Bücher veröffentlicht von Anthem Press

The mid-eighteenth century witnessed what might be dubbed an 'economic turn' that resolutely changed the trajectory of world history. From the birth of new agricultural practices and the foundation of private societies to the sustained and popular theorization of social and material phenomena, the period experienced an unprecedented interest in 'economic' concerns across a wide spectrum of human activities and social strata alike.The discipline of economics itself emerged amidst this turn, and it is frequently traced back to the work of François Quesnay and his school of Physiocracy (literally the 'Rule of Nature'). The school or, as it was called at the time, sect of économistes spearheaded a theoretically sophisticated form of economic analysis that postulated the virtues of laissez-faire and the unique ability of agriculture to generate wealth. Though lionized by the subsequent historiography of economics, the theoretical postulates and policy consequences of Physiocracy were disastrous at the time, resulting in veritable subsistence trauma in France. This galvanized relentless and diverse critiques of the doctrine not only in France but also throughout the European world that have, hitherto, been largely neglected by scholars.Though Physiocracy was an integral part of the economic turn, it was rapidly overcome both theoretically and practically, with durable and important consequences for the history of political economy. 'The Economic Turn' brings together some of the leading historians of that moment to fundamentally recast our understanding of the origins and diverse natures of political economy in the Enlightenment.

The bushranger legend is an important component of Australia's cultural history, with names like Ned Kelly and Ben Hall still provoking strong, if ambivalent, responses. Storytellers mobilize this legend in unique and exciting ways that reflect upon both the cultural and actual history of bushrangers, as well as speaking to contemporary concerns and driving debate on the national character. 'Outlaw Nation' is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia's bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions.'Outlaw Nation' is a comprehensive cultural history of representations of bushrangers in cinema and colonial theatre. Beginning with the bushranger legend's establishment, it explores the formative years of the representational tradition, identifying the origins of characteristics and the social and industrial mechanisms through which they passed from history to popular theatre. Tracing the legend's development, the book interrogates the promotion of these characteristics from a contested popular history to an officially sanctioned national outlook in the cinema. Finally, it analyzes the contemporary fragmentation of the bushranger legend, attending to the dissatisfactions and challenges that arose in response to political and social debates galvanized by the 1988 bicentenary.The cultural history recounted in 'Outlaw Nation' provides not only an into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation's values and its creative production. Bushrangers have had a heightened though unstable significance in Australia due to the nation's diverse population and historical insecurities and conflicts over colonial identity, land rights and settlement. Community often defined the bushrangers in their stage and screen appearances, and the challenges that these marginalized communities faced were absorbed into the political and social mainstream. 'Outlaw Nation' is an insight into the process through which the bushranger legend earned its cultural resonance in Australia.

The astonishing political rise of Donald Trump sent seasoned observers scurrying for clues and explanations. How did Trump happen? Of course no one guide will suffice, but a surprisingly helpful one, suggests Sidney Plotkin, is the early twentieth-century American radical, Thorstein Veblen. In remarkably vivid ways, Veblen understood the enduring American allure of figures such as Trump. [NP] As Plotkin shows in "Veblen's America," Trump's booming persona springs noisily out the country-town hucksterism that Veblen sardonically depicted, its fabulist habits fitting Trump's "truthful hyperbole" to a tee. But Veblen saw darker, more ominous forces in American life too--habits of barbaric violence, misogyny and xenophobia--forces that foreshadowed Trump's appeal to what Veblen called a deep "sclerosis of the American soul." New Deal liberalism helped mute the strains, but economic crisis and the neoliberal response aggravated them. Donald Trump's appeal to hate made their revival unmistakable.To shape the study, Plotkin introduces readers to Veblen's critical institutional theory and its application to both the American case generally and to the Trump family story in particular. With Veblen as foundation, he examines three generations of Trumps as they engage the forces of American development: Friedrich Trump, the hard-scrabble immigrant grandfather, on the make in the gold mining towns of the Pacific Northwest; Fred Trump, the father, who showed the way in using the loose rules of American housing policy to become a captain of local industry; and Donald J. Trump himself, who, having first burst onto the New York City scene as a burgeoning celebrity entrepreneur of the neoliberal era, then turned against neoliberal globalism, proclaiming himself the one and only savior of working-class America. As Plotkin shows, Trump's poisonous ascendancy exposed a barbaric malevolence that has long torn at the fabric of American democracy and its aspirations for equality.

'Transboundary Water Management as a Complex Problem'seeks to understand transboundary water governance as complex systems with contingent conditions and possibilities. To address those conditions and leverage the possibilities it introduces the concept of enabling conditions as a pragmatic way to identify and act on the emergent possibilities to resolve transboundary water issues.Based on this theoretical frame, the book applies ideas and tools from complexity science, contingency and enabling conditions to account for events in the formulation of treaties/agreements between disputing riparian states in river basins across the world (Indus, Jordan, Nile, Ganges, Brahmaputra, Colorado, Danube, Senegal and Zayandehrud). It also includes a section on scholars' reflections on the relevance and weakness of the theoretical framework.The book goes beyond the conventional use of the terms 'complexity', 'contingency' and 'enabling conditions' and anchors them in their theoretical foundations. The argument distinguishes itself from the conventional meaning and usage of the terms of necessary and sufficient conditions in causal explanations. The book's focus is to identify conditions that set the stage to move from the world of seemingly infinite possibilities to actionable reality. Three enabling conditions - active recognition of interdependence, mutual value creation through negotiation and adaptive governance through learning - are identified and explored for their meaning and function in specific transboundary water disputes.

"e;Report on the Agrarian Law"e; (1795) and Other Writings' is the first modern English translation of perhaps the greatest work of the Spanish Enlightenment, Gaspar Melchor de Jovellanos's 'Informe sobre la Ley Agraria' (1795). A major work of political economy and a beautifully crafted philosophical history of Spain's political development until the eighteenth century, 'Informe sobre la Ley Agraria' is a classic work of the Spanish Enlightenment. Displaying the richness of Spanish Enlightenment writing on political economy emerging from a fecund conjugation of foreign writers (Smith, Ferguson, Condillac, Mirabeau, Genovesi) with Spanish writers (Ulloa, Olavide, Uztariz, Campomanes), this masterpiece explores the lessons learned from the shortcomings of the Spanish Crown's economic policies in the eighteenth century.

'Science Fiction in Colonial India, 1835-1905' shows, for the first time, how science fiction writing developed in India years before the writings of Jules Verne and H. G. Wells. The five stories presented in this collection, in their cultural and political contexts, help form a new picture of English language writing in India and a new understanding of the connections among science fiction, modernity and empire.Speculative fiction developed early in India in part because the intrinsic dysfunction and violence of colonialism encouraged writers there to project alternative futures, whether utopian or dystopic. These stories, created by Indian and British writers, responded to the intellectual ferment and political instabilities of colonial India. They add an important dimension to our understanding of Victorian empire, science fiction and speculative fictional narratives. They provide new examples of the imperial and the anti-imperial imaginations at work.In Victorian India technological change was necessarily understood through differences between the colonizer and the colonized. Since India was not a settler colony, new British-imposed forms of government could scarcely claim continuity with the past, and political and cultural dislocations gave rise to speculation about wholly new forms of social organization. Creation and destruction, cultural innovation and colonial resistance gave rise to the plots and tropes of science fiction. In the stories collected in 'Science Fiction in Colonial India, 1835-1905' nineteenth-century Indian writers project successful and failed revolutions into a twentieth-century future. British writers imagine, on the one hand, a catastrophic flood - thanks to the projected Panama Canal - and, on the other, a utopian future of peaceful multi-ethnic parliamentary government. And a Muslim writer designs a feminist utopia in which women practice science and men keep house.

'Regimes of Happiness' is a comparative and historical analysis of how human societies have articulated and enacted distinctive notions of human fulfillment, determining divergent moral, ethical and religious traditions and incommensurate and conflicting understanding of the meaning of the 'good life'.Presented in two parts, 'Regimes of Happiness' provides a historical view of the way in which Western societies, the descendants of the Latin Roman Empire, created languages and institutions that established specific and occasionally antithetical conceptions of a fulfilled human life or 'happiness' in the first part. The second part explores how non-Western societies and non-Christian religions have conceived and established their own ideals of human perfection. 'Regimes of Happiness' is a critical reflection on modern notions of happiness which are typically focused on individual feelings of pleasure.

With the purpose of introducing Marie Corelli to a new generation of readers and of reconsidering her works for generations familiar with them, 'Reinventing Marie Corelli for the Twenty-First Century' demonstrates how provocative Corelli was as a public figure and how controversial and paradoxical were the views about womanhood and the supernatural pitched in her novels. This collection of original essays focuses on three major battles that engaged Corelli: her personal and public contentions, her mercurial constructions of gender and resistance to the New Woman modality and her untenable reconciliation of science with the supernatural. Corelli was often fighting several fronts at the same time; she rarely was not at war with someone including herself.

'Challenging Misrepresentations of Black Womanhood' investigates the stereotyping of Black womanhood and the larger sociological impact on Black women's self-perceptions. It details the historical and contemporary use of stereotypes against Black women and how Black women work to challenge and dispel false perceptions, and highlights the role of racist ideas in the reproduction and promotion of stereotypes of Black femaleness in media, literature, artificial intelligence and the perceptions of the general public. Contributors in this collection identify the racists and sexist ideologies behind the misperceptions of Black womanhood and illuminate twenty-first-century stereotypical treatment of Black women such as Michelle Obama and Serena Williams, and explore topics such as comedic expressions of Black motherhood, representations of Black women in television dramas and literature, and identity reclamation and self-determination.The five sections of the book provide a brief historical overall of the long-standing use of stereotypes used against Black women; explore the systematic attack on Black motherhood and how Black mothers use self-determination to thrive; investigate treatments of Black womanhood in media, television and literature; examine the political impact of stereotyped frameworks used for deconstructing Black female public figures; and discuss self-affirmation and identity reclamation among Africana women.'Challenging Misrepresentations of Black Womanhood' establishes the criteria with which to examine the role of stereotypes in the lives of Black females and, more specifically, its impact on their social and psychological well-being.

Contemporary Art, World Cinema, and Visual Culture: Essays by Hamid Dabashi is a collection of writings by the acclaimed cultural critic and scholar. A thorough Introduction rigorously frames chapters and identifies in Dabashi's writings a comprehensive approach, which forms the criteria for selecting the essays for the volume. The Introduction also teases out of these essays the overarching theme that holds them together, the manner they inform a particularly critical angle in them and the way they cohere. This Introduction dwells on the work of one scholar, public intellectual and theorist of modern and contemporary arts to extrapolate more universal issues of concern to art criticism in general. These scattered materials and their underlying theoretical and critical logic are a unique contribution to the field of modern and contemporary arts.

The volume draws on the concept of the 'keyword' as initially elaborated by Raymond Williams in his seminal 1976 text, 'Keywords: A Vocabulary of Culture and Society', in order to present 100 concepts central to the study of travel writing as a literary form with cross-disciplinary implications. The significance of travel, the possibilities it holds for the individual and the impact it has upon our own society and those across the globe are debates that we encounter daily in the popular press and that have come sharply into focus in recent years at times of social, political, economic and humanitarian crises.In its attention to the 'keywords of travel', this volume responds to what might be described as the 'mobility turn' in the arts and humanities over the past two decades. Travel writing has become a significant field of academic study across the humanities and social sciences, yet it is only in recent decades that it has been recognised as a serious area of enquiry and that the texts of travel have gained the status of important literary and cultural documents. At the same time, the volume acknowledges the way in which the notion of 'keywords' is being revised and considered in the academic community and more widely by other cultural stakeholders including museums and galleries. In terms of the keywords listed, whilst there is a marked absence of terms evoking ideas of travel and mobility in Williams's original work, there is a notable emergence of travel-related terminology in recent publications that indicates the significance of keywords such as 'diaspora', 'tourism' and 'place'.In its attention to the 'keywords of travel', this volume takes into account the established status of studies in travel writing and the field's significance for an audience beyond the academy. It responds to what might be described as the 'mobility turn' in the arts and humanities over the past two decades. Each entry is around 1,000 words, and the style is more essayistic than encyclopaedic, with contributors providing a reflection on their chosen keyword from a variety of disciplinary perspectives. There is an emphasis on travelogues and other cultural representations of mobility drawn from a range of national and linguistic traditions, ensuring that the volume has a comparative dimension; the aim is to give an overview of each term in its historical and theoretical complexity, providing readers with a clear sense of how the words selected are essential to a critical understanding of travel writing. Each entry is complemented by an annotated bibliography of five essential items suggesting further reading.

Australian photographer and film maker Frank Hurley became an international celebrity through his reporting of the Mawson and Shackleton Antarctic Expeditions, the First and Second World Wars, the England-Australia air race of 1919, and his own expeditions to Papua in the 1920s. This book is an account of his stage and screen practice in the context of early twentieth-century mass media.'Photography, Early Cinema and Colonial Modernity' is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker in the early twentieth century: the negatives, photographic prints, lantern slides, stereographs, films, diaries and newspaper articles. His stage and screen practices offer an insight into Australia's engagement with the romance and wonder of international modernity in the early years of the twentieth century. The level of description at which this volume works is not that of personality or the originary events of Hurley's life - the Mawson and Shackleton Antarctic Expeditions, and the First and Second World Wars - but the media events he worked so hard and so professionally to create. He called them his 'synchronized lecture entertainments'.These media events were at once national and international; they involved Hurley in an entire culture industry comprising many kinds of personnel, practices and texts that were constantly in movement along global lines of travel and communication, and in a variety of institutional locations around the world. This raises complex questions both about the authorship of Hurley's photographic and filmic texts - which were often produced and presented by other people - and about their ontology, since they were in a more or less constant state of re-assemblage in response to changing market opportunities. This unique study re-imagines, from inside the quiet and stillness of the archive, the prior social life of Hurley's creations as they were once accelerated through the complicated topography of the early twentieth century's rapidly internationalizing mass media landscape. As a way to conceive of that space and the social life of the people and things within it, this study uses the concept of 'colonial modernity'.

"Science Meets Literature" analyzes and discusses Elias Canetti's 1935 novel "Auto-da-Fé" (original German title, "Die Blendung") as an example of the way in which literature can contribute to the scientific understanding of the human mind and human behavior. A growing number of scholars promoting "consilience" have argued that the humanities and the sciences can enhance one another and should not be considered separate domains of knowledge. Consistent with this view, Dario Maestripieri contends that literary fiction can be a source of ideas leading to the formulation of scientific theories and hypotheses about human nature.Elias Canetti's novel "Auto-da-Fé" has traditionally been difficult to interpret and his intentions in writing it have remained unclear. Arguing that "Auto-da-Fé" is a novel about human nature that illustrates the workings of the human mind and some universal aspects of human behavior and human social relationships, Maestripieri supports his interpretation through a careful analysis of Canetti's autobiography as well as with a detailed textual analysis.Maestripieri also maintains that the view of human nature presented by Canetti in the novel is essentially Darwinian and fully consistent with modern evolutionary views of the human mind and human behavior. He then shows that Canetti's insights into the human mind, behavior and social relationships anticipated the scientific discoveries made by cognitive, social and evolutionary psychology beginning in the 1960s and up to the present day (and some of Canetti's ideas have not yet been scientifically tested). Some of these insights and discoveries include the existence of "irrational" biases in human cognition (e.g., in perception, beliefs and decision-making); the strengths and limitations of human "theory-of-mind" skills (i.e., our ability to think about other people's minds and "read" them); the establishment, maintenance and reversal of dominance in social relationships between two individuals (and how dominance is supported by perceptions, beliefs, emotions, motivation and behavior); and the role of dehumanization in harmful behavior.Maestripieri holds that Canetti wrote "Auto-da-Fé" to illustrate the power of human nature and the potentially harmful consequences of power dynamics in human relationships. Canetti also intended to warn against the conviction held by some intellectuals that human nature can be denied, controlled, ignored or dismissed. He was persuaded that a writer has an important responsibility in producing and sharing knowledge of human nature, warn people of the potential dangers of the dark side of human nature and help humankind improve itself. Maestripieri examines Canetti's use of particular narrative strategies in "Auto-da-Fé" because they are intimately linked to the goals the latter intended to accomplish with the novel as well as to his convictions about the biases of the human mind and the role of power in human relationships.Finally, Maestripieri discusses Canetti's approach in "Auto-da-Fé" as an original attempt at the integration of knowledge formation in sciences and humanities, which is generally not addressed in discussions of consilience, and also as an original expression of evolutionary ideas through literary fiction, which is generally not recognized in the field of literary Darwinism. He states that Canetti pointed the way for future successful attempts at the integration of evolution, cognitive science and literature, as well as for the broader integration of sciences and humanities.