Bücher veröffentlicht von Artbook D.A.P.

Let man fear the Leanan Sidhe. Her gifts are not without price.¿Fia Walsh has never fit in. With iridescent beetle shell hair, and what might be newly sprouting horns, she's decided to run away from the city, her loving brother, and his shrew of a wife. In order to make her escape, she needs money. The only way to get it is to sell her most treasured possession-a worn leather book once belonging to her mother. The only problem? Tieg Connolly, a dour young man on the hunt for rare and interesting tomes. In a lucky twist of fate, Fia accepts a job from Tieg and moves to the small town of Feyport-where the fey are rumored to abound. Assisting him in his new business venture, the ever upbeat Fia senses her treasured book and Tieg himself are both holding secrets. Wanting nothing more than to find her place in the world, she'll need to learn to read the mysterious text all the while evading some rather unsavory characters. While Fia and Tieg grow closer, Fia learns sometimes discovering yourself comes at a hefty price. A cozy Celtic folklore inspired fantasy brimming with unforgettable characters, dangerous creatures, long buried family secrets, and heart warming romance, A Simple Tale of Ink and Bindings returns to the world of A Simple Tale of Water and Weeping but may be read as a stand alone novel.

A long-awaited facsimile of Lawrence and Hujar's legendary '60s magazine documenting artists and photographers from Diane Arbus and Yayoi Kusama to Paul Thek and Lucas SamarasPublished by Steve Lawrence and edited alongside Peter Hujar and Andrew Ullrick, Newspaper was issued in New York City between 1968 and 1971. A wordless, picture-only periodical that replicated the scale of the New York Times, Newspaper ran for 14 issues and featured the disparate practices of over 40 artists. With an editorial focus on placing appropriated material alongside new artworks, the periodical sought to codify a visual language of high and low culture that represented contemporary society in the late 1960s. While largely overlooked in art-historical discourse, Newspaper showcased many of the most revered artists working in the United States at the time, as well as an emerging coterie of queer artists.All issues of Newspaper are collected and reprinted here for the first time.Artists include: Diane Arbus, Art Workers Coalition, Richard Avedon, Clyde Baines, Sheyla Baykal, Peter Beard, Brigid Berlin, Richard Bernstein, Ann Douglas, Paul Fisher, Maurice Hogenboom, Peter Hujar, Scott Hyde, Christo and Jeanne-Claude, Ray Johnson, Edwin Klein, Yayoi Kusama, Gerald Laing, Dorothea Lange, Steve Lawrence, Jeff Lew, Roy Lichtenstein, Frank Mercado, Duane Michals, Jack Mitchell, Forrest "Frosty" Myers, Billy Name, Stephen Paley, Warner Pearson, Warner Piepke, Charles Pratt, Joseph Raffael, Mel Ramos, Lilo Raymond, Ruspoli-Rodriguez, Lucas Samaras, Alan Saret, Bill Schwedler, Leni Sinclair, Norman Snyder, Elizabeth Staal, Stanley Stellar, Terry Stevenson, Paul Thek, Andrew Ullrick, Andy Warhol, William T. Wiley and May Wilson.

In this critical history, DeForrest Brown, Jr "makes techno Black again" by tracing the music's origins in Detroit and beyondIn Assembling a Black Counter Culture, writer and musician DeForrest Brown, Jr, provides a history and critical analysis of techno and adjacent electronic music such as house and electro, showing how the genre has been shaped over time by a Black American musical sensibility. Brown revisits Detroit's 1980s techno scene to highlight pioneering groups like the Belleville Three before jumping into the origins of today's international club floor to draw important connections between industrialized labor systems and cultural production. Among the other musicians discussed are Underground Resistance (Mad Mike Banks, Cornelius Harris), Drexciya, Juan Atkins (Cybotron, Model 500), Derrick May, Jeff Mills, Robert Hood, Detroit Escalator Co. (Neil Ollivierra), DJ Stingray/Urban Tribe, Eddie Fowlkies, Terrence Dixon (Population One) and Carl Craig. With references to Theodore Roszak's Making of a Counter Culture, writings by African American autoworker and political activist James Boggs, and the "techno rebels" of Alvin Toffler's Third Wave, Brown approaches techno's unique history from a Black theoretical perspective in an effort to evade and subvert the racist and classist status quo in the mainstream musical-historical record. The result is a compelling case to "make techno Black again." DeForrest Brown, Jr is a New York-based theorist, journalist and curator. He produces digital audio and extended media as Speaker Music and is a representative of the Make Techno Black Again campaign.