Bücher veröffentlicht von Bloomsbury Academic

Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger's celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic.Pamela Hutchinson's study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger's capacity for 'composed cinema'. Through a close reading of key scenes, particularly the film's famous extended ballet sequence, she considers the unconventional use of ballet as uncanny spectacle and the feminist implications of the central story of female sacrifice.Hutchinson goes on to consider the film's lasting and wide-reaching influence, tracing its impact on the film musical genre and horror cinema, with filmmakers such as Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma having cited the film as an inspiration.

Earning critical acclaim and commercial success upon its 1998 release, Rushmore-the sophomore film of American auteur Wes Anderson-quickly gained the status of a cult classic. A melancholic coming-of-age story wrapped in comedy drama, Rushmore focuses on the efforts of Max Fischer (Jason Schwartzman)-a brazen and precocious fifteen-year-old-to find his way. Restless, energetic, struggling, and overcompensating for his insecurities, Max pursues a dizzying range of possible futures, leading him into the orbit of local steel magnate Herman Blume (Bill Murray), elementary school teacher Rosemary Cross (Olivia Williams), and a host of cooperative schoolmates who help him to stage lavish film-derivative plays. Kristi McKim's compelling study of the film argues that despite the film's titular call for haste and excess (rush/more), it challenges a drive toward perfectionism and celebrates the quiet connections that defy such passion and speed. After establishing Rushmore's history and reception, McKim closely reads Rushmore's energetic musical montages relative to slower moments that introduce tenderness and ambiguity, in a form subtler than Max's desire-built drive or genre-based plays. Her analysis offers an urgent corrective to what might be perceived as an endearing portrait of privilege that perpetuates a status quo power. Drawing out Rushmore's subtleties that soften, temper, ease, expand, and equalize the film's zeal, she reads the film with a generosity learned from the film itself.

Michael Cimino's The Deer Hunter was met with both critical and commercial success upon its release in 1978. However, it was also highly controversial and came to be seen as a powerful statement on the human cost of America's longest war and as a colonialist glorification of anti-Asian violence. Brad Prager's study of the film considers its significance as a war movie and contextualizes its critical reception. Drawing on an archive of contemporaneous materials, as well as an in-depth analysis of the film's lighting, mise-en-scène, multiple cameras and shifting depths of field, Prager examines how the film simultaneously presents itself as a work of cinematic realism, while problematically blurring the lines between fact and fiction. While Cimino felt he had no responsibility to historical truth, depicting a highly stylized version of his own fantasies about the Vietnam War, Prager argues that The Deer Hunter's formal elements were used to bolster his troubling depictions of war and race.Finally, comparing the film with later depictions of US-led intervention such as Albert and Allen Hughes's Dead Presidents (1995) and Spike Lee's Da Five Bloods (2020), Prager illuminates The Deer Hunter's major presumptions, blind spots and omissions, while also presenting a case for its classic status.

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity.

The Go-Go's debut album Beauty and the Beat was released on July 8, 1981. The album spent six weeks in the number one spot on the Billboard charts, produced two hit singles and sold more than two million copies making it one of the most successful debut albums of all time. Beauty and the Beat made the Go-Go's the first, and to date only, female band to have a number one album who not only wrote their own songs, but also played their own instruments.Beauty and the Beat is a ground-breaking album, but the Go-Go's are often overlooked when we talk about influential female musicians. The Go-Go's were a feminist band and Beauty and the Beat a call to arms that inspired generations of women. The band embraced the DIY spirit of Riot Grrrl before there was a Bikini Kill or a Bratmobile. Girls making music on their own terms didn't start with Courtney Love or Beyoncé or Billie Eilish, it started with the Go-Go's. It started with Beauty and the Beat.While they may have controlled their music, the Go-Go's couldn't control the misogyny of the music industry, media and fans. The sexist and tired stereotypes the Go-Go's experienced 40 years ago still exist today. The legacy of Beauty and the Beat is both a celebration of how the record inspired countless girls to make art and music on their own terms, but also a painful reminder of how little has changed in how female musicians are marketed, manipulated, and discarded.

On Ice-T's 1991 classic O.G. Original Gangster, he introduced his all-Black hardcore band Body Count with lead guitarist Ernie C, bringing them on the first-ever Lollapalooza tour that summer. The next year, Body Count's self-titled debut album, rounded out by rhythm guitarist D-Roc the Executioner, bassist Mooseman, and drummer Beatmaster V, made them the most incendiary band in the world, confronting white supremacy and police brutality with pulverizing songs that shattered musical boundaries. Body Count's rage and shock humor sparked nationwide protests and boycotts, including death threats, censure from the federal government, a spot on the FBI National Threat list, and a denunciation by the President of the United States. The album was removed from stores and remains banned to this day, but decades later Body Count are performing to theirbiggest audiences and greatest acclaim, pulling off one of the most remarkable comebacks in punk or metal history.Drawn from years of research and dozens of new interviews, this is the story of a band of high school friends who revolutionized modern music, brought explosive live performances, and raised questions America's lawmakers didn't want to answer, overcoming some of the country's most powerful forces to reshape the world's cultural conversation.

In the Shadow of Great Powers is the second volume of Christoph Baumer's History of the Caucasus. It covers the period from the Seljuk domination of the Southern Caucasus around 1050 CE to the present day. After the Kingdom of Georgia's golden age of independent power and cultural blossoming in the 12th and early 13th centuries, the Caucasus was overrun by the Mongols and soon disintegrated into innumerable smaller kingdoms, principalities and khanates. At the same time, an Armenian kingdom in exile maintained a precarious independence in Cilicia, today's southern Turkey, by applying a three-way diplomatic policy balanced between the Mongol Il-Khanate, the Crusader states and, to a lesser degree, the Mameluke Empire. Then followed four centuries during which the highly fragmented polities of the North and South Caucasus became political pawns of the regional great powers, above all the Ottomans, Iran and Russia. In the wake of World War I the South Caucasus enjoyed a short-lived independence whereas its northern neighbours were engulfed by the Russian civil wars. But by 1921 the Soviet Union had re-established Russian dominance over the whole region and, from a Western perspective, the region 'disappeared' behind the Iron Curtain. Nevertheless, the Caucasian nations kept their pronounced identities even under Soviet rule, giving rise at the dissolution of the Soviet Union to a number of internecine conflicts. Whereas the Russian Federation managed to maintain its supremacy over the North Caucasus - albeit at the cost of bloody wars and insurrections - Armenia, Azerbaijan and Georgia succeeded in more or less gaining control over their destiny. Of these three republics, only Azerbaijan secured a wide-ranging independence thanks to its fossil fuel resources. Following Russian interference, Georgia lost control over two of its provinces while Armenia remains dependent on Russian support in the face of its notoriously antagonistic relations with neighbouring Azerbaijan and Turkey over the unresolved issue of Karabakh. In the Shadow of Great Powers includes some 200 full-colour images and maps which further bring the turbulent history of this region to light.

Stigma is a corrosive social force by which individuals and communities throughout history have been systematically dehumanised, scapegoated and oppressed. From the literal stigmatizing (tattooing) of criminals in ancient Greece, to modern day discrimination against Muslims, refugees and the 'undeserving poor', stigma has long been a means of securing the interests of powerful elites.In this radical reconceptualisation Tyler precisely and passionately outlines the political function of stigma as an instrument of state coercion. Through an original social and economic reframing of the history of stigma, Tyler reveals stigma as a political practice, illuminating previously forgotten histories of resistance against stigmatization, boldly arguing that these histories provide invaluable insights for understanding the rise of authoritarian forms of government today.

Told through the eyes of witnesses to the fall of Kabul, Walkley award-winning journalist Andrew Quilty's debut book offers a remarkable record of this historic moment. As night fell on 15 August 2021, the Taliban entered Kabul, capital of Afghanistan. After a 20-year conflict with the United States, its Western allies and a proxy Afghan government, the Islamic militant group once aligned with al Qaeda was about to bury yet another foreign foe in the graveyard of empires. And for the US, world superpower, this was yet another foreign disaster. As cities and towns fell to the Taliban in rapid succession, Western troops and embassy staff scrambled to flee a country of which its government had lost control. August in Kabul is the story of how America's longest mission came to an abrupt and humiliating end, told through the eyes of Afghans whose lives have been turned upside down: a young woman who harbours dreams of a university education; a presidential staffer who works desperately to hold things together as the government collapses around him; a prisoner in the notorious Bagram Prison who suddenly finds himself free when prison guards abandon their post. Andrew Quilty was one of only a handful of Western journalists who stayed in Kabul as the city fell. This is his first-hand account of those dramatic final days.

A surreal and darkly humorous vision, David Lynch's Eraserhead (1977) has been recognised as a cult classic since its breakout success as a midnight movie in the late 1970s.Claire Henry's study of the film takes us into its netherworld, providing a detailed account of its production history, its exhibition and reception, and its elusive meanings. Using original archival research, she traces how Lynch took his nightmare of Philadelphia to the City of Dreams, infusing his LA-shot film with the industrial cityscapes and sounds of the Callowhill district. Henry then engages with Eraserhead's irresistible inscrutability and advances a fresh interpretation, reframing auteurism to centre Lynch's creative processes as a visual artist and Transcendental Meditation practitioner. Finally, she outlines how Lynch's 'dream of dark and troubling things' became a model midnight movie and later grew in reputation and influence across broader film culture. From the opening chapter on Eraserhead's famous 'baby' to the final chapter on the film's tentacular influence, Henry's compelling and authoritative account offers illuminating new perspectives on the making and meaning of the film and its legacy. Through an in-depth analysis of the film's rich mise en scène, cinematography, sound and its embeddedness in visual art and screen culture, Henry not only affirms the film's significance as Lynch's first feature, but also advances a wider case for appreciating its status as a film classic.

Sofia Coppola's Lost in Translation (2003) brings two Americans together in Tokyo, each experiencing a personal crisis. Charlotte (Scarlett Johansson), a recent graduate in philosophy, faces an uncertain professional future, while Bob Harris (Bill Murray), an established celebrity, questions his choices at midlife. Both are distant - emotionally and spatially - from their spouses. They are lost until they develop an intimate connection. In the film's poignant, famously ambiguous closing scene, they find each other, only to separate. In this close look at the multi-award-winning film, Suzanne Ferriss mirrors Lost in Translation's structuring device of travel: her analysis takes the form of a trip, from planning to departure. She details the complexities of filming (a 27-day shoot with no permits in Tokyo), explores Coppola's allusions to fine art, subtle colour palette and use of music over words, and examines the characters' experiences of the Park Hyatt Tokyo and excursions outside, together and alone. She also re-evaluates the film in relation to Coppola's other features, as the product of an established director with a distinctive cinematic signature: 'Coppolism'. Fundamentally, Ferriss argues that Lost in Translation is not only a cinema classic, but classic Coppola too.

The Gutenberg Parenthesis traces the epoch of print from its fateful beginnings to our digital present - and draws out lessons for the age to come. The age of print is a grand exception in history. For five centuries it fostered what some call print culture - a worldview shaped by the completeness, permanence, and authority of the printed word. As a technology, print at its birth was as disruptive as the digital migration of today. Now, as the internet ushers us past print culture, journalist Jeff Jarvis offers important lessons from the era we leave behind. To understand our transition out of the Gutenberg Age, Jarvis first examines the transition into it. Tracking Western industrialized print to its origins, he explores its invention, spread, and evolution, as well as the bureaucracy and censorship that followed. He also reveals how print gave rise to the idea of the mass - mass media, mass market, mass culture, mass politics, and so on - that came to dominate the public sphere. What can we glean from the captivating, profound, and challenging history of our devotion to print? Could it be that we are returning to a time before mass media, to a society built on conversation, and that we are relearning how to hold that conversation with ourselves? Brimming with broader implications for today's debates over communication, authorship, and ownership, Jarvis' exploration of print on a grand scale is also a complex, compelling history of technology and power.

In Feminism is Queer, Mimi Marinucci provides a valuable introduction to the intimately related disciplines of gender and queer theory, and develops the innovative concept of queer feminism, which treats queer theory as being continuous with feminist theory. While there were significant conceptual tensions between second-wave feminism and traditional lesbian and gay studies, queer feminism offers a paradigm for understanding gender, sex and sexuality that overcomes this conflict in order to foster solidarity between those campaigning for women's rights and those for LGBTQ rights.This updated and expanded edition engages with the latest developments in feminism and queer theory, including the new forms of both feminism and 'antifeminism' which have developed within online communities, the growing prominence of trans experiences in popular media, and the relevancy of queer feminism to a new generation of feminist activists. Feminism is Queer remains the indispensable guide for anyone with an interest in gender, sexuality, and the connections between feminism and queer issues.

This absorbing collective biography of the genius Nobel family reveals how the Nobels' business and personal lives were fundamentally intertwined with the histories of Sweden and Russia, as well as the economic and entrepreneurial development of Europe in the long 19th century.The name Nobel is mainly associated with the Nobel prize. However, Alfred Nobel was only one of a family of conspicuously gifted individuals. The Nobels, who moved from Sweden to Russia in the 1830s, ran one of Russia's biggest machine factories and founded the Russian oil industry.Using thousands of Nobel family letters and other documents shared here for the first time, Bengt Jangfeldt provides a fascinating and authoritative multi-generational chronicle charting the family exploits. The author describes how the father, Immanuel Nobel, a polymath architect, inventor, and engineer set the family on a path to financial success amidst a backdrop of imperial Russian industrial growth. He tells the story of how Immanuel's sons, Robert and Ludvig, and his grandson, Emanuel, developed the family business into a powerful industrial empire with a progressive agenda in the fields of worker's welfare, profit-sharing and charity. When the Revolution struck in 1917, the family's industrial empire as well as their huge personal wealth were swept away in one go. As a result they had to flee the country where they had been active for 80 years and return to Sweden. During a time of immense change in Russia and right across Europe, the story of the Nobels stands out as one of both brilliance and resilience, with family firmly at its heart.

Paid work is absolutely central to the culture and politics of capitalist societies, yet today's work-centred world is becoming increasingly hostile to the human need for autonomy, spontaneity and community. The grim reality of a society in which some are overworked, whilst others are condemned to intermittent work and unemployment, is progressively more difficult to tolerate.In this thought-provoking book, David Frayne questions the central place of work in mainstream political visions of the future, laying bare the ways in which economic demands colonise our lives and priorities. Drawing on his original research into the lives of people who are actively resisting nine-to-five employment, Frayne asks what motivates these people to disconnect from work, whether or not their resistance is futile, and whether they might have the capacity to inspire an alternative form of development, based on a reduction and social redistribution of work.A crucial dissection of the work-centred nature of modern society and emerging resistance to it, The Refusal of Work is a bold call for a more humane and sustainable vision of social progress.

'It is my thesis that this general production of life, or subsistence production - mainly performed through the non-wage labour of women and other non-wage labourers as slaves, contract workers and peasants in the colonies - constitutes the perennial basis upon which "capitalist productive labour" can be built up and exploited.'First published in 1986, Maria Mies's progressive book was hailed as a major paradigm shift for feminist theory, and it remains a major contribution to development theory and practice today.Tracing the social origins of the sexual division of labour, it offers a history of the related processes of colonization and 'housewifization' and extends this analysis to the contemporary new international division of labour. Mies's theory of capitalist patriarchy has become even more relevant today.This new edition includes a substantial new introduction in which she both applies her theory to the new globalized world and answers her critics.

By turns reflective, entertaining and moving, this book reveals how some of the most influential and best loved writers of our time were shaped by their inspirational teachers. Nobel laureate J. M. Coetzee, Margaret Drabble, Stephen Greenblatt, Ngugi wa Thiong'o, Andrew Motion, Gretchen Holbrook Gerzina and Paul Theroux are among the twenty contributors of original essays to this landmark volume celebrating masters of the teaching profession.What makes a good teacher? What lights the writer's creative fire? How can the teacher shape the writer? This book answers these questions and more, describing the powerful influence of mentors at an impressionable time of life, portraying the heart-warming transition from pupil to friend, and exploring the lasting impact that truly great teachers can have on their students.To have teachers who care, and to have such notable writers capture their spirit, is ample reason to read Dale Salwak's elegant celebration of the 'noble profession' and the world-renowned writers that it helped to hone.

Taiwan: a place with its own flag, currency, government and military, but which most of the world does not recognise as a sovereign country. An island that China regards as a 'rebellious province', but which has managed to survive defiantly for decades. Now with its neighbour China a major power on the world stage and ally United States looking increasingly inward, Taiwan's position has never been more precarious.Kerry Brown and Kalley Wu Tzu-hui reveal how the island's shifting fortunes have been shaped by centuries of conquest and by a cast of dynamic characters, by Cold War intrigue and the rise of its neighbour as a global power, explaining how this tiny island, caught between the agendas of two superpowers, is attempting to find its place in a rapidly changing world order.