Bücher veröffentlicht von Anthem Press

The Colombian Gothic in Cinema and Literature traces the aesthetic and political development of the Gothic genre in Colombia. Drawing on works like Jose Asuncion Silva's poetic "e;Nocturnos,"e; Caliwood's films and Mario Mendoza's novels, Gabriel Eljaiek-Rodriguez shows how Gothic tropes appear in the works of Colombian writers and filmmakers. However, he argues that what results ultimately is not just the Gothic in Colombia, but rather the Colombian Gothic-a new form of the genre with its own agenda and aesthetics.To identify a form of the Gothic as "e;Colombian"e; is, in one sense, to demonstrate how thinkers from that nation have reconfigured and laid claim to tropes often regarded as the purview of Europe and the US. The Colombian Gothic pays homage to but also pokes fun at the Gothic of figures like Poe, Bronte, Hawthorne and Stoker. In the hands of Colombian writers and filmmakers, Gothic tropes are taken to their extremes to reflect particularly Colombian issues, like the ongoing armed conflict in the country since the 1950s as various left wing guerillas, government factions and paramilitary groups escalated violence. In this Colombian Gothic, traditional tropes like distorted familial relations appear as open fratricide and incest. Such transformations address the real-life horrors of violence wrought within the supposed protections of shared nationality.In another sense, the Colombian Gothic does not just define itself apart from the US and European Gothics-it also challenges the centrality of Bogota-centered perspectives of Colombian politics and conflict. By the 1970s and 1980s, cities such as Cali suffered particularly extreme levels of violence, when the war among the drug cartels added another layer to the already complicated conflict. At the same time, Cali had one of the strongest filmmaking traditions in the country. The "e;Cali group"e; of writers and filmmakers seized the Gothic to challenge not just Europe and the US as the centers of the genre, but also to challenge Bogot as the center of the country-and as the most "e;logical"e; place to set a Gothic narrative with its colder, gloomier, darker urban ambience. The Colombian Gothic of Cali addresses the topics of conflict, but within an unapologetically tropical setting that reflects the hotter climate in the region surrounding Cali. The effort of these Cali-based writers and filmmakers became so dominant in shaping the Colombian Gothic that the twenty-first-century Colombian Gothic-now mainly composed in Bogot-follows the lead of these creators, continuing to create a Gothic that uniquely reflects the aesthetics and politics of Colombia.

Central to any interpretation of Wittgenstein's later philosophy is an understanding of his philosophical method and the nature of the turn which characterises the evolution from his early to his later work. In the essays in Wittgenstein, Scepticism and Naturalism, Marie McGinn argues that the methodological shift has at its heart a highly distinctive form of naturalism. This form of naturalism has nothing to do with the kind of scientific naturalism that is associated with accounting for all phenomena in terms of the conceptual resources of the natural sciences. It is closer to the Aristotelian naturalism defended by John McDowell, although, in Wittgenstein's case, the principal influence is Goethe, whose conception of how to understand the phenomena of nature is self-consciously opposed to the reductive approach of scientific naturalism. Goethe places the emphasis on achieving a clarified view of complex, natural phenomena in their natural setting, with a view to describing patterns and connections that are in plain view. The novelty of Wittgenstein's later work is that it applies these methods to the task of conceptual clarification, which aims at dissolving philosophical problems and paradoxes.The essays in Wittgenstein, Scepticism and Naturalism cover the following topics: scepticism about the external world; scepticism about other minds; knowledge and belief; meaning and rule-following; psychological states and the distinctive first-person use of psychological concepts; the relation between the early and the later philosophy; and the nature of Wittgenstein's naturalism.

Self-Presentation and Self-Praise in the Digital Workplace presents the findings of an interdisciplinary study of the 'self-entrepreneurial self' and, in particular, the rationale behind its need to self-present under the current socio-economic and business conditions. It addresses the complex landscape of the levels, typologies, categories, triggers, as well as both internal and external factors impacting self-praise in the context of a digital workplace (with the focus on enterprise social media) and professional networking platforms. In order to reflect the complexity of the topic at hand and interconnectivity of the constructs addressed, insights from such fields as socioeconomics, sociology, social psychology (specifically identity studies), software and services (IT sector), business intelligence and business analytics, digital media communication, organisational behaviour or corporate communication are thus combined with a mixed qualitative-quantitative methodological approach utilised to provide an in-depth exploration of the evolving constructs.From the broader socio-economic perspective of hyper globalisation, the impact of the neoliberalism economy on workplace relations, and ultimately on employee behaviour, are considered first to lay the background and introduce the relevant concepts.Self-presentation and in particular self-praise are considered in their multiple forms against the backdrop of precarious work relations dictated by neoliberalism, leading, among other things, to self-exploitation, but also to putting self-interest above anything else.The focus is placed on the triggers and manifestations of the social self (how a person thinks the others perceive them) and the situational self (a person's self-image in a specific situation) in the digital workplace, where individual (cultural) values are frequently overridden by those dictated by a given corporate culture, as aligned with the prevailing market conditions. These in turn impact workplace or employee identity.This exploratory and explanatory study contributes to a rather limited number of research endeavours on self-praise, conducted within narrow disciplines and specific frameworks, with the particular research gap being a lack of studies on self-presentational and self-praise activities in the corporate environment, which can primarily be observed in the virtual context of enterprise social media (ESM) and such tools of remote communication as conference calls or collaboration software, but also on professional networking platforms. Here situational antecedents (broadly what occurred before) and the audience (with their reactions) to such self-promotional activities serve as main prerequisites, thus completing the frame of analysis.

In 1887, following several years' imprisonment for his role in the People's Will terrorist group, Ivan P. Iuvachev was exiled with other political prisoners to the notorious Sakhalin penal colony. The penal colony emerged during the late 1860s and 1870s and collapsed in 1905, under the weight of Japan's invasion of Sakhalin. The eight years between 1887 and 1895 that Iuvachev spent on the island were some of the most tumultuous in the penal colony's existence. Originally published in 1901, his memoir offers a first-hand account of this netherworld that embodied the extremities of tsarist Russian penality. A valuable historical document as well as a work of literature testifying to one man's ability to retain his humanity amid a sea of human degradation, this annotated translation marks the first time Iuvachev's memoir has appeared in any language besides Russian.Iuvachv describes both colorfully and with journalistic objectivity fellow political prisoners as well as criminal exiles, corrupt prison wardens, well-intentioned administrators, and island aboriginals. As such, he is able to bring to life the many characters whose fate it was to live on Sakhalin, where, he writes, "e;This Sakhalin kaleidoscope is so complex in consistency it will hang before my eyes my entire life."e; A man of many talents, Iuvachv was employed by the island administration as a surveyor, navigator, hydrologist, meteorologist, engineer, choir director, and interior designer. He describes all these employs in detail and with humility. Dispatched as well on expeditions through the Tatar Strait and the Sea of Japan, he saw much of the region, and his observant eye and knowledge of nature allows him to paint wonderful portraits of the region's flora, fauna, and natural wonders.This book captures Iuvachv's wit, style, and sense of wonder, and has an introductory essay, explanatory notes, and a brief biography. The result is a comprehensive work that will prove especially useful to students of Russian and European history and literature, but that should also interest any reader desiring an inspiring story of one man's survival against the odds.

Kunqu is among the oldest and most refined traditions of the family of genres known as xiqu (music-drama or ¿Chinese operä). This book consists of translated performer narrations that illuminate how one of the major Chinese theatrical forms has been taught and transmitted over the past century.

It has been suggested that, if CARICOM nations wish to accelerate their development, they should embrace laissez-faire economic policies. However, laissez-faire economic policies have reinforced the very economic and social structures that have contributed to their low level of development; furthermore, laissez-faire economic policies ignore social attitudes that can greatly influence a nation's development. Moreover, low-skilled labor-intensive production processes, which once propelled growth in CARICOM nations, will no longer perform a similar role because production processes are becoming more and more knowledge-skills intensive, and nations wishing to attract foreign manufacturing investment or high-tech services may not be able to do so without an adequate pool of the necessary knowledge skills. CARICOM nations must therefore try to accumulate a pool of knowledge skills that can help their economies become internationally competitive.

Lahore's Mayo School of Arts, as the National College of Arts (NCA) was called then, was Pakistan's equivalent of London's South Kensington School of Design (presently Royal College of Art, UK). One of the last of the four colonial art schools established in India, the others being in Calcutta, Bombay and Madras, the Mayo School of Arts was founded in 1875 to perpetuate the memory of the Lord Earl of Mayo, the only Indian Viceroy to be murdered while in office. Established by Rudyard Kipling's father Lockwood Kipling, the school had on its staff some of the most renowned names in the Indian art world, such as Ram Singh, Percy Brown, Lionel Heath, S. N. Gupta, B. C. Sanyal and A. R. Chughtai. The Mayo School gave birth to the most celebrated Indian art historical publication in the world, the Journal of Indian Art and Industry. The journal ran 30 illustrated volumes published by London's Imperial Publishers using the most advanced techniques of chromolithography. The pioneers of colonial anthropology in Punjab, the fabled "e;men on the spot,"e; such as Richard Temple, Denzil Ibbetson and Baden Powell, were associated with the establishment and administration of the Mayo School of Arts. They played a foundational role in the ethnographic reconstruction of artisan castes as suitable boys of "e;primitive"e; tribal Punjabi society through administrative reports, exhibition catalogues and gazetteer literature. Constituting the colonial cultural subtext to art education, the colonial discourses provided necessary anthropological foundations for the education of the "e;primitive"e; artisans in the industrial art schools of Punjab. Through its pedagogy, the Mayo School also framed the emergence of the Indo-Saracenic school of architecture and patronized the traditional styles of paintings in Punjab.Despite its strong industrial art agenda, in the early decades of the twentieth century, the Mayo School of Arts was able to give the Indian art world a Punjab School of modern painting. Officially acknowledged in the British Indian Empire Exhibition of 1924, the Punjab School stood apart from the Calcutta School of Indian paintings and comprised largely of drawing masters of the Mayo School. Lionel Heath, a European miniaturist, whose career as the Principal of the Mayo School is overshadowed by his equally illustrious predecessors, was responsible for Mayo School's drift into modern art. Printmaking, graphic design and sculpture made their beginning in the 1930s at the Mayo School under B. C. Sanyal and M. M. Hussain. A. R. Chughtai, one of the most illustrious painters and printmakers of the Punjab School, learnt his skills as a printmaker from the Mayo School. The Mayo School of Art's printing press designed, lithographed and printed hundreds of posters, invitation and greeting cards, calendars, illustrated educational texts, including war publicity posters, by drawing on all the major Western art movements from Arts Nova to Art Deco and Bauhaus.In the founding decades of Pakistan, to mark the cultural transition from a colonized to an independent national identity, the "e;old"e; Mayo School was reorganized and raised as the National College of Arts in 1958. To reflect its role in developing national culture and imparting professional visual art education, the NCA was established on the model of Bauhaus with three main departments in fine art, design and architecture. Some of the most important men in Pakistan's cultural history, such as poet Faiz Ahmed Faiz, painter Shakir Ali, art patron Ghulam Mueenuddin and American sculptor Mark Sponenburgh h,ave been associated with the development of the NCA as the aesthetic center of fine art and design in Pakistan.

The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical discourses of civility and conceptions of value emanating from descriptions of social interaction in courtesy books.

Although there have been over 700 illustrators of Poe's work over the past two centuries, this book chooses to examine only the best of them. Beginning with the French in the nineteenth century and tracing the great illustrators of Poe to the present, this book not only provides close analyses of individual visualizations but also seeks to supply an art history context to understanding their emergence. The majority of the artists featured remain unknown, even to Poe scholars, although their artwork represents iterations inspired by the most famous of Poe's poems and stories. In some cases, the illustrations helped increase the visibility of particular Poe works and to make them part of the international Poe canon. A few of the illustrators featured in this book (e.g., Manet, Dore, Redon, Beardsley) are recognized among the most famous artists in the world. Others, such as Martini and Blumenschein, while remaining minor figures in art history, nevertheless produced immortal work based on Poe's fiction and poetry. While still other visual artists represented here (Rackham, Dulac, Clarke) achieved artistic fame as book illustrators based on homages to other writers and fairy tales in combination with their Poe studies; their work on Poe, however, helped to solidify their larger reputations as professional illustrators. The last chapter extends traditional visualizations influenced by Poe to include his impact on twentieth- and twenty-first century filmmakers and cartoonists. They, too, found in Poe's writing either a source for direct re-creation or an inspiration for their own atmospheric excursions into the bizarre, the exotic, and the psychologically complex. While many of the artists included in the book are represented in important collections from libraries and art galleries around the world, Poe scholars (and art historians) have yet to explore both the range of these illustrations and analyze their significance in the context of how they enrich our understanding of Poe. Some of the questions this book seeks to answer are: What was there about Poe's narrative and poetic art that impressed and continues to inspire illustrators and other visual artists? What kinds of insights and understandings do these visual artists help readers of Poe to see and/or reconsider about his work? Are there definite distinctions-e.g., stylistic, thematic, historical, etc.-that were more relevant to Poe illustrators from the nineteenth century compared to those from the twentieth? How are these emphases reflective of the various art movements to which Poe's illustrators were associated? And lastly, what do these illustrations reveal about changing attitudes and critical emphases toward Poe's canon over time?

The book is a full-length study of Indian celebrity culture, including fandom, celebrity philanthropy and celebrity activism, which are established features of life today and which constitute a major component of pop culture's coverage of sports/film stars.The collection of essays in the book moves from the largest domain of celebrity culture in India - Bollywood - through celebrity life writing and biopics and, finally, to the politics of and by celebrity culture. The book begins with an exploration of films made around women celebrity victims - Phoolan Devi, Bhanwari Devi, Jessica Lal and Kiranjit Ahluwaliato - and moves on to show how the vernacular cosmopolitanism of Bollywood stars' philanthropic and humanitarian work enables their insertion into a global humanitarian project wherein the Bollywood campaigner for women's rights, environmental causes or animal welfare generates a membership in the global citizenship of benevolence and charity. Celebrity charisma and its role in the current era of 'post-truth' are studied to show how Bollywood charisma as a form of mimetic capital generates a sensuous fidelity in the audience, inducing a certain cultural ignorance.The book goes on to show how star memoirs reinforce star-value through the generation of an interart work, in which the life story is framed within the film history of the individual, and the films are framed by the life of the actor. The hagiographic biopics around cricket stars M.S. Dhoni and Sachin Tendulkar, the criminal Charles Shobhraj and Neerja Bhanot, the air hostess killed by hijackers, make a case for an argument that the family and the nation remain nodal points in the representations of the lives and careers, and how these representations enable the making of certain aspirational models for the country. Reading cancer memoirs by Bollywood stars shows how these celebrity somatographies move outward, from a focus on the star's body to the biosocial network.The final collection of essays are at the intersection of celebritydom and celebrity politics that starts with the examination of the genre of Indian writing in English as a celebrity within the context of literary festivals and the demand for the postcolonial exotic. The River Narmada as a cultural icon and its iconicity generates a whole new grammar of protest, having become a part of India's collective cultural memory. Reading Arundhati Roy as a celebrity makes a case for her 'insurgent celebrityhood' created through her mobility into and across many public domains. The desacralization of the iconic Ambedkar statues, which occurs periodically in parts of India, is a mode of once again rendering the Dalit an 'outcast'. Reading the websites of celebrity Indian authors, Ashok Banker, Devdutt Pattnaik and Amish, demonstrates how a certain self-fashioning by these authors occurs through a careful engagement with a Hindu ancestry and tradition. The self-fashioning is linked to, and manifests as, their literary location within a scriptural-mythological narrative.

Youth Movements and Generational Politics, 19th¿21st Centuries by Richard and Margaret Braungart is a collection of 19 of their previously published research articles on youthful political activism, generational conflict and social change¿from the first student movement in Germany in 1815 to the international eruption of youth unrest and demonstrations in the 21st century. A concluding chapter assesses the global trends and worldwide surge in youth movement activity from 2000 to 2020, which is then put into perspective in relation to previous historical generations of youthful political unrest.

Legal identity is universal, transcending national and socioeconomic borders. It is a central tenet of the UN's 2030 SDGs and cuts across over 70 development indicators, including birth registration. Evidentiary proof of citizenship is now a necessary tool to ensure access to health, education and welfare services. As Laurence Chandy, director of Data, Research and Policy at theUN Children's Fund (UNICEF), recently stated: the prioritisation of documentation within global policy, including the transition from paper to digital identity systems, is 'one of the most under-appreciated revolutions in international development'.During a period of intense global political-economic reconfiguration, inter-governmental organisations, multi-lateral and national aid agencies have problematised under-documentation. They have contributed significant levels of financial and technical assistance to governments to improve civil registries and ensure that all citizens everywhere have their paperwork. Over this time, formal identification has come to be considered a 'prerequisite for development in the modern world' (Gelb and Clark, 2013). It is now essential to development strategy planning and assumed in both policy and practice to constitute a common good for all beneficiaries.With a focus on the Caribbean, this book highlights how identification practices as promulgated by the World Bank, United Nations (UN) and the Inter-American Development Bank can force the thorny question of nationality, unsettling long-established identities and entitlements. Notably, the book is the first to identify tensions in social policy over the use of social protection mechanisms promoting legal identity measures with disputes over race, national identity and belonging. The book illustrates how, while keen to follow the World Bank's lead in promoting a legal identity for all - not least to continue benefiting from external funding and support - the Dominican Republic balked at pressure to recognise the national status of persons of Haitian ancestry. It used social policy programmes and international donor funding to trace and register the national origins of persons of non-Dominican ancestry. This culminated in the now notorious 2013 Constitutional Tribunal ruling that retroactively stripped tens of thousands of persons of Haitian descent of their Dominican citizenship. Significantly, these measures not only affected undocumented or stateless populations - persons living at the fringes of citizenship - but also had a major impact on documented citizens already in possession of a state-issued birth certificate, national identity card and/or passport as Dominicans.

The ¿ämpi¿avih¿ras of Sri Lanka focuses on one distinctive Buddhist architectural practice from pre-modern Sri Lanka ¿ the construction of Buddha image-houses on elevated wooden platforms supported by stone pillars.

This edited collection deals with dream as a literary trope and as a source of creativity in women¿s writings. It gathers essays spanning a time period from the end of the seventeenth century to the mid-nineteenth century with a strong focus on the Romantic period and particularly on Mary Shelley¿s Frankenstein.

As the first study of its kind, this book offers a new understanding of progressive women's poetry in Urdu and the legacy of postcolonial politics. It underlines Urdu's linguistic hybridities, the context of the zenana, reform, and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form. It argues that canonical texts for sharif women from Mirat-ul Arus to Umrao Jan Ada need to be looked at alongside women's diaries and autobiographies so that we have an overall picture of gendered lives from imaginative fiction, memoirs and biographies. In the late nineteenth century, ideas of the cosmopolitan and local were in conversation with the secular and sacred across different Indian literatures. Emerging poets from the zenana can be traced back to Zahida Khatun Sherwania from Aligarh and Haya Lakhnavi from Lucknow who had very unique trajectories as sharif women. With the rise of anti-colonial nationalism, the Indian women's movement gathered force and those who had previously been confined to the private sphere took their place in public as speaking subjects. The influence of the Left, Marxist thought and resistance against colonial rule fired the Progressive Writers Movement in the 1930s. The pioneering writer and activist Rashid Jahan was at the helm of the movement mediating women's voices through a scientific and rational lens. She was succeeded by Ismat Chughtai, who like her contemporary Saadat Hasan Manto courted controversy by writing openly about sexualities and class. With the onset of partition, as the progressive writers were split across two nations, they carried with them the vision of a secular borderless world. In Pakistan, Urdu became an ideological ground for state formation, and Urdu writers came under state surveillance in the Cold War era. The study picks up the story of progressive women poets in Pakistan to try and understand their response to emerging dominant narratives of nation, community and gender. How did national politics and an ideological Islamisation that was at odds with a secular separation of church and state affect their writing?Despite the disintegration of the Progressive Writers Movement and the official closure of the Left in Pakistan, the author argues that an exceptional legacy can be found in the voices of distinctive women poets including Ada Jafri, Zehra Nigah, Sara Shagufta, Parvin Shakir, Fahmida Riaz and Kishwar Naheed. Their poems offer new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture. Riaz and Naheed joined forces with the women's movement in Pakistan in the 1980s and caused some discomfort amongst Urdu literary circles with their writing. Celebrated across both sides of the border, their poetry and politics is less well known than the verse of the progressive poet par excellence Faiz Ahmed Faiz or the hard hitting lyrics of Habib Jalib. The book demonstrates how they manipulate and appropriate a national language as mother tongue speakers to enunciate a middle ground between the sacred and secular. In doing so they offer a new aesthetic that is inspired by activism and influenced by feminist philosophy.

This book sets out to adjudicate the scholarly controversy surrounding Wittgenstein¿s May¿June 1913 critique of Russell¿s multiple-relation theory of judgement. It also aims to familiarize readers with the historical events, textual evidence, letters, working notes and diagrams which are crucial to a correct appreciation of Wittgenstein¿s criticisms.

The central theme of Sexual Bargaining in the Digital Era is the ongoing (historic and present) struggle between the theocratically oriented Old Lights who insist on using the law to continue to impose the Old Normal (ON) on all other citizens-including the New Lights. The latter are progressives, feminists and others who advocate the notion that there is a social and economic "e;fit"e; between the New Normal (NN) and the emerging Digital Era. New Lights also argue that NN is exceedingly more beneficial for less advantaged persons (including those of color) than is ON. The Old Lights argue from a traditional religious standpoint. To help impose their theocratic view of the Family, they have recently joined forces with the extreme right-wing elements of the Republican party. That union of reactionary religion with reactionary politics is particularly detrimental to the well-being of less-advantaged persons.The book also describes public policies and programs advocated by New Lights which are aimed at benefiting less-advantaged persons in particular (though not exclusively). Included are "e;Ideation Centers."e; That is the contemporary label replacing the traditional label of "e;school."e; Traditional schools were linked with the Industrial Age, but now tend to falter when it comes to preparing children/youth (especially less-advantaged) for the Digital Era.Ideation centers are publicly funded sites whose central objective is to coach students in what some economists describe as ideation skills/capabilities-critical/creative thinking, negotiation and problem solving. Those are the very skills necessary to do well in the Digital Era and thus it is essential that less-advantaged children/youth have ready access to the centers. Those skills are also required to negotiate primary relationships (PR) effectively. Hence, ideation centers fulfil vital functions for both the public/economic/work world, and also for the personal world of PR.Furthermore, in order to do well in the Digital Era women must be what the book calls "e;autonomous."e; Indeed, the notion of growing numbers of women becoming autonomous is pivotal to the whole idea of NN. An autonomous woman is, first of all, in control of, or sovereign over what Marx/Engels called the "e;means of production."e; Economic production refers to the kinds of educational and occupational experiences which enable her, among other things, to be economically independent (able to support herself and any dependants)-apart from a partner if need be.Alongside production is reproduction. The autonomous woman controls not only the economic sphere of her life but also the sexual/reproductive sphere. The two spheres reinforce one another-control in one sphere enhances control over the other: Women who control their sexual/reproductive sphere are better able to control their economic sphere and vice versa. Needless to say, control over reproduction requires ready access to the most effective methods of contraception and access to safe abortion. For less-advantaged women, the costs of either or both would be borne by the state.

Bringing together the ideas of many philosophers, among others Hegel, Kierkegaard, Bergson, Nietzsche, Heidegger, Wittgenstein, Deleuze and Derrida, the book aims to give a coherent synthesis of ideas about change and aims to see how one can take a process view of various features of humanity, such as knowledge, relations between people, language and morality, and how, vice versa, that might contribute to process philosophy. Beginning with evolution and moving on to consider knowledge in its dynamic aspect of learning, the book takes a process view of the individual and society.Generalised Darwinism is discussed not only in terms of biology but also in economics, organisation, language and science in terms of interactors and replicators. The key processes of variety generation, selection and transmission are fundamentally different from those in biology. Therefore, a theory of knowledge and its change is presented that in some ways is similar to evolution but also different in important ways. This theory discusses neural Darwinism. It proposes how discovery might work, in a cycle of discovery, in an interchange of stability and change, and how differences in cognition work in the combination of different sources (cognitive distance). This theory is applied to knowledge, organisations and science. The discussion explains and applies the notions of entropy and organisational focus. Recognising that absolute, objective truth is problematic, it discusses the notion of warranted assertion. The notions of sense and reference are discussed in an explanation of meaning, and the notions of order and variety in terms of langue and parole, and the role of parole in poetry. The change of meaning is further developed in terms of the hermeneutic circle to deal with order and change of meaning. It uses the notion of a script and the hypothesis of an object bias.Ethics and morality are explored by how the individual constructs their identity and develops in their tension between authenticity and conformity in society. Aristotle's multiple causality of action is employed to discuss power and sources of dependence and ways to deal with them. Networks as a source of identity and the decentralisation of governance to communities are discussed along with the notion of restorative justice. The concluding chapter considers the historical development and the different forms of ethics and morality, in relation to institutions, and how in evolution an instinct for benevolence has developed and is related to the intrinsic next to extrinsic value of relationships.

The practice of architecture as a learned profession is a fairly recent invention in the history of architecture, one that was an uneasy fit with professional ideals from its inception in the nineteenth century, and the value of which is under assault today from globalizing economic forces. Unfortunately, the profession's longstanding internal tensions have prevented it from articulating a durable ethical rationale for its protections that would help it stand up to those assaults. This book proposes crafting just such a durable ethical rationale through the public good the architecture profession serves. But the concept of the public is itself a recent historic phenomenon, one also experiencing both tremendous pressures and instability from many of the same sources destabilizing the architecture profession-globalization, neo-liberal economics, the rise of individualism, and the destruction of privacy. Therefore, to bring architecture and the public good together in any sustained way, both architecture's instabilities and the public's must be better understood. The book accomplishes this task by addressing the profession's long-standing internal struggles that prevent it from articulating a strong ethical defense, the recent economic forces which are dispersing the profession's center much as they have the world's middle classes, the Enlightenment-derived concept of the bourgeois public and its more recent decline and reinvention, the importance of dissecting the shifting boundaries between the public and private realms, and finally a new approach to reassert the many ways in which architecture can not only serve the public good, but also become a protagonist in its renewal as a guiding ideal for our times.

Can ethics be hacked? Can new and unexpected meaning be found in or behind established traditions of moral discourse? Does not the digital transformation challenge us to develop a digital ethics that is just as disruptive and transformative as the technologies it proposes to regulate? Would ethical hacking be the same as hacking ethics? This book attempts to answer these questions. The occasion for this attempt is the digital transformation, the advent of a global network society, the big data revolution, datafication, and whatever other terms come to mind to describe our present historical moment. In the face of this changing reality, ethics has attempted to become digital ethics. No area of personal or social life is not conditioned by the digital and everything that it stands for and everything it brings with it. Marx would probably have been overjoyed to learn that very soon there will be no more workers since robots will do the work, that everyone will own the means of production, that is, their own creativity and skills, and that a sharing economy will largely replace capitalism. But would he be happy about the prospects of a posthuman or even transhuman world in which not only intelligence but also agency and identity are distributed among heterogeneous networks of humans and nonhumans? Would he be happy at the prospect of a data-driven society in which decisions are made based on evidence and not intuition, gut feelings, cognitive bias, prejudice, experience, and inherited assumptions? Indeed, not only Marx but practically no theory or world view that has arisen within the modern period, including ethics, finds itself able to cope with the new digital world order. Instead, we are experiencing in all areas the defensive reaction of Western industrial society to the disruptive influences of digital technologies. The world is changing. The digital transformation disrupts traditional forms of order, whether it be the order of knowledge, the order of cooperative action in social organizations, or the self-understanding of human existence.The world of Western modernity is disappearing and a new world, let us call it a global network society, is emerging in its stead. For established institutions and habits of thought, this is a threatening and highly uncertain situation. Facing up to this situation does indeed have an ethical dimension; it does call for ethics. But an adequate moral response to this situation is not and cannot be merely applying traditional values and norms to digital technologies. Nonetheless, the current discourse of digital ethics consists almost entirely of attempts to apply traditional normative ethics to the development and deployment of new technologies. The thesis of this book is that no amounts of rights and duties, of moral norms and ethical imperatives, no list of ethical guidelines or principles of good AI or ethical big data are going to have the slightest effect if they do not leave the presuppositions, convictions, and traditions of Western industrial society behind and embark upon exploring a new world with new values and new forms of responsibility and accountability. This is the challenge of hacking digital ethics. The hack, from this point of view, consists of breaking into the codes of traditional moral discourse and redesigning things so that something like digital ethics can appear unconcealed from the outworn and concealing veil of modernity.Perhaps, despite all the publicity and attention, the hasty founding of institutes, centers, and departments for digital ethics, the activism of non-profit organizations, and the flood of guidelines, declarations, and programs supporting ethical design, development, and deployment of technology there currently is no such thing as digital ethics. There is only modern Western ethics, that is, ethics that arose within modern Western society, that is, within a no longer viable social order and a passing historical moment. It could be that a uniquely digital ethics is waiting for the hack to come into view for the first time. One could even go so far as to claim that ethics today is fundamentally dependent upon the hack and not the other way around. It is not hacking that needs ethics; it is ethics that needs hacking. Could such an endeavor be judged by the standards it leaves behind? Can the global network society be judged by the standards of Western industrial society? What new norms take the place of the old ones? And what does ethics become, when it no longer answers to the questions of the world in which it was formed, which defined what it was, and which, whether we like it or not, no longer exists? This book is an attempt to answer these questions and open up the possibility of a digital ethics capable of addressing the problems of the global network society.

A collection of original British Foreign Office documents on the Macedonian Question accompanied with a professional preface introducing the problem.

Over the past decade, the impending environmental crisis has given birth to an international consensus on the need to address climate change, accompanied by a renewed interest in carbon emissions, energy consumption and energy production. Many Western countries are now set to transition towards a low-carbon economic structure. Energy choices have become, now and more than ever, highly critical questions due to their fundamentally political, strategic, geopolitical, economic, social and cultural impacts.Since the mid-2000s, the British government has been actively involved in reforming the country's energy strategy by encouraging the development of renewables and promoting the revival of the national nuclear industry, which had laid almost dormant until then. Seeing the UK government take back control of its energy strategy represented a rather bold and surprising political move, given the neoliberal dynamics which had spread in the energy sector during the privatisation era of the 1980s and1990s. There are currently about seventy reactors under construction in the world; yet, the British programme is the only one building nuclear reactors (Hinkley Point C) in a liberalised energy market. Consequently, many doubts were raised on the ability of the government to reshape the country's energy mix through the revival of nuclear power, an industry historically blighted by financial difficulties and its controversial legacy.Nuclear Power Policies in Britain analyses the UK state's capacity to shape energy decision-making using a diverse toolbox of political instruments ranging from legislative, regulatory and communication levers to financial incentives. This case study determines how the current UK public policy on nuclear energy has been debated, legitimised, negotiated and implemented within the constraints of a neoliberal environment. By taking a holistic approach to the nuclear venture, it offers valuable insight on the British approach to energy policy-making and contributes to redefining the country's 'technopolitical regime' in this day and age.

The aim of this book is to broaden our understanding of technological change by adopting the concept of technological retrogression. With reference to concrete cases of technological retrogression a new conceptual framework is developed. Extensive fieldwork in Sri Lanka and Malaysia forms the empirical fundament. A new method of reconstructing technological change is furthermore developed. The book contains a detailed account of the work history method, which is designed to capture changes over time where there are no statistical data available. The book contains a thorough examination of central theories of socio-economic transitions in developing countries, searching for an explanation of instances where modernization reverses. The exposition aims at contrasting retrogressive economic dynamics of technological change to progressive dynamics as developed by Schumpeter. At one extreme in the dimension of technological change, capital-strong production units innovate their way out of the recession through technological progress, adopting more advanced production equipment that improves productivity. Following Schumpeterian progressive dynamics, virtuous spirals of growth result. At the other end we find the producers that resort to technological retrogression, which secures survival, but which result in low labour productivity, diminishing the possibility of capital accumulation and thus modernization that could form an escape from poverty. Vicious spirals of decline result, which is the book's main object of analysis. The theory is, thus, a contribution to understanding the anatomy of recessions.The contention is, thus, that a choice of technology of production may lead to reduced productivity and economic decline. The concept of technological change should, therefore, not be equated solely with productivity improvements and economic development. Producers who experience technological retrogression may find themselves in the paradoxical situation of earning more by producing less, a paradox which is addressed in this book. Furthermore, where technological retrogression involves a return to organization of production of the past, this may affect the political leverage of labour, curbing social progress. Reversal of modernization, technological and organizational, is linked closely to marginalization of producers and increased social inequality.Lock-inof producers, both technologically and geographically, into activities characterised by diminishing returns, is considered a major precondition of technological retrogression. Therefore, the phenomenon is thought most likely to occur during periods of economic decline, recessions or during prolonged crises.

Procreation, the forgotten basis of population dynamics, and its macrohistorical results, are at the center of this book seen through the lenses of world-system analysis in a nondogmatic way that includes the work started by Jack Goldstone on agrarian-bureaucratic states and their population cycles between 1250 and 1850. Procreation and Population presents population theories, especially those that give a proper place to the demand for labour, generally not considered by professional demographers. Criticizing the intellectual division of labour that separates demography from the unique historical social science that world-systems analysis is building up, the book shows that the commonplaces of the demographic discipline are just a self-celebratory view of Western industrial society.Attentive to gender relations, the book brings importance to the very base of history ("e;the weight of number"e;, in the words of Fernand Braudel) and boldly tracks "e;the big picture"e; of population dynamics in times of postmodernist taboos on generalizations and on the search for the historical laws of human society. Complete with data, estimates and sources about the current population trends, this interdisciplinary effort sheds light on the historical paths leading to the current unprecedented numbers of humans on the globe: the forecasted and impossible perennial population growth would be just what capitalism needed to perpetuate its D-M-D spiral.

Muhammad Ali in Africana Cultural Memory is a comprehensive study of Ali¿s identity and superlative impact framed in terms of the discipline¿s subfield of Africana cultural memory studies. This critical approach challenges us to itemize Ali¿s influential legacy with precise conceptual value wherein his mythological structure is illuminated as an inheritance.

American Paraliterature examines the generative encounters of post-1968 French theory with the postwar American avant-garde. The book begins with an account of the 1975 Schizo-Culture conference that was organized by Semiotext(e) editor Sylvere Lotringer at Columbia University. The conference was an attempt to directly connect the American avant-garde with French theory. At the event, John Cage shared the stage with Deleuze and Foucault introduced William S. Burroughs. This schizo-connection presents a way to read the experimental methods of the American avant-garde (Burroughs, Cage, and Kathy Acker), and how their writing creates a counterprogram to the power that Foucault and Deleuze started to articulate in the 1970s. While the year of the Schizo-Culture event also saw the publication of Foucault's Discipline and Punish, his lecture at the conference anticipated his interest in a new form of governance: biopolitics. In the lecture, Foucault argued against the "e;repressive hypothesis,"e; which he saw as an invalid theory since there was such an obvious incitement to speak about sex. One discusses sexuality so that governments can "e;manage"e; and "e;administer"e; populations. Delezue later noted on this "e;incitement to discourse"e; in his comments to Antonio Negri. Deleuze saw Foucault (along with Burroughs) as one of the earliest theorists on the control society. This new society, he argues, requires a different set of weapons than those directed against disciplinary institutions. Strikes in factories are no longer effective in an era where the production of information replaces the industrial economy. As Deleuze explained to Negri, weapons against the control society will need to "e;hijack"e; speech and "e;create vacuoles of non-communication."e;The two American artists-writers at Schizo-Culture developed weapons of non-communication in their art. John Cage emptied the words in Thoreau when he applied his chance operations to literature. William Burroughs attempted to cut-up "e;the Word."e; Yet by the mid-1980s, Kathy Acker would write how "e;ten years ago it seemed possible to destroy language with language."e; For Acker, "e;nonsense"e; does not break the institutional semiotic code of control per se. For Acker, it requires a writer to "e;speak precisely"e; in a language these codes forbid. This book considers another theory to hijack communication. Acker's "e;plagiarism"e; appropriates canonical literature and then grafts semi-autobiographical and pornographic writing onto them. Samuel R. Delany similarly writes about how his experience in Times Square pornographic theaters creates a different discourse network, one that relies on "e;contact"e; instead of "e;networking."e; The book concludes by moving outside the academic setting of the Schizo-Culture conference to find alternatives to capitalism's monolingual control of communication and information.

The book focuses on the novel and unexplored research area of intersection between science, technology, and innovation; and international affairs. The main objective of this book is to offer an original theoretical, analytical, and methodological framework that provides a wide comprehensive map of the current reality of science, tech, and innovation in the world system at the beginning of the twenty-first century. The book is based on 10 years of research work in the strategic intersection between science, technology, and innovation and international relations, and offers new explanations about three main issues: (1) the role of science, tech and innovation in the current international system, (2) the new configuration of international scientific relations, and (3) the impact and consequences of science, technology, and innovation in the world order of the twenty-first century.Using an original methodology, the book adopts a systemic approach that uses systems models to offer a very detailed, holistic, and comprehensive analysis. It targets the social and academic interest in topics related to science, technology, and innovation and international affairs. The book addresses the lack of theoretical and methodological approaches that examine this rising phenomenon and provides clear findings and ideas about the main megatrends and impact of science, technology, and innovation in the international system for the next 20 years.

This intersectional collection considers how literature, film, and narrative, more broadly, take up the complexities of health, demonstrating the pivotal role of storytelling in health politics.