Bücher veröffentlicht von Antrim House

About The Prevalence of Mystery, Rennie McQuilkin's late-life poetry collection, the author writes this: "I present these poems as a sort of postscript remembering the long year following the departure of my dear wife, Sarah. I trust they reflect my enduring love for her; faith in the value of holding fast; admiration of the natural world; and profound respect for those who have shown me the way. Behind it all is the prevalence of mystery."

¿A queer love story in five acts, Dancehall follows the arc of a relationship from its earliest days to its final, somber conclusion. In these 60 poems, you will join the speaker as they navigate the highs and the lows, the tranquility and the turbulence, the euphoria and the despair that comes with giving yourself fully to another. Through language, imagery, and form at once universal and intimate, you are invited to take part in this love story - not as some distant observer, but as a central figure: The "you" to whom the speaker writes these poems. Experienced poetry readers and poetry novices alike will enjoy the clean, simple style embodied in the majority of the poems. Whether straight or queer, young or old, single or happily partnered, these poems are for anyone who has ever loved or longed for another.

While not shirking from the worst the modern world throws against us with its violence, its wars, and its racism, these poems offer a "momentary stay" against the personal, political, and environmental perils that afflict us in these desperate days. Always there is an upbeat, often witty tenor to the book, which suggests that the more we are challenged the more we find it in us to call on resources of love and courage that might have lain low at other times. A number of cultural and spiritual heroes figure in the book. The poems are highly readable and classic in their Quaker-like simplicity. They will make you laugh and cry and cheer for the inspiration they offer.

In this harrowing and endearing collection of poems concerning his wife's dementia, Rennie McQuilkin pulls no punches but describes in stark and graphic terms the havoc that Alzheimer's can wreak in the life of the afflicted person and all those in her immediate and extended family. But he also shows that a deepening of love can grow from what might otherwise seem like total devastation. The gains described here make this an inspiring book from which readers will derive hope and resilience in whatever battles they fight.

In her new poetry collection, Armed to the Teeth, Ellen Hirning Schmidt faces life's perils courageously, and being armed with the powers of family, the natural world, and a strong heart full of love, emerges victorious. Readers of this book will take heart from its victories.

Gail Moran Slater's poetry collection At the Edge finds multiple consolations for the sadness at its heart: consolations of the natural world, works of art, mid-life love, and the joys of family.

In her new poetry collection, What Glues Us Together, Nancy Manning pulls no punches, depicting the worst that life can hurl against her, both personally and globally, but she prevails against all odds through the powers of love, family, and the natural world. Readers will be inspired by her resilience, humanity, and generosity of spirit.

Like a friend "who found light in the unlit corner of every room," these are poems of illumination, appreciation and consolation found in the small moments of life sustained by love of the natural world.

Laura Altshul's Looking Out combines moving poems of introspection with those that offer close observation of the outer world. She is able to be at one with the natural world and also has an electric way of submerging herself in the lives of others. Adept at achieving Keatsian "negative capability," she often projects herself into other speakers to give us insight into their struggles for survival. However, not all her portraits are entirely sympathetic, as when she describes a mother-in-law who "swanned in fur and jewels, demanding homage." Altshul's language never wilts because she excels in selecting precise and imaginative diction, and she is a master of the telling detail. In a searing poem about the war in Syria, she makes the devastation graphic and personal by focusing on a cup of coffee covered in cement and plaster "from the blast." Read these magnificent poems with care as if you were gathering shells, and in each one you will find "a shell within a shell, a wondrous surprise."

Philip Levine has written that Don Barkin''s work shows "wonderful skill." The Rail Stop at Wassaic bears out that assessment. Like the poet''s previous book, Houses, it is "both domestic and fierce, accessible and resonant, including many poems that have the audacity to follow traditional patterns of rhyme and meter." Barkin''s earlier volume, That Dark Lake, was a finalist for the Connecticut Book Award, presented under the aegis of the Library of Congress. 

the poems in Pastoral Suite welcome those in-between hours when we turn off the voices of radios and reconnect with a few solitary clouds. A master of suspended time, Muro removes us from a busy world and leads us into an abundant life thick with details of wind-shorn nests of lichen and leaves that hung like paper/lanterns or flecks of gold disgorged downstream over moss-softened stone. Pastoral Suite is a beautiful meditation that locates the sacred in the natural world and in the present, creating a splendor that reminds us how nature heals and how poetry can take us from a place of chaos into a world of calm.

The sonnets of Betsy Hughes take us all over the world, from antiquity to now, from the horrors of mass shootings to the serenity of a forest. These journeys offer, in the elegant sweep of her verses, a captivating new vision of our environment and ourselves. You will never look at things in the same way or feel the same way about your life once you read this book, for you will have traveled to the depths and the heights of the human heart.

The poems in Alexandrina Sergio's OLD IS NOT A FOUR-LETTER WORD are as expansive of heart as they are witty and energetic.Danielle Pieratti writes: "With wisdom, candor, and witty defiance, the poems in Sandy Sergio's Old Is Not a Four-Letter Word observe life through eyes simultaneously prudent and fresh. Hers is a world viewed with earned distance, where ordinary encounters-a visit from a solar salesman, a chance meeting with a biker, a glimpse at a child carrying his saxophone home from school-are endowed with a touch of the divine. Even an artichoke holds a secret. In savoring the mortal, the temporary, these poems make one long for permanence." David K. Leff adds, "Time is a haunting, bodily presence in Sergio's poems. She wrestles elegantly with the years in a language that would be poignant at any age.

Tricia Knoll is an Oregon poet who grew up in a suburb of Chicago and earned degrees in literature from Stanford University and Yale University. This collection of poems records how her ancestry, education, early childhood and work experiences changed her understanding over many decades of the impact of white privilege on her understanding of race relations. Her poetry appears in dozens of journals and anthologies. This book joins her other published poetry collections Urban Wild, Ocean's Laughter, and Broadfork Farm which explore ecological relationships in Oregon and Washington.

Because Sarah Glaz sees "a streak of mathematics in almost everything," this book of poems is a work of alchemy. Light rays in the sky, lines of gold, become x and y axes. The square root of 2 becomes a symbol of the irrationality that drove her family from Romania to Israel. Small stones stand for the calculus (in Latin) and the integral sign is a snake (in Leibnizian). The transcendental number e covers three pages laced with equations, first appearing as a pirate, then Euler's namesake, then a peacock's tail and finally a poetic star. Logic proves its own inability to prove with cymbals and umlauts. The precious fruit of labor is both a baby and a theorem, depending. The fabric of the universe is algebraic; lemmas are blue, corollaries orange, theorems purple. The poet's backpack is full of theorems, and commutative rings grow in her garden instead of weeds. A ghazal utters a gazelle, water becomes wavelets, and sunshine weaves the Golden Ratio into everything it covers. Train tracks converge at infinity, defying Euclid's Fifth Postulate. Don't miss these transformations! Emily Grosholz, Edwin Erle Sparks Professor of Philosophy, Pennsylvania State University; author of The Stars of Earth, New and Selected Poems. These poems tell Sarah Glaz's story, from childhood in Bucharest to her mathematical life in Israel and the US. Surprising, rich and complex, they invite us to a journey through letters and numbers, with an ever-curious mind. Philip Holmes, Eugene Higgins Professor Emeritus of Mechanical and Aerospace Engineering and Applied and Computational Mathematics, Princeton University; author of Lighting the Steps: Poems 1985 - 2001.This eloquent collection twines the history of mathematics with the story of a woman mathematician - the patterns, travels, discoveries that shape her life. Sarah Glaz deftly explores the dance between numbers and letters, and between the joy of "proof" and the inevitable limits to certainty. In such expert hands, the language of math and the language of life reflect each other beautifully. Alice Major, Recipient of Lieutenant Governor of Alberta Distinguished Artist Award; author of Standard Candles and Intersecting Sets: A Poet Looks at Science.Poetry is the most intimate voice we have and Mathematics the most transcendental. In Ode to Numbers these voices sing together wonderfully. Barry Mazur, Gerhard Gade University Professor, Harvard University; author of Imagining Numbers (particularly the square root of minus fifteen).