Bücher veröffentlicht von Basler Afrika Bibliographien

Worldwide, Namibia ranks high regarding gender equality. However, many women are intimidated by violence perpetrated by men. This book is based on a social anthropological field research in the small town of Outjo, situated in Northern Central Namibia, over a period of 14 months. Gender is learnt, lived and reproduced in a societal frame. Violence against women, too, is perpetrated by men in a societal context. By using mainly qualitative research methods, Sonja Gierse-Arsten looks at male and female perspectives to reach a holistic understanding and to provide a basis for sustainable changes towards equal gender relations. She traces the transition from a hierarchical gender system during colonial times to the aspired equal gender relations in present Namibia. Current challenges characterised by poverty and great economic inequalities form the framework in which gender is performed and violence perpetrated. This study offers inspirations to re-think gender to reach substantive gender equality and to overcome the normalisation of violence.

Most research on the migrant labour system in Namibia under South African colonial rule emphasises its dehumanising aspects. In a complete contrast, this study highlights the social and ritual resources that contract workers and their families in colonial Ovamboland mobilised to provide forms of support and connection across great distances and absences. Based on extensive oral research, this study peels back the layers of intangible infrastructure that sustained migrant workers through all the stages of their contract, including observances around workplace deaths. This thesis vividly demonstrates the persistence of older practices that sustained the bonds of life, fellowship and family under stress, as well as adaptation to new colonial system, such as the postal system.

A rich collection of captivating and remarkable chapters, Writing Namibia Coming of Age presents research of senior academics as well as emerging scholars from Namibia. The book includes wide ranging topics in literature written in English and other Namibian languages, such as German, Afrikaans and Oshiwambo. Almost thirty years after independence, Namibia literature has come of age with new writers experimenting with different genres and varied aspects of literature. As an aesthetic object and social phenomenon, Namibian literature still fulfils the function of social conscience and as new writers emerge, there is ample demonstration that, pluri-vocal as they are, Namibian literary texts relate in a complex manner to the socio-historical trends shaping the country. The Namibian literary-critical tradition continues to paint some versions of Namibia and what we find in this new and highly welcome volume is a canvas of rich voices and perspectives that demonstrate an intricate diversity in terms of culture, language, and themes.

Have Your Yellowcake and Eat It is a story of men, monsters and uranium in Swakopmund, a small coastal city in the west of Namibia. Founded by German settlers in the late nineteenth century, Swakopmund remains a popular holiday destination for Namibians and international visitors alike. How do young African men make their home in this peculiar town of pretty beaches and luxury hotels, a brutal colonial history and a large uranium mining industry? Are their close relations affected by global changes in the price of uranium? And how do we describe their life worlds which straddle many homes, neighbourhoods, and establishments - sometimes even existing beyond the limits of the post-colonial city? Employing a reflexive narrative and based on two year's fieldwork, Jack Boulton explores the myriad ways in which intimacy develops and manifests for men in a city defined predominantly by racialised difference and local and global forces of inequality.

This book is a collection of essays written by emerging scholars at the University of Basel on the basis of their subjective encounters with a specific archival collection housed in the Basler Afrika Bibliographien in Basel. The Ernst and Ruth Dammann collection consists of around 8100 images, 750 audio recordings and numerous manuscripts, diaries and notes. The German couple conducted research on Namibian oral literatures and languages as they were spoken and performed across the country in the early 1950s. Based on in-depth engagement with the textual, visual and audio records assembled in this intricate collection, the authors of this book critically interrogated the implications of opening a colonial archive, exploring alternative ways of reading and understanding the historical material. As unique examples of close reading and listening, the essays propose creative ways of attending to the politics of race, gender, famine, ethnography, biography and fiction in colonial knowledge production.

How does a peoples' music reflect their history, their occupations, cultural beliefs and values? These are the core questions that this book addresses in relation to the Aawambo people of Namibia. The author, herself born and bred in Namibia, brings to the fore the nuanced views of different people, describing their personal musical experiences - past as well as present. This is the first time that the music and stories of contemporary Namibian musicians is shared alongside those of the elderly. Similarly, it is the first time that some of the traditional Aawambo dances are analysed and described, abundantly illustrated with colourful photographs and several songs. Based on years of personal research, this book will appeal to research scholars, students and other interested readers alike, since its style is accessible but detailed, personal yet objective. Recommended for all those interested in culture, anthropology, the arts, and Namibian studies.

My family did the unthinkable: after getting away with 'playing white' for some years, we went one step further and 'jumped the colour line'. By various obscure and not well-documented processes, we changed our 'racial classification' from 'coloured' - as defined by the apartheid policy of the day -to that of 'white'. We juggled colour … The price we paid was anguish, constant fear of detectionand a sacrifice of family connectedness. The decades-long process of becoming completely comfortable with my ultimate identity was psychologically so unnerving that I have only recently feltfree to talk about it. This is certainly the first time I ever write about it. Ulla Dentlinger's life history begins in poor, rural apartheid Namibia of the early 1950s. Growing up in the Rehoboth Baster territory, she early on discovers that her parents are not prone to reminisce about their family's past. The most mundane information about their background is guarded much like a state secret. As a child, she begins to panic at being asked the question so normal to others: Where are you from? Only in later years it dawns on her that she had to be a 'Coloured'. The sense of conflict increases immeasurably. By then she is growing up in apartheid South Africa, but now in a 'white' suburb of Cape Town. She goes to a ‚white' school and bears herself in a German fashion. She and her family had, in fact, jumped the colour line. Returning to southern Africa from the United States in the 1990s, she now openly pursues investigations into her family background. In this book, Ulla Dentlinger portrays her wider family - some who simply ignored 'race' and colour, others who opposed it and those who dodged or tolerated it. Their intimate, painful or straight-forward stories and recollections lead her to the emotional realization of the wealth of her heritage and its final acceptance.