Bücher veröffentlicht von Arc Publications

Salvatore Quasimodo was born-and lived-through historical tragedies which impressed his mind for ever. What one hears in his lines are the tears of mankind and its wail. This work presents the translations of this poet.

In this poignant new poetry collection, one of New Zealand's most significant voices reflects on home, on away, and on friends living and dead. 'I lead a life of quiet medication', the poet claims, 'longing for foreign shores, adventure and death.' But whether swimming to the yellow buoy or remembering an encounter in Belsize Park, in the thick of it or asking, 'what next?', Stead's voice is intimate, amusing and always compelling.'This Side of Silence resounds with intimations of mortality, compounded with reactions to a contemporary world of pandemic, climate change and war, but this collection is not in the least morose. Rather, the poetry is enlivening - concrete, particular, detailed and often playful. There is a wealth of sensory content, and each poem has its own satisfying shape, with easy idiomatic speech forming its special kind of rhythm. In this book a major modern poet continues to "live and sing".' - MacDonald P. Jackson'Stead has his usual quick wit and steely eye for his world and, at 90, has the linguistic dexterity that many thousands of aspiring writers can only dream about.' - Chris Reed, NZ Booklovers

Emery brings an unusually wide-ranging poetic vocabulary to the encounters in Modern Fog, depicting wildlife on the Norfolk Broads or a multi-storey car park with equal fluency. These are elegiac, tough-minded poems of marked originality and scope. "It's as if these attentive, atmospheric, musical poems can light up everywhere: seascapes, edgelands, interiors, even a carpark. Chris Emery's art is at once earthy, spiritual, dreamlike and exact. So often, the language is irresistible: 'Above us, in its immaculate empire, / a bird whirrs up and saves / its eyes for the militant hour.'"-Moniza Alvi

For Gilles Ortlieb, the day‿s ration is hard won. He takes the art of noticing to a new level, petrifying us with moments of bleakness and ushering us out of them through his humanity. He states things as they are, with exactitude, with authenticity, and with humour and his voice is compelling. Ortlieb is among the very best poets writing in France today, and this bi-lingual selection of his work will cement his growing reputation in the anglophone world. "A poet of uprootedness and displacement, with a uniquely gentle and rueful wit" -TIMES LITERARY SUPPLEMENT"It is no disservice to Gilles Ortlieb, not to place him among the “visionariesâ€?. Rather, he is possessed of an eye that can discern, within the thicket of the real, the unnoticed, which may be its accessory or its reject. For the unnoticed is also this: the thing we conceal from ourselves." -JACQUES RÿDA"Reading the poems of Gilles Ortlieb, one‿s focus is never blurred. Rather, everything is extraordinarily distinct. One emerges with clearer vision, and with an increased interest in the world." -JEAN-PIERRE LEMAIRE

Osip Mandelstam's second collection of poems, Tristia, astonished Russian readers in 1922 with its daring verse forms and meditations on revolution, exile, death and rebirth. Thomas de Waal's new translation gives English-language reader the chance to experience the entire collection for the first time.

When Columns, a slim volume of poems written by an unknown young Russian poet named Nikolai Zabolotsky, appeared in 1929, it took the literary world of Leningrad [St. Petersburg] by storm.

In its geographical sweep ¿ from Israel-Palestine ("Where a hillside's being shaken /out of the dream") westward across Europe ¿ No Cherry Time reflects a personal tale of estrangement, departure and quest. Fine-tuned to the natural world, sustained by its fragile continuities, the poems play out a restive music. As the focus comes to settle on Greece, it is above all the Mediterranean ("Sea Between the Lands") that buoys the imaginative spirit, blurring East and West."A beautiful and extraordinary piece of work, written with such attentiveness to the world, to sound, to the poetic legacy. Many of the poems are touched with sharp sadness, a deep and philosophical awareness of how things are. Human politics, especially in the potent opening poems, speak through the natural world. Finely crafted, meticulously written and trimmed down to the essence of observation and emotion ¿ I don¿t read much in contemporary poetry that is so hard won. Time and time again I was struck by the power of individual poems, but simultaneously by their lightness and wryness."- Sasha Dugdale"Jennie Feldman¿s writing has an exactitude of word to thought, thought to feeling, that makes her poetry entirely her own, fed as it is by so many different cultures and traditions. As a translator and as a citizen of the world, she travels between languages, histories and places. But her poetry brings something into English that was not here before."- Patrick McGuinness

¿The world of Little's poems is a dark one, for sure, where "the harm / the damage" we humans inflict ¿ on the environment, on one another ¿ is rendered unflinchingly. Her poems about family, for instance, make it clear that 'social distancing' is not just a phenomenon of the past two years. Love is present too, often inextricably bound up with the pain it can cause ("I keep loving you like an old bruise / still tender") but expressed in such rich and startling language, it is its own reward.¿ Esther Morgan ¿Opening a book by Pippa Little I know I will find the kind of directness one can trust. There will be images that make the world of a page real¿ That is what Pippa Little does so well. And she does it with wide range, with different modes, various poetics¿ we find that the landscape therein is our solitude: however inventive it is also bare, like a person who cannot sleep and stares and stares all night at a blank wall. Which is to say, we recognize ourselves in these pages, our days, our questions. And the pages fortify. Why? Because they are honest.¿ Ilya Kaminsky

Six Vowels and Twenty-three Consonants is a groundbreaking new collection of poems presenting the wealth of poetic voices from one of the world's most important literary cultures. The book covers poetry from the early Middle Ages to the Modernists and Postmodernists of the 20th and 21st centuries.

This collection draws work from 5 of Gallagher's previous collections, together with a substantial body of new work. Born in Australia, Gallagher moved to Paris before settling in London. She draws on a rich inheritance from these different worlds in her poetry, which is always rooted in a passionate sense of discovery and attention to place.

Presents a cycle of poems in which the protagonist, Wolf One-Eye, finds himself in exile from an ancient mythological landscape in a new realm of quarks and expanding and alternating universes. Dislocated and alone, he travels through totally unfamiliar territory, closely observed by the other voice in these poems, that of the poet / narrator.

James Byrne is a widely-travelled poet and editor, and in this, his 4th book from Arc, he reflects on the places, their histories and people that have made a lasting impression on him. So vivid are his descriptions of his travels that the reader is enveloped in colours, sounds, scents and surrounded by people.

Latin America is known to be producing some of the most exciting literature in the world today. With the region's rich intersecting traditions, history of migrations, political movements, and commitment to poetic innovation, the women poets who are currently working there are some of the fiercest and most creative voices in the 21st century.

''Write only what pierces and surprises,' says Anna Szabo in this riveting collection that lives up to its own advice. Szabo deserves a wide audience in the UK: Trust is a book to bring it to her.'

The poems in this collection move from memories of Libya before the revolution, to Libya engulfed in violent turmoil, to life in exile in the brooding landscape of Norway.

Mara Bergman's poetic voice is a subtle one, based on the rhythms of ordinary speech, and has an admirably natural or even casual feel that can be deceptive.

Arseny Tarkovsky (1907-1989) is considered to be one of the most important Russian poets of the twentieth-century, yet his work is rarely encountered outside Russia. This selection of his verse, brilliantly translated in metre and rhyme by the late Peter Oram, aims to make his poetry more widely available to an English-language readership while the introduction by two eminent scholars of Russian literature sets it in its wider context.

"Invisible is a teasing title for a collection of poetry. [Wallace] Stevens, with whose work Jacek Gutorow has a deep and sustained engagement, suggested in ¿The Creations of Sound¿, that poems should ¿make the visible a little hard / To see¿ [¿] Both Gutorow and Stevens develop a poetic medium that maintains an oscillating dialectic between the seen and the unseen. The invisible operates not as an occlusion of reality, but as an aura saturating what is described; images are gently prised from the contexts of time and place and invested with a mysterious in-between life..."- Mark Ford, from the Introduction to Invisible.

Marking the 700th centenary of Dante's death in 1321.

TBC

Camp Notebook is a masterpiece in its own right, a crucial work of European verse. It is one of the greatest pieces of literature to emerge from the Holocaust, and probably the finest volume of poetry born from the horror of the Second World War.

¿The Rohingya poets gathered here for the first time in English hold a mirror to the light for the rest of humanity, flashing their poems of misery and warning from the genocidal zone and refugee camp of Cox¿s Bazaar. Their songs are more accurate than news reports for word of the plight of the most oppressed. These are poems that begin with the fragrance on the bird¿s handkerchief and end by walking among the mass graves. They write from a dire present to a possible future, wondering in their peril if the world outside was too quiet to hear them. Let the world not be quiet, let the world listen to these poems.¿ Carolyn Forché¿I Am a Rohingya implores the world to listen to the spirit of a people who have experienced some of the worst human rights abuses on the planet. These poems have no alternative but to speak out, they are from a crisis that must be addressed. There is brilliance in here!¿John Kinsella