Bücher veröffentlicht von Berghahn Books

Based on a long-term study of the everyday postsocialist politics of labour in the wider context of intense socio-economic transformation in Bulgaria, this book tells the story of the flexibilization of production, the precaritization of work, shifting managerial practices, and ways in which people with different employment statuses live and work together. The ethnography starts with the rapidly moving conveyor belt of a glass factory, where a variety of global and local forces and workers' divisions meet, and analyses how inequalities are reproduced both at the production site and back home.

The notions of labour, mobility and piety have a complex and intertwined relationship. Using ethnographic methods and a historical perspective, Temple Tracks critically outlines the interlink of railway construction in colonial and post-colonial Asia, as well as the anthropology of infrastructure and transnational mobilities with religion. In Malaysia and Singapore, evidence of religion-making and railway-building from a colonial past is visible in multiple modes and media as memories, recollections and 'traces'.

As an inquiry into engagements with forces of loss and threat, this work explores experimental ways to write about climate crisis in anthropology. From Belize to Ontario and back, this ambitious piece of ethnographic writing set during a time "beyond ruin" in a fictional, ecotourist community in the year 2040. Here, loss is taken up through an inventive form of ethnographic storytelling that brings together people, animals, landscapes, and the weather in a world beyond the climate crisis right now where new entanglements with things which have fallen to ruin emerge in imagined milieus in which loss and life converge.

Hidden information, double meanings, double-crossing, and the constant processes of encoding and decoding messages have always been important techniques in negotiating social and political power dynamics. Yet these tools, "cryptopolitics," are transformed when used within digital media. Focusing on African societies, Cryptopolitics brings together empirically grounded studies of digital media toconsider public culture, sociality, and power in all its forms, illustrating the analytical potential of cryptopolitics to elucidate intimate relationships, political protest, and economic strategies in the digital age.

In the last twenty-five years, the explosive rise of car mobility has transformed street life in postsocialist cities. Whereas previously the social fabric of these cities ran on socialist modes of mobility, they are now overtaken by a culture of privately owned cars. If Cars Could Walk uses ethnographic cases studies documenting these changes in terms of street interaction, vehicles used, and the parameters of speed, maneuverability, and cultural and symbolic values. The altered reality of people's movements, replacing public transport, bicycles and other former 'socialist' modes of mobility with privatized mobility reflect an evolving political and cultural imagination, which in turn shapes their current political reality.

"Places of risk" and "sites of modernity" refer not merely to physical locations, but also objects and institutions that stand at the center of contemporary debates on security and risk. These are social and political domains where energy and infrastructure are produced, where domestic security is pursued and maintained, and where citizens encounter the state in its punitive or monitory roles. Taking a wide view of the period from the 1970s to today, this volume brings together innovative, interdisciplinary case studies of sites of modernity that promise to provide security and safety, yet at the same time are deemed responsible for creating new risks. With a particular contemporary interest in the technocratic changes of security and risk control the contributors to Sites of Modernity - Places of Risk position the 1970s as a turning point in the path from industrial to post-industrial modernity.

Historians of Russia were relative latecomers to the field of environmental history. Yet, in the past decade, the exploration of Russian environmental history has burgeoned. Thinking Russia's History Environmentally showcases collaboration amongst an international set of scholars who focus on the contribution that the study of Russian environments makes to the global environmental field. Through discerning analysis of natural resources, the environment as a factor in historical processes such as industrialization, and more recent human-animal interactions, this volume challenges stereotypes of Russian history and in so doing, highlights the unexpected importance of Russian environments across a time frame well beyond the ecological catastrophes of the Soviet period.

"Looking at encounters that can puncture or jolt us, this volume uses art as a lens through which to register and understand exceptional experiences. The volume also includes the fieldworker's experience of unexpected events that can lead to key understandings, as well as revelatory moments that happen during artistic creation and while looking at art. By exploring exceptional experiences through art, the volume asks probing questions for anthropology. In recognizing that art is all-encompassing - including, as it does, narrative, performance, dance and images - Exceptional Experiences situates itself within a number of conversations on methodological and conceptual issues in anthropology and beyond"--

Bringing together new research by leading scholars, this volume rethinks the role played by militaries in politics. It introduces new theories of military politics, arguing against the inherited theories and practices of civil-military relations, and presents rich new data on senior officership and on the intersection of military politics and military operations. As the first volume in Berghahn Books' Military Politics series, it provides a blueprint for a new research paradigm dedicated to tracing how militaries shape their political environments, focusing particularly on the core democratic questions raised by politically-effective (and ineffective) militaries.

In the late nineteenth and early twentieth centuries, agricultural practices and rural livelihoods were challenged by changes such as commercialization, intensified global trade, and rapid urbanization. Planting Seeds of Knowledge studies the relationship between these agricultural changes and knowledge-making through a transnational lens. Spanning exchanges between different parts of Europe, North and South America, the Indian subcontinent, and Africa, the wide-reaching contributions to this volume reform current historiography to show how local experiences redefined global practice.

A range of meaningful objects-exhibits of human remains or live people, fetishes, objects in a Catholic Museum, exotic photographs, commodities, and computers-demonstrate a subordinate modern consciousness about powerful objects and their 'life'. The Spirit of Matter discusses these objects that move people emotionally but whose existence is often denied by modern wishful thinking of 'mind over matter'. It traces this mindset back to Protestant Christian influences that were secularized in the course of modern and colonial history.

In presenting a variety of theoretical and cross-cultural perspectives on pure food, this volume demonstrates similarities and variations in cultural beliefs, behaviours and practices in different societies. These in turn highlight that pure food is a common issue for humanity, whatever the society, whatever the era. As a subject with much contemporary and cross-disciplinary relevance, Pure Food will appeal to students and academics involved in any food-related discipline, to professional practitioners promoting healthier foods and nutrition and to general readers with an interest in food.

Presenting a new interpretation of entrepreneurial behaviour, this book focuses on how entrepreneurs consider the future, looking at their social practices, language and rituals through which they neutralize or smoothen future unknowns. The study theorizes entrepreneurial behaviour as 'future-work': the social practices, language and rituals through which entrepreneurs neutralize or smoothen future unknowns. The study is grounded in ethnographic case material from global frontiers: second-hand car dealers in West Africa; exporters of fresh fish from Lake Victoria, East Africa; farmed fish entrepreneurs in Greece; and investment bankers in Financial America. It targets students and scholars from the social sciences and economics, and it has theoretical and practical implications.

Investigating local Indigenous processes of creation and creativity, this book uses ethnographic and comparative anthropological perspectives to enquire about creative transformative practices in lowland South America. The volume shows how people create and reinforce their conditions of being by employing different genres of transgression and by creatively shifting contexts of significance. Local socio-cosmic orders, the interrelation of creative genres (myth, verbal art, song, ritual, and handicrafts), and their changing frames of reference (from communal celebrations to wider political and commercial realms) demonstrate the relational, generative, and processual quality of Amerindian creativity.

Anthropologists have long explained social behaviour as if people always do what they think is best. But what if most of these explanations only work because they are premised upon ignoring what philosophers call 'akrasia' - that is, the possibility that people might act against their better judgment? The contributors to this volume turn an ethnographic lens upon situations in which people seem to act out of line with what they judge, desire and intend. The result is a robust examination of how people around the world experience weaknesses of will, which speaks to debates in both the anthropology of ethics and moral philosophy.

Studying the German-Polish ethnic relations, this book analyses the people and region through their respective borderlands, migration, official cooperation and unofficial suspicions across the border. The main conclusion is that, while officialdom is generally keen to develop cross-border ties, which ordinary people do take advantage of, these tend to be much more sceptical of the potential impact to their lives in what remains an economically depressed area despite cross-border cooperation having been possible for several decades.

Grounded in multi-generational stories from Kinmen in Taiwan, Visions of Marriage explores the historical entanglements between the pursuit of new personal and national futures. Focusing on the relational and future-making aspects of marriage, the ethnography highlights the intersection of transformations across familial generations and shifting political economies in Taiwan, and more globally. While theories of modernity often treat marriage as an index of social change, without adequate attention to its transformative capacities generated through personal and familial agency, this volume provides comparative insights on family change and demographic shifts in Asia.

Through a post-1968 perspective on the past 50 years, Performing Memory brings together case studies on new developments in the relationship between politics and visual representation-including the histories of dance, theatre, political performance and cinema-and investigates how they relate to the interlinked concepts of visuality, corporeality and mobility. Using a collective transdisciplinary attitude from within historical disciplines, and looking across to artistic fields, this volume demonstrates that memory is not merely a recollection of experience but an interactive process, in which the body, mobile and constrained, is both a point of departure and reference.

Up until the 1990s, when the EU launched film policies intended to encourage political and cultural collaboration among its member states, film coproductions were limited to specific industries and mostly based on the cultural and national values of individual nations. Coproducing Europe explores the impact of these EU policies on the coproduction networks that now serve as a driving force in contemporary creative economies. By focusing on regional film markets in Thessaloniki, Sarajevo and Tbilisi, this comparative ethnography looks beyond the economic nature of film coproductions to their role in Europeanization, memories of the Cold War and preconstructed political agendas.