Bücher veröffentlicht von BLOODAXE BOOKS

French Love Poems is about the kinds of love that puzzle, delight and afflct us throughout our lives, from going on walks with an attractive cousin before Sunday dinner (Nerval) to indulging a granddaughter (Hugo). On the way there's the ¿rst yes from lips we love (Verlaine), a sky full of stars re¿ected fatally in Cleopatra's eyes (Heredia), Iying awake waiting for your lover (Valéry), and the defeated toys of dead children (Gautier). The selection covers ¿ve centuries, from Ronsard to Valéry. Other poets represented include Baudelaire, Mallarmé, Rimbaud, La Fontaine, Laforgue and Leconte de Lisle. The 35 poems, chosen by Alistair Elliot, are printed opposite his own highly skilful verse translations. There are also helpful notes on French verse technique and on points of obscurity. Poetry Book Society Recommended Translation.'Elliot is both a passionate and accurate translator and his Ronsard and Victor Hugo are as luminous as his versions of Verlaine and Mallarmé... his natural lyricism and acute sense of form make his French translations a scintillating collection.' - Elizabeth Jennings'An attractively varied collection, translated with diligence and ingenuity.' - Edwin Morgan

I Think We're Alone Now is a bold and far-ranging second collection from a fresh and original new voice in British poetry.This was supposed to be a book about intimacy: what it might look like in solitude, in partnership, and in terms of collective responsibility. Instead, the poems are preoccupied with pop music, etymology, surveillance equipment and cervical examination, church architecture and beetles. Just about anything, in fact, except what intimacy is or looks like.So this is a book that runs on failure, and also a book about failures: of language to do what we want, of connection to be meaningful or mutual, and of the analytic approach to say anything useful about what we are to one another. Here are abrupt estrangements and errors of translation, frustrations and ellipses, failed investigations. And beetles.Abigail Parry's first collection, Jinx (Bloodaxe Books, 2018), was shortlisted for the Forward Prize for Best First Collection 2018 and the Seamus Heaney Centre First Collection Poetry Prize 2019. I Think We're Alone Now was shortlisted for the 2023 T.S. Eliot Prize.

This first ever anthology of Sri Lankan and diasporic poetry features over a hundred poets writing in English, or translated from Tamil and Sinhala. It brings to light a long-neglected national literature, and reshapes our understanding of migrational poetics and the poetics of atrocity. In this anthology, poets long out of print appear beside exciting new talents; works written in the country converse with poetry from the UK, the US, Canada and Australia. Poems in traditional and in open forms, concrete poems, spoken word poems, and experimental post-lyric hybrids of poetry and prose, appear with an introduction explaining Sri Lanka's history.Sri Lanka has thrilled the foreign imagination as a land of infinite possibility. Portuguese, Dutch and British colonisers envisioned an island of gems and pearls, a stopping-point on the Silk Road; tourists today are sold a vision of golden beaches and swaying palm trees, delicious food and smiling locals. This favours the south of the island over the north rebuilt piecemeal after the end of the civil war in 2009, and erases a history of war crimes, illicit assassination of activists and journalists, subjugation of minorities, and a legacy of governmental corruption that has now led the country into economic and social crisis. Through its broad range of poets, Out of Sri Lanka redresses this imbalance.

Mapping the Future offers new work by all 30 writers supported by The Complete Works project, including Warsan Shire, Raymond Antrobus, Mona Arshi, Roger Robinson, Inua Ellams, Malika Booker, Sarah Howe, Will Harris, Kayo Chingonyi, Jay Bernard, Yomi Sode and Karen McCarthy Woolf. In 2008 the level of poets of color published by major presses in the UK was less than 1%. By 2020 it was over 20%. The Complete Works Poetry - an initiative spearheaded by Booker Prize winner Bernardine Evaristo - played a significant role in this change. Supporting 30 poets over a twelve-year period, The Complete Works produced an unprecedented number of prizewinners, including the Forward Prizes, T.S. Eliot Prize, Ted Hughes Award, Somerset Maugham Award, Dylan Thomas Prize, Rathbones Folio Prize and Sunday Times Young Writer of the Year Award. TCW Fellows have also gone on to judge every major poetry award, and to take on significant roles in academia and translation, publishing over 40 collections. The Complete Works has become the most successful collective ever formed in British poetry. Mapping the Future is not just a magnificent anthology of some of the best UK poets, it is also an exploration on how poetry in Britain has become much more inclusive over the past 15 years: what has been won, and what is still being fought for. As well as poetry, the anthology also includes fierce essays re-drawing the map of British poetry by 10 of the 30 poets, touching on the most significant topics of our time.This anthology offers a timely insight into British poetry and how the voice of the 'other' continues to take centre-stage in pivotal times. Mapping the Future is edited by poet Karen McCarthy Woolf, editor of the second two Ten anthologies in The Complete Works series, with Dr Nathalie Teitler, director of The Complete Works, with a foreword by Bernardine Evaristo.

Please Do Not Touch This Exhibit explores disability, storytelling, and the process of mythologising trauma. Jen Campbell writes of Victorian circus and folklore, deep seas and dark forests, discussing her own relationship with hospitals -- both as a disabled person, and as an adult reflecting on childhood while going through IVF. Please, Do Not Touch This Exhibit is Jen Campbell's second collection and a Poetry Book Society Recommendation. Her first book-length collection, The Girl Aquarium (Bloodaxe Books, 2019), was shortlisted for the poetry category of the Books Are My Bag Readers Awards 2019 and was a semifinalist for the Goodreads Choice Awards 2019 (Best Poetry category).

With each new collection, Philip Gross' poems extend their conversation between the metaphysical and the acutely physical. His sequences in The Thirteenth Angel scan from moment to moment like flickering needles, registering stress patterns in the world around us - ebbs and flows of weather or events, in our own bodies, in the city streets before and after the pandemic, or on the autoroutes of Europe with their undertow of human flight. If there are angels, they are nothing otherworldly, but formed by angles of incidence between real immediate things, sudden moments of clarity that may disturb, calm or exhilarate. Shortlisted for the T S Eliot Prize 2022 and a Poetry Book Society Recommendation, The Thirteenth Angel is Philip Gross's 27th book of poetry, and his 12th from Bloodaxe.

For half a century of ever-broadening vision, award-winning poet Harry Clifton has addressed what the Irish Times calls 'his large concerns and his angular relationship to Ireland, one that produces extraordinary verbal and emotional effects'. His latest book is a quest, through origin and migration, South America to the North of Ireland, Khao I Dang refugee camp to Glasnevin graveyard, for a lost maternal ground. Harry Clifton has published ten other books of poetry, most recently The Winter Sleep of Captain Lemass (2012), The Holding Centre: Selected Poems 1974-2004 (2014), Portobello Sonnets (2017) and Herod's Dispensations (2019).

Jane Clarke's third collection is far-reaching and yet precisely rooted in time and place. In luminous language her poems explore how people, landscape and culture shape us. Voices of the past and present reverberate with courage and resilience in the face of poverty, prejudice, war and exile and the everyday losses of living. Across six sequences these intimate poems of unembellished imagery accrue power and resonance in what is essentially a book of love poems to our beautiful, fragile world. A Change in the Air follows Jane Clarke's widely praised previous collections The River (2015) and When the Tree Falls (2019). A Change in the Air was longlisted for The Laurel Prize 2023 and shortlisted for the Forward Prize for Best Collection 2023. It is shortlisted the T.S. Eliot Prize 2023.

Five Fifty-Five is a book of quizzical poems concerned with time and mortality which ask fundamental questions about our lives, such as Where have you gone? and Who were you anyway? In her first new collection since The Silvering (2016), Maura Dooley tries to find out through conversations with, among others, Louisa M. Alcott, Hokusai, Jane Austen, Buzz Aldrin, Anne Tyler and the Great Uncle and Grandfather she never knew. There are poems, too, about the difficulties and responsibilities of translation, both from the written word and in interpreting what is left unspoken in different kinds of absence; empty streams, bare trees, the loss of friends. Yet these are poems that find and try to offer consolation.

The Hopeful Hat is a posthumous collection from a poet whose work is informed by her keen eye for social injustice and, equally, by the breadth of her compassion.Poignantly, these late poems are also Satyamurti's nuanced poetic response to having her voice box removed following a diagnosis of laryngeal cancer. Clear-eyed in the face of her own mortality, she produced a series of courageous poems that are, as Carol Ann Duffy said of her work, 'laced with the hard stuff'. They are also graced with Satyamurti's unique and subtle wit. Carole Satyamurti was preparing these poems for publication at the time of her death, and left the manuscript in an advanced state of readiness. The sequencing of the poems, and the sections they are grouped in, had already been decided by her.

Ghost River invites readers to stare down blue-mouthed crevasses, venture into old growth forests, and peer beneath the floorboards of ancestral homesteads. In this lyrical and intimate portrait of America's Pacific Northwest, wilderness and home are interwoven. But this is not Arcadia. Deep time is punctured by strip malls and freeways, wildfires and dams. Questioning the influence of the past on the present, the central sequence reimagines this landscape from the perspective of the British explorer, George Vancouver, who charted its waterways on an expedition to locate the illusive Northwest Passage. In their passage between America and England and the terrain of early motherhood, these poems of loss and renewal explore what it is to be home. Born and raised in America's Washington state, Kris Johnson moved to the UK in 2007. Ghost River is her first book-length collection.

A Broken Man in Flower presents new versions of work by one of the most significant Greek poets of the last century, translated by one of the UK's most renowned contemporary poets.The life of Yannis Ritsos was, to say the least, troubled. From an early age, he was dogged by the tuberculosis that killed his mother and brother. His father and sister suffered breakdowns and spent time in institutions. His poem Epitaphios (1936), a lament for a young man shot dead by the police during a tobacco workers' strike, was publicly burned by the Metaxas regime and his books banned. Throughout his life he wa repeatedly persecuted, arrested and placed under house arrest by the oppressive Greek authorities.The violence and tyranny of dictatorship is often fractured by the surreal. In the poems collected here, written by Ritsos while in prison and under house arrest, that fracture in perception is a wound. A Broken Man in Flower has an introduction by John Kittmer and includes the text of an illuminating and vivid letter sent by Ritsos to his publisher in 1969 while under house arrest on Samos describing his life - and the lives of Greeks - under the repressive rule of the Colonels.Harsent's versions of Ritsos' poems express the revolutionary and experimental nature of his work while also remaining accurate translations from the Greek.

A Tower Built Downwards is the latest instalment of poetry from one of the most innovative and influential poets from China. Before and since his enforced exile from 1989, Yang Lian has been widely hailed in America and Europe as a highly individual voice in world literature, he has been translated into many languages. The different sections - short poems, sequences, and one long poem - form a single comprehensive statement of Yang's recent explorations. It is rooted in his living experience of the historical retrogression of Hong Kong, the disaster of Covid-19, the global spiritual crisis, as well as his personal sadness at events such as his father's death. Yang Lian's work was criticised in China in 1983 and formally banned in 1989 when he organised memorial services for the dead of Tiananmen while in New Zealand. This edition of A Tower Built Downwards contains the full, unabridged collection, including poems that were removed for its publication in China.

Burning Season is a book about fire and survival, climate change and nature's defiance. Yvonne Reddick's understanding of climate change is uniquely personal: her father was a petroleum engineer, and many members of her family worked in the fossil fuel industry. The collection speaks of the paradox that her Dad's gift to her was her love of nature and mountain landscapes. The book combines poems with nature diaries and lyric essays to trace an intriguing family history. This family story forms the bedrock of Burning Season. Burning Season includes a series of vivid, moving and heartfelt poems that explore her grief following her father's death in a hiking accident. These are set against a wider backdrop of ecological loss and heartbreak. Here, too, are poems that celebrate nature's vibrant resilience: planting oak saplings, spotting rare ptarmigan in the Highland winter, imagining life in an underwater city.