The New York Philharmonic, from Bernstein to Maazel continues the story of America's oldest orchestra as told in Howard Shanet's Philharmonic: A History of New York's Orchestra. That volume ended with the 1970-71 season, just before the arrival of Pierre Boulez as music director.Obviously, much has happened since. This book begins, however, with a retrospective account of the controversial last years of the tenure of Dimitri Mitropoulos and the ascendancy of Leonard Bernstein to the music directorship. Having been a Philharmonic assistant conductor during Bernstein's tenure, and an inveterate Philharmonic watcher ever since, the author brings some personal insights to the story as well as moments of humor.A sub-theme of the book concerns the way the Philharmonic and its music directors have been treated by the New York press, the Times in particular. Howard Taubman's attacks on Mitropoulos, Harold Schonberg's on Bernstein, and Donal Henahan's on Zubin Mehta are all covered here, as are the writings of various critics on those and other conductors, and on the orchestra itself.The New York Philharmonic is the only orchestra ever to undertake a foreign tour solely on the initiative of its musicians, without benefit or support from management. How this came about is chronicled, as are the opening of Lincoln Center, the Parks Concerts, Promenades, Prospective Encounters, Rug Concerts, tours, and, of course, the subscription seasons. John Canarina shows how the New York Philharmonic weathered extraordinary ups and downs during this period, while remaining a vital component of New York's cultural life.
START-UP AT THE NEW MET: THE METROPOLITAN OPERA BROADCASTS 1966-1976
CHARLES IVES AARON COPLAND A PORTRAIT OF TWO AMERICAN COMPOSERS W/CD PARALLEL LIVES
HOW TO SUCCEED IN AN ENSEMBLEREFLECTIONS ON THE LIFE IN CHAMBER MUSIC
In 65 perceptive pieces, including some of the work that earned him the Pulitzer Prize for Criticism in 1997, Page offers what he calls "a collection of illumined moments " now gathered in a single volume for the wider audience who will treasure their insights.
Jean Langlais (1907-1991) was among the foremost French musicians of his time. He was the successor to the musical tradition established by CÉsar Franck and, like him, was organist at the church of Sainte Clotilde in Paris. Though blind from early childhood, he became one of the most celebrated touring virtuos of his time, his legendary recitals always concluding with an improvisation upon a submitted theme. Langlais wrote a body of music for organ second only in extent to that of Bach, and his compositions for organ remain widely played. This biography by one of his favorite pupils examines both his life and music. HARDCOVER.
The sociology of music is a young discipline, and this book addresses the seminal issues, explaining the role musical activity plays in our social and cultural life. It also contains practical aspects in how music is structured and tonal material is used.
As composer, critic, and music director of the Paris Opera, Reynaldo Hahn embodied the refined taste of La Belle Époque. This book is a series of nine lectures Hahn delivered in 1913 and 1914, concerned primarily with style and taste rather than technique.
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