compelled by "The vitality she found in everything-from bones in the desert to skyscrapers in Manhattan-the way the work suggests a practical cast, one that cherishes the earth and praises the strength of the human spirit as it endures here." ~~~~~ "He has an exquisite ear for language... no concept is over-stated-it's all marvelously fresh." - Library Journal ~~~~~ "What the soul learns is that, from the perspective of the universe... the local might be the entirety of the earth.... (His) poems inscribe a desire for what does shine, for the redemptive. - Lisa M. Steinman, Michigan Quarterly Review. ~~~~~ "... absolutely reverent and absolutely fearless poetic assumptions... they are never mere documents or 'interpretations.' They are inspired trances: eerie, faceted, gem-clear and like O'Keeffe, fired by such fixed and radiant perceptions they leave the reader stunned." - Carol Muske `````````` About Christopher Buckley ~~~~~~~~~~Christopher Buckley's most recent books are AND THE SEA, (2006), and SKY (2004) from The Sheep Meadow Press. His 16th book of poetry, MODERN HISTORY: Prose Poems 1987-2007, will be published by Tupelo Press in September 2008. ROLLING THE BONES will appear from Eastern Washington Univ. Press in early 2009.With Gary Young Buckley is the editor of The Geography of Home: California's Poetry of Place (1999), and with David Oliveira and M.L. Williams he is editor of How Much Earth: The Fresno Poets (2001). For the Univ. of Michigan Press' Under Discussion series, he has edited The Poetry of Philip Levine: Stranger To Nothing, 1991. Recently he has edited the poetry anthology, Homage To Vallejo, Greenhouse Review Press, 2006. And, with Alexander Long, A CONDITION OF THE SPIRIT: THE LIFE AND WORK OF LARRY LEVIS, Eastern Washington Univ. Press, 2004. BEAR FLAG REPUBLIC: Prose Poems & Poetics from California, edited with Gary Young, is just out from Alcatraz Editions.Over the last 30 years his poetry has appeared in APR, POETRY, FIELD, The Georgia Review, The Iowa Review, TriQuarterly, The Kenyon Review, Ploughshares, The New Yorker, The Nation, The Hudson Review, The Gettysburg Review, Quarterly West, Prairie Schooner, & New Letters among others.He has received a Fulbright Award in Creative Writing to the former Yugoslavia, four Pushcart Prizes, two awards from the Poetry Society of America, and is the recipient of NEA grants in poetry for 2001 and 1984. Recent poetry awards include the City Works National Writers Award for 2006 from San Diego Community College, and the Kenneth O. Hansen poetry award from HUBBUB magazine. He is a Guggenheim Fellow in Poetry for 2007-2008., and teaches in the creative writing Program at the Univ. of California Riverside.

Pierre Le Rouzic's The Name Book, intrigues its audience with a stunningly accurate description of their characters based solely on the name they bear. Containing over 9,000 names, this volume is a priceless encyclopedia of wisdom - a name book that has passed the test of time. This book is fun! An international bestseller with over 3 million copies sold outside the USA, it provides an accurate analysis of our personality based solely on the name we bare. Index includes over 9,000 names - described in 80 chapters. 85 graphic illustrations (called name portraits) convey the message in a glance. An invaluable resource for new parents or people wanting to change their name. Opening chapters explain why our names, culture, magnify, or restrict aspects of our personalities Provides guidelines for choosing correct names for new born babies or name changes. ~~~~~ "A name is a reservoir of energy, and this makes good sense" The constant repetition of the syllables of our names, "this harmony," ends up having a significant influence on the development of our personalities. Names contain secret vibrations we are unaware of, yet which exist nonetheless-just as we are unaware of the sound from an ultrasonic whistle that a dog hears perfectly well. If we admit the existence off these vibrations, which are different for each name, it is not hard to imagine that they can resonate with something inside us and trigger different reactions in us, according to the name we bare. This is to say, a name can change an individual, and can effect one's personality and to a certain extent, destiny. This helps us understand what at first seems unbelievable-that names can have a direct influence on people.~~~ Pierre Le Rouzic ~~~ ~~~~~ "In every place and time, everyone has received a name. It is the first and most lasing influence we give to our children. Something this far reaching should not be mindlessly chosen according to the current trends of fashion. This book contains over 9000 names and Pierre Le Rouzie has spent 50 years researching their characteristics. It is worth your time to read the book-your children will thank you later."~~~~~~~ Rodney Charles, Bestselling author of Miracles of the Saint ~~~~~~~~ Published by 1stworldpublishing.com &1stworldlibrary.com ~~~

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