Bücher veröffentlicht von Alfred A. Knopf

JOYCE'S MOTTO has had much fame but few apostles. Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of "silence, exile, and cunning" could not have been managed without a show of strictness well beyond the reach of the theater of the coy. The "far, stubborn, disastrous" course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments.

WINNER OF THE NEWBERY MEDAL • NEW YORK TIMES BESTSELLER • WINNER OF THE ASIAN/PACIFIC AMERICAN AWARD FOR CHILDREN'S LITERATUREWould you make a deal with a magical tiger? This uplifting story brings Korean folklore to life as a girl goes on a quest to unlock the power of stories and save her grandmother.When Lily and her family move in with her sick grandmother, a magical tiger straight out of her halmoni's Korean folktales arrives, prompting Lily to unravel a secret family history. Long, long ago, Halmoni stole something from the tigers. Now they want it back. And when one of the tigers approaches Lily with a deal—return what her grandmother stole in exchange for Halmoni's health—Lily is tempted to agree. But deals with tigers are never what they seem! With the help of her sister and her new friend Ricky, Lily must find her voice . . . and the courage to face a tiger.

Mr. Koch’s poems have a natural voice, they are quick, alert, instinctive . . . He has vivacity and go, originality of perception and intoxication with life. Most important of all, he is not dull.” --Frank O’Hara, Poetry, 1955Gathered together for the first time, the exciting, startling early work of one of our finest poets. Writing as a young man in the 1950s, Koch, a member of the now famed New York School along with John Ashbery, Larry Rivers, Frank O’Hara, and others, experimented with the delicate balance between sound and sense to offer a series of poems resembling music or abstract painting. For example, he opens the title poem with: “Bananas, piers, limericks / I am postures / Over there, I, are / The lakes of delectation / Sea, sea you!”Also included are a selection of short plays in verse and Koch’s innovative masterpiece, “When the Sun Tries to Go On,” a poem that “produces a radical reworking of the life-poem myth predominant in American poetics since ‘Song of Myself’” (William Watkins, In the Process of Poetry). About “When the Sun Tries to Go On,” David Lehman wrote, “Koch takes a great deal of delight in the sounds of words and his consciousness of them; he splashes them like paint on a page with enthusiastic puns, internal rhymes, titles of books, names of friends, and seems surprised as we are at the often witty outcome” (Poetry, 1968).When the poems in Sun Out were originally published, they set a standard for the freshness and surprise of language used in extraordinary ways. For almost five decades they have delighted readers lucky enough to find them. It is our pleasure to make them once again available in this new and provocative collection.

Winner of the National Book Critics Circle Award in Poetry, 1986“This is a lovely and moving collection, and it has not only the courage of its strong emotions, but the language and form that makes and keeps them clear and true.” —Anthony Hecht   “Hirsch remains a poet of celebration, but the sorrows of the world are here too, in equal measure. The language is, throughout, simple, sensuous, and direct. We can be grateful for this book and this poet.” —Jay Parini   “I have known the poetry of Edward Hirsch for some time, and have greatly admired it. But I even more greatly admire his Wild Gratitude as a general collection, and I am convinced that the best poems here are unsurpassed in our time.” —Robert Penn Warren

E. F. Benson’s beloved Mapp and Lucia novels are sparkling, classic comedies of manners set against the petty snobberies and competitive maneuverings of English village society in the 1920s and 1930s.The Worshipful Lucia (1935; published in the UK as Lucia’s Progress) and Trouble for Lucia (1939) are the last two novels in Benson’s series. They chronicle the ongoing battles of his famous characters—Mrs. Lucia Lucas and Miss Elizabeth Mapp—in the idyllic seaside village of Tilling, which proves too small to contain both of them. While both are hypocritical snobs, Lucia is animated by marvelous delusions of grandeur and Mapp by insatiable curiosity and chronic rage; their epic collisions rock their small society and provide the narrative engines for Benson’s gloriously farcical masterpieces.

Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection--a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades.The Source of Self-Regard is brimming with all the elegance of mind and style, the literary prowess and moral compass that are Toni Morrison''s inimitable hallmark. It is divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11; the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches included here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, "black matter(s)," and human rights. She looks at enduring matters of culture: the role of the artist in society, the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, among them, painter and collagist Romare Bearden, author Toni Cade Bambara, and theater director Peter Sellars. In all, The Source of Self-Regard is a luminous and essential addition to Toni Morrison''s oeuvre.

The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate.Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the miind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and reshape history, whether in a dentist's office in suburban New Jersey, or in a tradition-bound English Village in Gloucestershire, or in a church in London's West End, or in a tiny desert settlement in Israel's occupied West Bank.

From National Book Award-winning writer James Carroll comes a novel of the timeless love story of Peter Abelard and Héloïse, and its impact on a modern priest and a Holocaust survivor seeking sanctuary in Manhattan.Father Michael Kavanagh is shocked when he sees a friend from his seminary days at the altar of his humble parish in upper Manhattan—a friend who was forced to leave under scandalous circumstances. Compelled to reconsider the past, Father Kavanagh wanders into the medieval haven of the Cloisters and stumbles into a conversation with a lovely and intriguing docent, Rachel Vedette.Having survived the Holocaust and escaped to America, Rachel remains obsessed with her late father’s greatest scholarly achievement: a study demonstrating the relationship between the famously discredited monk Peter Abelard and Jewish scholars. Feeling an odd connection with Father Kavanagh, Rachel shares with him the work that cost her father his life.At the center of these interrelated stories is the classic romance between the great philosopher Abelard and his intellectual equal, Héloïse. For Rachel, Abelard is the key to understanding her people’s place in history. And for Father Kavanagh, the controversial theologian may be a doorway to understanding the life he himself might have had outside the Church.

An emotionally charged historical novel based on the Gold Star Mothers.Cora Blake never dreamed she'd go to Paris. She's hardly ever left the small fishing village where she grew up. Yet in the summer of 1931, she is invited to travel to France with hundreds of other Gold Star Mothers, courtesy of the U.S. government, to say goodbye to their fallen sons, American casualties of World War I who were buried overseas. Chaperoned by a dashing West Point officer, Cora's group includes the wife of an immigrant chicken farmer; a housemaid; a socialite; a former tennis star in precarious mental health; and dozens of other women from all over the country. Along the way, the women will forge lifelong friendships as they face a death, a scandal, and a secret revealed.

Julia Glass’s richly imagined novel begins just after the sudden death of world-renowned children’s book author Mort Lear, who leaves behind a wholly unexpected will, an idyllic country house, and difficult secrets about a childhood far darker than those of the beloved characters he created for young readers of all ages. Left to grapple with the consequences of his final wishes are Tommy Daulair, his longtime live-in assistant; Merry Galarza, a museum curator betrayed by those wishes; and Nick Greene, a beguiling actor preparing to play Lear in a movie.  When Nick pays a visit to Lear’s home, he and Tommy confront what it means to be entrusted with the great writer’s legacy and reputation. Tommy realizes that despite his generous bequest, the man to whom she devoted decades of her life has left her with grave doubts about her past as well as her future. Vivid and gripping, filled with insight and humor, A House Among the Trees is an unforgettable story about friendship and love, artistic ambition, the perils of fame, and the sacrifices made by those who serve the demands of a creative genius.

At the beginning of 1945, relations between America and the Chinese Communists couldn't have been closer. Chinese leaders talked of America helping to lift China out of poverty; Mao Zedong himself held friendly meetings with U.S. emissaries. By year's end, Chinese Communist soldiers were setting ambushes for American marines; official cordiality had been replaced by chilly hostility and distrust, a pattern which would continue for a quarter century, with the devastating wars in Korea and Vietnam among the consequences. In China 1945, Richard Bernstein tells the incredible story of the sea change that took place during that year-brilliantly analyzing its far-reaching components and colorful characters, from diplomats John Paton Davies and John Stewart Service to Time journalist, Henry Luce; in addition to Mao and his intractable counterpart, Chiang Kai-shek, and the indispensable Zhou Enlai. A tour de force of narrative history, China 1945 examines American power coming face-to-face with a formidable Asian revolutionary movement, and challenges familiar assumptions about the origins of modern Sino-American relations.

The O. Henry Prize Stories 2017 contains twenty breathtaking stories—by a vibrant mix of established and emerging writers—selected by the series editor from the thousands published in literary magazines over the previous year. The collection includes essays by the three eminent guest jurors on their favorite stories, observations from the winning writers on what inspired them, and a comprehensive resource list of the many magazines and journals, both large and small, that publish short fiction.  “Too Good To Be True,” Michelle Huneven“Something for a Young Woman,” Genevieve Plunkett“The Buddhist,” Alan Rossi“Garments,” Tahmima Anam“Protection,” Paola Peroni“Night Garden,” Shruti Swamy“A Cruelty,” Kevin Barry“Floating Garden,” Mary La Chapelle“The Trusted Traveler,” Joseph O’Neill“Blue Dot,” Keith Eisner“Lion,” Wil Weitzel“Paddle to Canada,” Heather Monley“A Small Sacrifice for an Enormous Happiness,” Jai Chakrabarti“The Bride and the Street Party,” Kate Cayley“Secret Lives of the Detainees,” Amit Majmudar“Glory,” Lesley Nneka Arimah“Mercedes Benz,” Martha Cooley“The Reason Is Because,” Manuel Muñoz“The Family Whistle,” Gerard Woodward“Buttony,” Fiona McFarlaneThe jurors this year are David Bradley, Elizabeth McCracken, and Brad Watson.For author interviews, photos, and more, go to www.ohenryprizestories.com

This fascinating portrait of two of the most brilliant theater artists of the twentieth century—and the women who made their work possible—is set against the explosive years of the Weimar Republic.Among the most outsized personalities of the sizzling, decadent period between the Great War and the Nazis’ rise to power were the renegade poet Bertolt Brecht and the avant-garde composer Kurt Weill. These two young geniuses and the three women vital to their work—actresses Lotte Lenya and Helene Weigel and writer Elisabeth Hauptmann—joined talents to create the theatrical masterworks The Threepenny Opera and The Rise and Fall of the City of Mahagonny, only to split in rancor as their culture cracked open and their differences became irreconcilable. The Partnership is the first book to tell the full story of one of the most important creative collaborations of the last century, and the first to give full credit to the women who contributed their enormous gifts. Theirs is a thrilling story of artistic daring entwined with sexual freedom during the Weimar Republic’s most fevered years, a time when art and politics and society were inextricably mixed.

The World of Raymond Chandler shows how Chandler precariously balanced the values of a classical English education against those of a fast-evolving America during the years before the Great War; how he adopted Los Angeles as his home after WWI, with Hollywood in turn adopting him (and adapting his works); how his detective hero and alter ego Philip Marlowe evolved over the years; and, above all, what it is to be a writer, and in particular one writing in the “other language” of hardboiled fiction.   Acclaimed biographer and historian Barry Day deftly interweaves images and text, using quotations from Chandler’s novels, short stories, letters, and interviews, to craft a unique portrait of the mystery writer’s life and times.

Lucas Mann was only thirteen years old when his brother Josh—charismatic and ambitious, funny and sadistic, violent and vulnerable—died of a heroin overdose. Although his brief life is ultimately unknowable, Josh is both a presence and an absence in the author’s life that will not remain unclaimed. As Josh’s story is told in kaleidoscopic shards of memories assembled from interviews with his friends and family, as well as from the raw material of his journals, a revealing, startling portrait unfolds. At the same time, Mann pulls back to examine his own complicated feelings and motives for recovering memories of his brother’s life, searching for a balance between the tension of inevitability and the what ifs that beg to be asked. Through his investigation, Mann also comes to redefine his own place in a family whose narrative is bisected by the tragic loss.  Unstinting in its honesty, captivating in its form, and profound in its conclusions, Lord Fear more than confirms the promise of Mann’s earlier book, Class A; with it, he is poised to enter the ranks of the best young writers of his generation.

Now in paperback, the widely acclaimed collection of one hundred poems of extraordinarily elegant simplicity by one of the best-selling poets in Russia, whose presence on the American poetry scene is increasingly strong. Pavlova writes about love (both sexual love and the love that reaches beyond sex); about motherhood; about the memories of childhood that continue to feed us; about our lives as passionate souls abroad in the world. Sensitively translated by her husband, Steven Seymour, Pavlova's poems are highly disciplined miniatures ("I broke your heart. / Now barefoot I tread / on shards"--a whole poem in ten words). Pavlova is a poet who storms our hearts with pure talent and a seemingly effortless gift for shaping poems.