Bücher veröffentlicht von Bibliotech Press

Dorothy Parker (née Rothschild; August 22, 1893 - June 7, 1967) was an American poet, writer, critic, and satirist based in New York; she was known for her wit, wisecracks, and eye for 20th-century urban foibles.From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary works published in magazines, such as The New Yorker, and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed when her involvement in left-wing politics resulted in her being placed on the Hollywood blacklist.Dismissive of her own talents, she deplored her reputation as a "wisecracker." Nevertheless, both her literary output and reputation for sharp wit have endured. Some of her works have been set to music; adaptations included the operatic song cycle Hate Songs by composer Marcus Paus. Parker inspired a number of fictional characters in several plays of her day. These included "Lily Malone" in Philip Barry's Hotel Universe (1932), "Mary Hilliard" (played by Ruth Gordon) in George Oppenheimer's Here Today (1932), "Paula Wharton" in Gordon's 1944 play Over Twenty-one (directed by George S. Kaufman), and "Julia Glenn" in the Kaufman-Moss Hart collaboration Merrily We Roll Along (1934). Kaufman's representation of her in Merrily We Roll Along led Parker, once his Round Table compatriot, to despise him. She also was portrayed as "Daisy Lester" in Charles Brackett's 1934 novel Entirely Surrounded. She is mentioned in the original introductory lyrics in Cole Porter's song "Just One of Those Things" from the 1935 Broadway musical Jubilee, which have been retained in the standard interpretation of the song as part of the Great American Songbook.Prince released "The Ballad of Dorothy Parker" in 1987; it was the first song recorded in his Chanhassen, Minnesota studio home. Those closest to him at the time suggest the association between the poet and the waitress by the same name in the song is a coincidence, but Dorothy Parker died on Prince's 9th birthday and chances are this brought her to his attention prior to writing the song.Parker is featured as a character in the novel The Dorothy Parker Murder Case by George Baxt (1984), in a series of Algonquin Round Table Mysteries by J. J. Murphy (2011- ), and in Ellen Meister's novel Farewell, Dorothy Parker (2013). She is the main character in "Love For Miss Dottie", a short story by Larry N Mayer, which was selected by writer Mary Gaitskill for the collection Best New American Voices 2009 (Harcourt).She has been portrayed on film and television by Dolores Sutton in F. Scott Fitzgerald in Hollywood (1976), Rosemary Murphy in Julia (1977), Bebe Neuwirth in Dash and Lilly (1999), and Jennifer Jason Leigh in Mrs. Parker and the Vicious Circle (1994). Neuwirth was nominated for an Emmy Award for her performance, and Leigh received a number of awards and nominations, including a Golden Globe nomination.The Wild Colonials song, "Vicious Circle" from Life As We Know It EP (2007) is about Dorothy Parker. The chorus lyrics are, "I know how Dorothy Parker felt with someone in her way."Television creator Amy Sherman-Palladino named her production company 'Dorothy Parker Drank Here Productions' in tribute to Parker.Tucson actress Lesley Abrams wrote and performed the one-woman show Dorothy Parker's Last Call in 2009 in Tucson, Arizona at the Winding Road Theater Ensemble. She reprised the role at the Live Theatre Workshop in Tucson in 2014. The play was selected to be part of the Capital Fringe Festival in DC in 2010. ...(wikipedia.org)

This is a really interesting, peculiar book. It's a collection of essays by authors who were big (some bigger than others) in the late Victorian period. They're looking back on their first book, usually interpreted as their first publication. Some of the stories are absolutely wild, while others are interesting for being typical of the time.One of the big takeaways for me was that 19th century publishing in London was a lot like Hollywood today. You had wannabes, scammers, hangers-on, all kinds of people who were attracted not by any attachment to writing as a discipline, but to the promise of money. The tenor of these stories is often wild and wooly. In Zangwill's essay, he talks about starting up a writing venture purely to make money, at a time when he was a student-teacher at a university. He was actually making a killing off of writing exploitative stories of the Jewish community he came from when the big-wigs of the university caught him out and threatened to expel him unless he stopped publishing.Another author almost pays a publisher 100 pounds for the honour of being published, only to realize at the last second that she was being played. And the scammer after her money was a genuine, bona-fide publisher! It was just that in between publishing novels he genuinely expected to succeed, he charged would-be authors to print their bad novels.The premises of a lot of these novels are pretty wild, too. This was the heyday of the sensation novel, and we get to hear some pretty sensational premises. I especially liked the plot to "Dead Man's Rock," a Stevenson rip-off about bloodthirsty pirates.I should add that since this was also the heyday of British imperialism, we get some significant doses of that, too. H. Rider Haggard in Africa, Rudyard Kipling in India, and Morley Roberts in North America (including BC). The blithe, unconcerned way that colonialism is introduced by these writers can be pretty hard to take. I found Roberts' thoughts on the good it does a man to go to the frontier to be especially painful. In the long run, though, I think it provided me a good window into the mentality of colonialism, so I don't regret reading it.All things considered, this is a great piece of social history which is also engaging on the level of gossipy chit-chat. (Sunrise)

PREFACEA book in the writer's possession, entitled "Camp Cookery," contains the following recipe:"Boiled Green Corn.-Boil twenty-five minutes, if very young and tender. As it grows older it requires a longer time. Send to the table in a napkin."The writer of the above is a good housewife. She cannot conceive that anybody will attempt to boil green corn who does not know such rudiments of the culinary art as the proper quantity of water to put into the pot and the necessity of its being slightly salted and at a boil when the corn is put in, instead of fresh and cold; and, like the careful cook that she is, she tells the camper to send the ears to the camp "table" in a "napkin."The faults of the above recipe are the faults of all recipes furnished by the majority of books on out-door life. They do not instruct in those rudimentary principles of cooking so important to the outer who has eaten all his life no food except that furnished him ready for instant despatch; and they commend to the camper dishes that require materials and utensils for their preparation which are seldom at hand in the field and forest.The object of this little volume is to give to the Corinthian cruiser and the camper some practical recipes for simple but substantial dishes, in such a manner that the veriest novice in the art of the kitchen may prepare palatable food with no more materials and paraphernalia than are consistent with light cruising and comfortable camping. The first part, "Canoe Cookery," instructs in such dishes as the limited outfit of the canoeist or camper who "packs" his dunnage afoot will admit of, while the second part, "Camp Cookery," deals with the more elaborate menu that can be prepared when ease of transportation will allow the carriage of a more extensive supply.Few of the recipes given are original with the compiler. Some have been obtained from trappers and hunters, others from army and navy cooks, and a few from cook books; but all have been practically tested in camp or on a cruise by the writer, whose pleasure in out-door cooking is only equalled by his delight in out-door life.

Asrar-i-Khudi (The Secrets of the Self; published in Persian, 1915) was the first philosophical poetry book of Allama Iqbal, the great poet-philosopher of British India. This book deals mainly with the individual, while his second book Rumuz-i-Bekhudi discusses the interaction between the individual and society. Allama Iqbal's first collection of poetry, the Asrar-e-Khudi (Secrets of the Self) in Persian. The poems emphasise the spirit and self from a religious, spiritual perspective. Many critics have called this Iqbal's finest poetic work In Asrar-e-Khudi, Iqbal has explained his philosophy of "Khudi," or "Self." Iqbal' s use of term "Khudi" is synonymous with the word of "Rooh" as mentioned in the Quran. "Rooh" is that divine spark which is present in every human being and was present in Adam for which God ordered all of the angels to prostrate in front of Adam.However, one has to make a great journey of transformation to realize that divine spark which Iqbal calls "Khudi". A similitude of this journey could be understood by the relationship of fragrance and seed. Every seed has the potential for fragrance within it. But to reach its fragrance the seed must go through all the different changes and stages. First breaking out of its shell. Then breaking the ground to come into the light developing roots at the same time. Then fighting against the elements to develop leaves and flowers. Finally reaching its pinnacle by attaining the fragrance that was hidden within it.In the same way, to reach one's khudi or rooh one needs to go through multiple stages which Iqbal himself went through, spiritual path which he encourages others to travel. He notes that not all seeds reach the level of fragrance. Many die along the way, incomplete. In the same way, only few people could climb this Mount Everest of spirituality, most get consumed along the way by materialism. The same concept had been used by the Medieval poet and philosopher Farid ud-Din Attar of Nishapur in his "Mantaq-ul-Tair" ("The Conference of the Birds").Iqbal proves by various means that the whole universe obeys the will of the "Self." He condemns self-destruction. For him, the aim of life is self-realization and self-knowledge. He charts the stages through which the "Self" has to pass before finally arriving at its point of perfection, enabling the knower of the "Self" to become the vicegerent of God. (wikipedia.org)

CONTENTSPART I GAMES FOR SCHOOLS Foreword I School Room Games for Primary Pupils II School Room Games for Intermediate Pupils III School Room Games for Advanced and High School Pupils IV School Yard Games for Primary Pupils V School Yard Games for Intermediate Pupils VI School Yard Games for Advanced and High School Pupils PART II SOCIABLE GAMES for Home, Church, Clubs, Etc. I Games for the Home II Ice Breakers for Sociables III Sociable Games for Grown-Ups IV Sociable Games for Young People V Trick Games for Sociables VI Stunt Athletic Meet VII Competitive Stunts PART III OUTDOOR GAMES I Outdoor Games for Older Boys and Young Men .. 90II Outdoor Games for Boys III Games of Strength PART IV GAMES FOR SPECIAL OCCASIONS I &am

CONTENTSMOTIVE PROLOGUE PART I THE ELEMENTARY PRINCIPLES AIR THEIR GRIEVANCES PART II THE PRINCIPLES, HAVING SETTLED THEIR DIFFERENCES, FINISH THEPART III THE GREAT TEST PART IV CROSS COUNTRY CHAPTER I FLIGHT CHAPTER II STABILITY AND CONTROL CHAPTER III RIGGING CHAPTER IV THE PROPELLER, OR "AIR-SCREW" CHAPTER V MAINTENANCE GLOSSARY

This collection of ancient folklore from Hawaii has a good mixture of familiar and unfamiliar elements. Like many other mythologies, it deals with gods and goddesses, heroes and villains, magic fruit and magical transformations, visits to the realm of the dead and talking animals. Unlike many other mythologies, it has a very Hawaiian flavor. Sharks and turtles feature among the talking animals, with the sharks being rather helpful and the turtles opposing humans. Local fruit and local fish play roles in various tales. A lot of the nature mythology is based on the ocean and the volcanoes, making the stories interesting and very far from the stuff of the Grimm Brothers.Most of the stories are good, with an occasional rambling, pointless tale thrown in. The Hawaiian language is very pleasant-sounding even if it looks over-voweled to the eye.Recommended. (Joseph R.)About the author:William Drake Westervelt (December 26, 1849 - March 9, 1939) was the author of several books and magazines on Hawaiian history and legends. He drew upon the collections of David Malo, Samuel Kamakau, and Abraham Fornander to popularize Hawaiian folklore in his Legends of Maui (1910), Legends of Old Honolulu (1915), Legends of Gods and Ghost-Gods (1915), Hawaiian Legends of Volcanoes (1916) and Hawaiian Historical Legends (1923).Rev. William D. Westervelt was born in Oberlin, Ohio. He graduated from Oberlin College in 1871 with a B.A. degree, and from Oberlin Theological Seminary in 1874 with a B.D. degree. Pastor of churches in Cleveland, Ohio and Colorado, he settled in Hawaii in 1899, marrying a missionary descendant, Caroline Dickinson Castle (1859-1941). After the Hawaiian Historical Society was re-formed, he served as the Corresponding Secretary starting in 1908. He would later serve as treasurer and president.Westervelt's interest in Hawaiian mythology was an avocation that led to numerous magazine and newspaper articles, many reprinted in his several collections. He is noted as one of Hawaii's foremost authorities on island folklore in the English language. His anthologies of Hawaiian myths, legends and folk tales are considered among the best of the English versions of a Hawaiian view of the sacred and profane.Oberlin College bestowed an honorary Doctor of Divinity on Westervelt in 1926. He died at his Waikiki home in March 1939. (wikipedia.org)

In Damn! A Book of Calumny, H.L. Mencken gives his opinion on a wide variety of subjects ranging from William Jennings Bryan, through Classical Music, to Zoos. I am a huge fan of Mencken's hilarious, bombastic, and sesquipedalian style. He is the quintessential American cynic and it's a lot of fun to watch him smash every sacred cow he can get his hands on. The fact that I disagree with his opinions much of the time does nothing to dampen my enjoyment of reading him. To understand the American mind in the 3 decades before WWII, it's essential to read him. (Noah Goats)About the author:Henry Louis Mencken (September 12, 1880 - January 29, 1956) was an American journalist, essayist, satirist, cultural critic, and scholar of American English. He commented widely on the social scene, literature, music, prominent politicians, and contemporary movements. His satirical reporting on the Scopes Trial, which he dubbed the "Monkey Trial", also gained him attention.As a scholar, Mencken is known for The American Language, a multi-volume study of how the English language is spoken in the United States. As an admirer of the German philosopher Friedrich Nietzsche, he was an outspoken opponent of organized religion, theism, and representative democracy, the last of which he viewed as a system in which inferior men dominated their superiors. Mencken was a supporter of scientific progress and was critical of osteopathy and chiropractic. He was also an open critic of economics.Mencken opposed the American entry into World War I and World War II. Some of the opinions in his private diary entries have been described by some researchers as racist and anti-Semitic, although this characterization has been disputed. Larry S. Gibson argued that Mencken's views on race changed significantly between his early and later writings, and that it was more accurate to describe Mencken as elitist than racist. He seemed to show a genuine enthusiasm for militarism but never in its American form. "War is a good thing", he wrote, "because it is honest, it admits the central fact of human nature.... A nation too long at peace becomes a sort of gigantic old maid".His longtime home in the Union Square neighborhood of West Baltimore was turned into a city museum, the H. L. Mencken House. His papers were distributed among various city and university libraries, with the largest collection held in the Mencken Room at the central branch of Baltimore's Enoch Pratt Free Library. (wikipedia.org)

John Bunyan (baptised November 30, 1628 - August 31, 1688) was an English writer and Puritan preacher best remembered as the author of the Christian allegory The Pilgrim's Progress. In addition to The Pilgrim's Progress, Bunyan wrote nearly sixty titles, many of them expanded sermons.Bunyan came from the village of Elstow, near Bedford. He had some schooling and at the age of sixteen joined the Parliamentary Army during the first stage of the English Civil War. After three years in the army he returned to Elstow and took up the trade of tinker, which he had learned from his father. He became interested in religion after his marriage, attending first the parish church and then joining the Bedford Meeting, a nonconformist group in Bedford, and becoming a preacher. After the restoration of the monarch, when the freedom of nonconformists was curtailed, Bunyan was arrested and spent the next twelve years in jail as he refused to give up preaching. During this time he wrote a spiritual autobiography, Grace Abounding to the Chief of Sinners, and began work on his most famous book, The Pilgrim's Progress, which was not published until some years after his release.Bunyan's later years, in spite of another shorter term of imprisonment, were spent in relative comfort as a popular author and preacher, and pastor of the Bedford Meeting. He died aged 59 after falling ill on a journey to London and is buried in Bunhill Fields. The Pilgrim's Progress became one of the most published books in the English language; 1,300 editions having been printed by 1938, 250 years after the author's death.He is remembered in the Church of England with a Lesser Festival on 30 August, and on the liturgical calendar of the United States Episcopal Church on 29 August. Some other churches of the Anglican Communion, such as the Anglican Church of Australia, honour him on the day of his death (31 August). (wikipedia.org)