Bücher veröffentlicht von Catapult

Described as "a writer in the tradition of Henry David Thoreau, John Muir, and other self–educated seers" by the San Francisco Chronicle, David Rains Wallace turns his attention to one of the most distinctive corners of California: the San Francisco Bay Area. Weaving a complex and engaging story of the Bay Area from personal, historical, and environmental threads, Wallace's exploration of the natural world takes readers on a fascinating tour through the region: from Point Reyes National Park, where an abandoned campfire and an invasion of Douglas fir trees combusted into a dangerous wildfire, to Oakland's Lake Merritt, a surprising site amid skyscrapers for some of the best local bird–watching; from the majestic Diablo Range near San Jose, where conservationists fight against land developers to preserve species like mountain lions and golden eagles, to the Golden Gate itself, the iconic bridge that—geologically speaking—leads not to gold but to serpentine. Each essay explores a different place throughout the four corners of the Bay Area, uncovering the flora and fauna that make each so extraordinary.With a naturalist's eye, a penchant for local history, and an obvious passion for the subject, Wallace's new collection is among the first nature writing dedicated entirely to the Bay Area. Informative, engrossing, and exquisitely described, Mountains and Marshes affords unexpected yet familiar views of a beloved region that, even amidst centuries of growth and change, is as dynamic as it is timeless.

Luke Slade, a young Congressional aide, begins this business trip to China like all other international travel he's endured with "Leo the Lyin'": buried under a slew of diplomatic runarounds, non–functioning cell phones, and humiliation from the Congressman at every turn. But on their first night in Beijing, their trip is plunged into a deeper chaos: Leo goes on a drunken bender and disappears into the night. Unsure what dubious business his boss had planned, Luke must piece together the Congressman's lies while maintaining appearances with their Chinese contacts.Amidst the confusion, a little bleary from jet lag and alcohol, Luke receives a briefcase full of money from the mayor of a provincial Chinese city. Luke accepts the "gift," but when he later reconsiders and wants to return the cash, he discovers even more anxiety–inducing news. There's been a mysterious death, and he appears to be under surveillance by Chinese police.As Luke tries to navigate a complex minefield of corruption, he must also confront his own role in the events. Unwitting marionette? Fall guy? Or perhaps someone more capable of moral compromise than he would have liked to believe? Last Days in Shanghai is an unforgettable debut by a writer to watch. It's both a hold–on–to–your–seat thriller and a pitch–perfect exploration of present day China—the country's rapacious capitalism, the shocking boom of its cities and the wholesale eradication of its traditions.

In this collection, gifted poet and novelist Kim Addonizio uses her literary powers to bring to life a variety of settings, all connected through the suggestion that things in the known world are not what they seem.In "Beautiful Lady of the Snow," young Annabelle turns to a host of family pets to combat the alienation she feels caught between her distracted mother and ailing grandfather; in "Night Owls," a young college student's crush on her acting partner is complicated by the bloodlust of being half-vampire; in "Cancer Poems," a dying woman turns to a poetry workshop to make sense of her terminal diagnosis and final days; in "Intuition," a young girl's sexual forays bring her closer to her best friend's father; and in the collection's title story, a photographer looks back to his youth spent as a young illusionist under the big tent and his obsessive affair with the carnival owner's wife.Distracted parents, first love, the twin forces of alienation and isolation: the characters in The Palace of Illusions all must contend with these challenges, trafficking in the fault lines between the real and the imaginary, often in a world not of their making.The stories in this collection have appeared in journals ranging from Narrative Magazine to The Fairy Tale Review, and include the much loved "Ever After," which was featured on NPR's "Selected Shorts."

Mighty, Mighty is a modern day fable set in a crumbling metropolis riddled with urban poverty and violence. Dirty apartments, tattoo parlors, food kitchens – these are the markers of home for the struggling young adults around Chicago. Stefy is an artist at Ghost Town, the local tattoo shop, trying to provide for her younger sister Amanda and their ailing grandfather. Amanda is hoping for something better, seeking to escape a past riddled with addiction and an abusive relationship with Georgie. When he confronts her one drunken night at a dive bar, the situation turns violent: Amanda barely escapes with her life but Georgie lies dead on the bathroom floor. This one mistake puts the two sisters in the crosshairs of Georgie’s father, a twisted, corrupt ex-cop now out for revenge over the murder of his son. His quest for vengeance will make the neighborhoods of Chicago tremble, leaving no one untouched.Mighty, Mighty is a harsh and realistic look at the struggle of two families desperately trying to get out from under the heavy boot of violence and poverty. Like the works of Richard Price and Dennis Lehane, the novel is a startling and accurate portrait of contemporary urban life

A brilliant, ambitious follow–up to The Secret Lives of Buildings, in which Hollis turns his focus from the great architectural constructions of the past to the now–vanished chambers they once contained.The rooms we live in are always more than just four walls. As we decorate these spaces and fill them with objects and friends, they shape our lives and become the backdrop to our sense of self. one day, the structures will be gone, but even then, traces of the stories and the memories they contained will persist. In this dazzling work of imaginative reconstruction, edward Hollis takes us to the sites of great abodes now lost to history and piecing together the fragments that remain, re–creates their vanished chambers.From Rome's palatine to the old palace of Westminster and the petit Trianon at Versailles, from the sets of MGM studios in Hollywood to the pavilions of the Crystal palace and the author's own grandmother's sitting room, The Memory Palace is a glittering treasure trove of luminous forgotten places and the alluring people who lived in them.

Centered around multi–million dollar stakes and a series of nationally televised poker tournaments, Fading Hearts on the River offers a story of odds—the odds of a newborn surviving severe jaundice, the odds of Congress passing a law that renders one's online gambling income inaccessible, the odds of drawing the right card on the turn or the river. In this tale of fatherhood and worldy success, Haxton follows his son Isaac's unlikely career as a poker player, the nervous father often sitting on the sidelines with his fingers crossed or staring at a casino monitor while Isaac wins more in one hand of play than Haxton has earned from all his books of poetry combined. In this deftly crafted story Haxton explores the propensity for abstraction, logic, and memory all good poets and poker players share, all the while taking readers on a rollicking tour of complex, intertwined topics, ranging from game theory and financial strategies, to medical mysteries and lost love, to chess, Magic cards, and Texas Hold ‘em. Guided by the through–line of a father's love and admiration for his talented son, Fading Hearts delivers a unique perspective on professional gambling and one family's experience playing the odds.

This new collection of interconnected essays marches to a provocative premise: what if one way to understand your life was to examine the objects within it? Which objects would you choose? What memories do they hold? And lined up in a row, what stories do they have to tell?In recalling her experience, Dinah's essays each begin with one thing — real or imaginary, lost or found, rare or ordinary, animal, vegetable, mineral, edible. Each object comes with a memory or a story, and so sparks an opportunity for rue or reflection or confession or revelation, having to do with her coming of age as a daughter, mother, actor, and writer: the piano that holds secrets to family history and inheritance; the gifted watches that tell so much more than time; the little black dress that carries all of youth's love and longing; the purple scarf that stands in for her journey from New York to Los Angeles, across stage and screen, to pursue her acting dream.Read together or apart, the essays project the bountiful mosaic of life and love, of moving to Los Angeles and raising a family; of coming to terms with place, relationship, failures, and success; of dealing with up–ended notions about home and family and career and aging, too. Taken together, they add up to a pastiche of an artful and quirky life, lovingly remembered, compellingly told, wrapped up in the ties that bind the passage of time.

Marian Lindberg grew up being told that Walter Lindberg, the man who raised her father, was a brave explorer who had been murdered in the Amazon. She took her father's claims at face value, basking in her exotic roots, until she started to notice things. The unverified legend became a riddle she couldn't solve. As Lindberg moved from journalism to law, fell in love, and sought a family of her own, her father repeatedly interfered. He had a closed vision of his family, and she--unlike the silent Walter--was breaking out. Yet her father's story of the past haunted Lindberg. Long after her father's death, Lindberg set off for the Amazon, determined to find out the truth about Walter. Aided by generous Brazilians who adopted her search as if it were their own, she discovered as much about herself and her family as about Walter, whose true role in Brazil's history turned out to be unexpected and deeply troubling.

"Molly Caro May grew up as part of a nomadic family, one proud of their international sensibilities, a tribe that never settled in one place for very long. Growing up moving from foreign country to foreign country, just like her father and grandfather, she became attached to her identity as a global woman from nowhere. But, on the verge of turning thirty years old, everything changed. Molly and her fiance; Chris suddenly move to 107 acres in Montana, land her family owns but rarely visits, with the idea of staying for only a year. Surrounded by tall grass, deep woods, and the presence of predators, the young couple starts the challenging and often messy process of building a traditional Mongolian yurt from scratch. They finally finish just on the cusp of winter, in a below-zero degree snowstorm. For Molly it is her first real home, yet a nomadic one, this one concession meant to be dissembled and moved at will. Yurt-life gives her rare exposure to nature, to the elements, to the wildlife all around them. It also feels contrary to the modern world, and this triggers in Molly an exploration of what home means to the emergent generation. In today's age, has globalization and technology taught us that something better, the next best thing, is always out there? How does any young adult establish roots, and how do we decide what kind of life we want to lead? How much, ever, is enough? "--

“Edgar–winner Pattison combines action, period details, and a whodunit with ease in his impressive third mystery set in Colonial America.” —Publishers Weekly (starred review)Despite the raging war between French and British, Scottish exile Duncan McCallum has begun to settle into a new life on the fringes of colonial America, traveling the woodlands with his companion Conawago, even joining the old Indian on his quest to find the last surviving members of his tribe. But the joy they feel on reaching the little settlement of Christian Indians is shattered when they find its residents ritually murdered. As terrible as the deaths may be, Conawago perceives something even darker and more alarming: he is convinced they are a sign of a terrible crisis in the spirit world which he must resolve.Trying to make sense of the murders, Duncan is accused by the British army of the crime. Escaping prison to follow the trail of evidence, he finds himself hounded by vengeful soldiers and stalked by Scottish rebels who are mysteriously trying to manipulate the war to their advantage. As he pieces together the puzzle of violence and deception he gradually realizes that it may not only be the lives of Duncan and his friends that hang in the balance, but the very survival of the native tribes. When he finally discovers the terrible truth, Duncan is forced to make a fateful choice between his beloved Highland clans and the woodland natives who have embraced and protected him.

Walter Murch first came across Curzio Malaparte's writings in a chance encounter in a French book about cosmology, where one of Malaparte's stories was retold to illustrate a point about conditions shortly after the creation of the universe. Murch was so taken by the strange, utterly captivating imagery he went to find the book from which the story was taken. The book was Kaputt, Malaparte's autobiographical novel about the frontlines of World War II.Curzio Malaparte, an Italian born with a German heritage, was a journalist, dramatic, novelist and diplomat. When he wrote a book attacking totalitarianism and Hitler's reign, Mussolini, in no position to support such a body of work, stripped him of his National Fascist Party membership and sent him to internal exile on the island of Lipari. In 1941, he was sent to cover the Eastern Front as a correspondent for Corriere della Sera, the Milano daily newspaper. His dispatches from the next three years would be largely suppressed by the Italian government, but reverberated among readers as painfully real depictions of a landscape at war.The film editor, fluent in translating the written word over to the languages of sight and sound, began slowly translating Malaparte's writings from World War II. The density and intricacy of his stories compelled Murch to adapt many of them into prose or blank verse poems. The result is a book of surprising insight and strange beauty.

"A collection of essays presents two pieces on the ethics and values of nonfiction writing and continues with an examination of several contemporary biographers, discussions of the author's experiences, and a treatise on the role of fiction"--

If twenty-five years can discover the internet, the cell phone, this thing called the iPod, can twenty-five years discover the secret of a girl murdered, abandoned, by the side of the road?That is the haunting premise of Bury This, an impressionistic literary thriller about the murder of a young girl in small-town Michigan in 1979. Beth Krause was by all intents a good little girl – member of the church choir, beloved daughter of doting parents, friend to the downtrodden. But dig a little deeper into any small town, and conflicts and jealousies begin to appear. And somewhere is that heady mix lies the answer to what really happened to Beth Krause.Her unsolved murder becomes the stuff of town legend, and twenty-five years later the case is re-ignited when a group of film students start making a documentary on Beth’s fateful life. The town has never fully healed over the loss of Beth, and the new investigation calls into light several key characters: her father, a WWII vet; her mother, once the toast of Manhattan; her best friend, abandoned by her mother and left to fend for herself against an abusive father; and the detective, just a rookie when the case broke, haunted by his inability to bring Beth’s murderer to justice. All of these passions will collide once the identity of Beth’s murderer is revealed, proving once again that some secrets can never stay buried.

Through his provocative and influential work, most notably "The Culture of Desire" and "A Queer Geography," Frank Browning has proven himself to be an erudite and intellectual writer with deep insights into the fusion of culture and identity. In his new book "The Monk and the Skeptic," Browning examines the intersection of sexuality and religion through the framework of conversations between the author and a gay priest to discuss the nature of secular and spiritual friendship; religious thought on same-sex marriage; the relation of the body to God; the mission of charity enacted by the drag troop Sisters of Perpetual Indulgence; the biblical prohibitions on improper pleasures of the body; and the history of how the church has viewed the body and desire. Browning manages to bring in a host of influences to his discussion: Descartes, Locke, Greek Myth, Christian Myth, Buddhist myth, Harry Potter, St. Thomas Aquinas, as well as modern writers like Jeanette Winterson, John Boswell, and Daniel Mendelsohn. The result is an engaging, timely, and very modern discourse on how the self and sexuality has been interpreted throughout the ages.

I walk all the way up Hollywood Boulevard to Grauman's Chinese Theatre: past tourists snapping shots; wannabe starlets sparkling by in miniskirts with head shots in their hands and moondust in their eyes; rowdy cowboys drinking with drunken Indians; black businessmen bustling by briskly in crisp suits; ladies who do not lunch with nylons rolled up below the knee pushing shopping carts full of everything they own; Mustangs rubbing up against muscular Mercedes and Hell's Angels hogs.It's a sick twisted Wonderland, and I'm Alice.Here is a story like no other: The unforgettable chronicle of a season spent walking the razor-sharp line between painful innocence and the allure of the abyss. David Sterry was a wide-eyed son of 1970s suburbia, but within his first week looking for off-campus housing on Sunset Boulevard he was lured into a much darker world — servicing the lonely women of Hollywood by night.Chicken—the word is slang for a young male prostitute—revisits this year of living dangerously, in a narrative of dazzling inventiveness and searing candor. Shifting back and forth from tales of Sterry's youth—spent in the awkward bosom of a disintegrating dysfunctional family—to his fascinating account of the Neverland of post—sixties sexual excess, Chicken teems with Felliniesque characters and set pieces worthy of Dionysus. And when the life finally overwhelms Sterry, his retreat from the profession will leave an indelible mark on readers' minds and hearts.

Bombshell is a feminist nuclear thriller set twenty-five years after the 1986 Chernobyl disaster, in which an alienated young Russian woman born in its shadow undertakes a road trip across the U.S., waging a guerrilla war against the nuclear industry and leaving in her wake a trail of destruction and assassinations. Obsessed with would-be Warhol assassin Valerie Solanas, Varyushka Cash recreates her atomic past through escalating violence and her one true goal: an assault on the Indian Point nuclear plant on the bank of the Hudson River. All along she is relentlessly pursued by the CIA, eager to capture Varyushka on charges of domestic terrorism. The cat-and-mouse chase leads to a final showdown in a decimated and irradiated New York, there on the cusp of a frightening new future.The initial draft of Bombshell was completed five months before the Fukushima catastrophe, written from the author’s morbid suspicion that the twenty-fifth anniversary of catastrophe at Chernobyl, Pripyat, and beyond would be marked by an echo in the present, shadowed by the real threat present in our unguarded and deteriorating nuclear facilities. Bombshell is a combustible and commercial step forward by one of our most creative and intellectual writers today.

"Radical, before it meant a person who advocates strong political reform, meant getting to the root of things, the origin. It comes from the Latin radix, radicis,, meaning radish, a root vegetable."—BK LorenThese meditative essays range in subjects from a transcendental encounter with a pack of coyotes ironically juxtaposed with her neighbor's claim that nature "has gone out of vogue," to Loren's mother's slow yet all–encompassing deterioration from Parkinson's, and the unexpected way the Loma Prieta earthquake eroded her depression by offering the author a sense of her small place in a wild and worthwhile world.Loren has an empathetic and gentle approach to the world. In detailing the intricacies of human relationships and consciousness—fear of death and time, cooperation born of clashing viewpoints, tradition's beauty even when destructive, a love of language, a sense of loss amid the fast–paced materialistic world—she peels back the film of popular thinking in order to expose herself to the secrets so few of us ever see.

Of the many freedoms we enjoy in modern society, none is more intoxicating or socially disruptive than the possibility that there might be alternatives to traditional marriage, and no one has shown us how to use this freedom better than the celebrities and artists whose unconventional relationships were evidence of creativity and individuality. But what do their stories tell us? What does the work of art do for an artist as a lover? And how do an artists' affairs both emerge from and influence their creativity? "The Love Lives of the Artists" tells the stories of artists who saw the open relationship as the fulfillment of their art. Certainly, some used their open relationships to torture themselves and others; but some were able to 'put up with a good deal of contradictory nonsense, ' as Georgia O'Keeffe put it--suffering nervous breakdowns or drug and alcohol addictions, along with jealous torments--in order to preserve creative connections to what seemed 'clear and bright and wonderful' in their artist lovers. In this engrossing examination, Daniel Bullen sheds light on the love lives of Lou Andreas-Salome and Rainer Maria Rilke; Alfred Stieglitz and Georgia O'Keeffe; Jean-Paul Sartre and Simone de Beauvoir; Diego Rivera and Frida Kahlo, and Henry Miller and Anais Nin. Following these artists through their artistic development--from their early relationships to their commitments and subsequent affairs--we can see their relationships as rebellions against modern culture and bourgeois morality, but they also show us the rare fulfillment of creative freedom and shared understanding.

John Barth stays true to form in "Every Third Thought," written from the perspective of a character Barth introduced in his short story collection "The Development." George I. Newett and his wife Amanda Todd lived in the gated community of Heron Bay Estates until its destruction by a fluke tornado. This event, Newett notes, occurred on the 77th anniversary of the 1929 stock market crash, a detail that would appear insignificant if it were not for several subsequent events. The stress of the tornado's devastation prompts the Newett-Todds to depart on a European vacation, during which George suffers a fall on none other than his 77th birthday, the first day of autumn (or more cryptically, fall). Following this coincidence, George experiences the first of what is to become five serial visions, each appearing to him on the first day of the ensuing seasons, and each corresponding to a pivotal event in that season of his life. As the novel unfolds, so do these uncanny coincidences, and it is clear that, as ever, Barth possesses an unmatched talent in balancing his characteristic style and wit with vivid, page-turning storytelling.

After years of living in exile, Aleksandr Solzhenitsyn returned to Russia in 1994 and published a series of eight powerfully paired stories. These groundbreaking works--interconnected and juxtaposed using an experimental method Solzhenitsyn referred to as "binary"--join Solzhenitsyn's already available fiction as some of the most powerful literature of the twentieth century. With Soviet and post-Soviety life as their focus, these stories weave and shift inside their shared setting, illuminating the Russian experience under the Soviet regime. In "The Upcoming Generation," a professor promotes a dull but proletarian student purely out of good will. Years later, the same professor finds himself arrested and, in a striking twist of fate, his student becomes his interrogator. In "Nastenka," two young women with the same name lead routine, ordered lives--until the Revolution exacts radical change on them both. The most eloquent and acclaimed opponent of government oppression, Solzhenitsyn was awarded the Nobel Prize in Literature in 1970, and his work continues to receive international acclaim. Available for the first time in English, "Apricot Jam and Other Stories" is a striking example of Solzhenitsyn's singular style and only further solidifies his place as a true literary giant.

Judas Iscariot is the historical symbol of betrayal. But what really happened at the Garden of Gethsemane? What really compelled Judas to hang himself from a tree? "I, Judas" reimagines Iscariot's relationship to Jesus Christ and explores Judas's orchestration of the elaborate con of the divinity of Jesus Christ, subverting the legend of Judas as he inhabits some of our most notorious literary and historic figures in their darkest hours. Custer, Sexton, Van Gogh: These famous suicides converge through the figure of Judas in a cutting-edge piece of fiction that exposes the dangers of seeking universal truths in myth.