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The Betrothed (1825) is one of the Waverley novels by Sir Walter Scott. Set in the Welsh Marches in the 12th century it is the first of two Tales of the Crusaders, the second being The Talisman.Parts of the novel were incorporated into Francesco Maria Piave's libretto for Giuseppe Verdi's 1857 opera, Aroldo, itself a re-working of an earlier Verdi opera, Stiffelio. At the beginning of April 1824, two months before he completed Redgauntlet, Scott envisaged that it would be followed by a four-volume publication containing two tales, at least one of which would be based on the Crusades. He began composition of the first story, The Betrothed, in June, but progress was to be excruciatingly slow. Initially the problem was numerous interruptions with visitors to Abbotsford. By mid-August proofs had only passed the middle of the first volume and in September Scott was able to write only sporadically, so that the first volume was not complete until early October. Then there were objections to the novel from James Ballantyne, and it is likely that at some point in the autumn Scott changed course and began the companion novel The Talisman. On 17 December it was actually decided that The Betrothed should be formally laid aside, though the second volume was well advanced, and the sheets already printed were sealed up. In mid-February 1825 the December decision was rescinded and composition was complete by mid-March, though Scott returned to the work to adjust the conclusion at the beginning of June.Like all of Scott's novels The Betrothed is full of literary echoes, particularly from medieval romances. For the prominent Welsh element he made considerable use of two sources, one dating from the twelfth century, the other a product of his own time: the translation by Sir Richard Colt Hoare from the original Latin of The Itinerary of Archbishop Baldwin through Wales by Giraldus Cambrensis (1806), and The Cambrian Biography by William Owen (1803). (wikipedia.org)

In Search of the Castaways (French: Les Enfants du capitaine Grant, lit. 'The Children of Captain Grant') is a novel by the French writer Jules Verne, published in 1867-68. The original edition, published by Hetzel, contains a number of illustrations by Édouard Riou. In 1876, it was republished by George Routledge & Sons as a three volume set titled A Voyage Round The World. The three volumes were subtitled South America, Australia, and New Zealand. As often with Verne, English translations have appeared under different names; another edition has the overall title Captain Grant's Children and has two volumes subtitled The Mysterious Document and Among the Cannibals. The book tells the story of the quest for Captain Grant of the Britannia. After finding a bottle the captain had cast into the ocean after the Britannia is shipwrecked, Lord and Lady Glenarvan of Scotland contact Mary and Robert, the young daughter and son of Captain Grant, through an announcement in a newspaper. The government refuses to launch a rescue expedition, but Lord and Lady Glenarvan, moved by the children's condition, decide to do it by themselves. The main difficulty is that the coordinates of the wreckage are mostly erased, and only the latitude (37 degrees) is known; thus, the expedition would have to circumnavigate the 37th parallel south. The bottle was retrieved from a shark's stomach, so it is impossible to trace its origin by the currents. Remaining clues consist of a few words in three languages. They are re-interpreted several times throughout the novel to make various destinations seem likely.Lord Glenarvan makes it his quest to find Grant; together with his wife, Grant's children and the crew of his yacht, the Duncan, they set off for South America. An unexpected passenger in the form of French geographer Jacques Paganel (he missed his steamer to India by accidentally boarding the Duncan) joins the search. They explore Patagonia, Tristan da Cunha Island, Amsterdam Island, and Australia (a pretext to describe the flora, fauna, and geography of numerous places to the targeted audience).There, they find a former quartermaster of the Britannia, Ayrton, who proposes to lead them to the site of the wreckage. However, Ayrton is a traitor, who was not present during the loss of the Britannia, but was abandoned in Australia after a failed attempt to seize control of the ship to practice piracy. He tries to take control of the Duncan, but by sheer luck, this attempt also fails. However the Glenarvans, the Grant children, Paganel and some sailors are left in Australia, and mistakenly believing that the Duncan is lost, they sail to Auckland, New Zealand, from where they want to come back to Europe. When their ship is wrecked south of Auckland on the New Zealand coast, they are captured by a Māori tribe, but luckily manage to escape and board a ship that they discover, to their astonishment, to be the Duncan.Ayrton, made a prisoner, offers to trade his knowledge of Captain Grant in exchange for being abandoned on a desert island instead of being surrendered to the British authorities. The Duncan sets sail for Tabor Island, which, by sheer luck, turns out to be Captain Grant's shelter. They leave Ayrton in his place to live among the beasts and regain his humanity.Ayrton reappears in Verne's later novel, L'Île mystérieuse (The Mysterious Island, 1874). (wikipedia.org)

A Tangled Tale is a collection of 10 brief humorous stories by Lewis Carroll (Charles Lutwidge Dodgson), published serially between April 1880 and March 1885 in The Monthly Packet magazine. Arthur B. Frost added illustrations when the series was printed in book form. The stories, or Knots as Carroll calls them, present mathematical problems. In a later issue, Carroll gives the solution to a Knot and discusses readers' answers. The mathematical interpretations of the Knots are not always straightforward. The ribbing of readers answering wrongly - giving their names - was not always well received (see Knot VI below).In the December 1885 book preface Carroll writes:The writer's intention was to embody in each Knot (like medicine so dexterously, but ineffectually, concealed in the jam of our early childhood) one or more mathematical questions - in Arithmetic, Algebra, or Geometry, as the case might be - for the amusement, and possible edification, of the fair readers of that magazine.Describing why he was ending the series, Carroll writes to his readers that the Knots were "but a lame attempt". Others were more receptive: In 1888 Stuart Dodgson Collingwood wrote "With some people, this is the most popular of all his books; it is certainly the most successful attempt he ever made to combine mathematics and humour." They have more recently been described as having "all the charm and wit of his better-known works". (wikipedia.org)

E.F. Benson, in full Edward Frederic Benson, (born July 24, 1867, Wellington College, Berkshire, Eng.-died Feb. 29, 1940, London), writer of fiction, reminiscences, and biographies, of which the best remembered are his arch, satirical novels and his urbane autobiographical studies of Edwardian and Georgian society.The son of E.W. Benson, an archbishop of Canterbury (1883-96), the young Benson was educated at Marlborough School and at King's College, Cambridge. After graduation he worked from 1892 to 1895 in Athens for the British School of Archaeology and later in Egypt for the Society for the Promotion of Hellenic Studies. In 1893 he published Dodo, a novel that attracted wide attention. It was followed by a number of other successful novels-such as Mrs. Ames (1912), Queen Lucia (1920), Miss Mapp (1922), and Lucia in London (1927)-and books on a wide range of subjects, totaling nearly 100. Among them were biographies of Queen Victoria, William Gladstone, and William II of Germany. In 1938 he was made an honorary fellow of Magdalene College, Cambridge. Benson's reminiscences include As We Were (1930), As We Are (1932), and Final Edition (1940). (britannica.com)

The Monastery: a Romance (1820) is a historical novel by Walter Scott, one of the Waverley novels. Set in the Scottish Borders in the 1550s on the eve of the Reformation, it is centred on Melrose Abbey. Scott had been contemplating The Monastery before August 1819, and it seems likely that he started writing it in that month while the production of Ivanhoe was at a standstill because of shortage of paper. He had determined on the title by the middle of the month. It also seems likely that he took up composition again shortly after finishing Ivanhoe in early November. He made good progress, and the third and final volume was at the press by the end of February 1820. Originally the story was intended to include Mary Queen of Scots, but a decision to reserve the later material for a second novel (The Abbot) was probably made before composition resumed in November.Scott was intimately familiar with the history and topography of the Border region, and there is no evidence that he was following any formal written histories in detail. But two publications were useful to him for particular aspects of the novel. For sixteenth-century monastic life he was indebted to British Monachism; or, Manners and Customs of the Monks and Nuns of England by Thomas Dudley Fosbrooke, of which he owned an enlarged edition published in 1817. Shafton's euphuistic speech owes something to Euphues: The Anatomy of Wit (1578) and Euphues and his England (1580) by John Lyly, though affected speeches in the plays of Jonson and Shakespeare were more consistently mined. (wikipedia.org)