Bücher veröffentlicht von Clemson University Press

The Robert Frost Review is a peer-reviewed annual publication of the Robert Frost Society, which was founded in 1978 to promote scholarlydiscussion of the poet's life and work. The Review is committed to publishing high quality scholarship in all areas of study related to Frost,including pedagogical approaches for all educational settings. It is also interested in international perspectives on Frost and articles related totranslations of his work. In addition to scholarly articles, the Review also features short notes, book reviews, descriptions of encounterswith the poet, historical and biographical features, and commissioned work on special topics. Each issue includes a bibliography of recentFrost-related publications and dissertations.

Prompted by the occasion of a gala poetry reading atthe University of Salamanca, Spain, in July 2019, this anthology is the firstof its kind to comprise Anglophone and Spanish speaking poets breathing lifeinto the multifarious poetic legacy of the poet Ezra Pound. Although Pound'sinfluence on diverse Anglo-American poets is well-known, this collectionfurther reveals his lesser known, yet equally vital impact on the Spanishspeaking world, which has been immense. A bilingual anthology, it includes 29poets, 13 of whom write in Spanish and 16 of whom are Anglophone. In recentdecades, the Ezra Pound International Conferences taking place worldwide havefeatured poetry readings in what has become by a well-known tradition. InSalamanca, poets of older and younger generations from five continents paidtribute to Pound, with selections from their work now available in this volume.The anthology includes poems by the Spanish Novisimos poets (?The NewestOnes?), considered in Spain Pound's direct poetic heirs, such as AntonioColinas, Jaime Siles, Luis Alberto de Cuenca, and José María Álvarez, but also includedhere are poems by Jorge Guillén from the Generation of '27, as well as SpanishAmerican poets such as Ernesto Cardenal, Gonzalo Rojas Pizarro, Julián Herbert,and Jeannette Lozano Clariond; also represented are poets of a youngergeneration: Jordi Doce, Juan Antonio González-Iglesias, MªÁngeles PérezLópez, and Natalia Carbajosa.At the reading in Salamanca, the Anglophone poets, includingmany devoted Poundians among them, also offered a robust contribution. Still,in concert with their Spanish-speaking counterparts, these poets have alsorecreated the Spanish world in unusual ways, each reflecting a different,illuminating dimension of Pound's sensibility. Celebrated Anglophone poets presenthere include David Cappella, John Gery, Patrizia de Rachewiltz, Tony Lopez, RonSmith, Clive Wilmer, Paul Scott Derrick, Jeff Grieneisen and Silvia Falsaperla,together with distinguished scholars such as David Moody, Alec Marsh, and JohnBeall, as well as promising voices of a new generation: Rhett Forman, Justin Kishbaugh, Chengru He,and Sean Mark.______Esta antología, la primera que reúne a poetas anglófonose hispanohablantes, nació a raíz de un recital de poesía celebrado en laUniversidad de Salamanca en julio de 2019, con el propósito de infundir nuevavida al valioso legado poético del poeta Ezra Pound. Si bien su influencia enla tradición angloamericana es indiscutible, esta antología revela la inmensahuella, menos conocida, aunque igualmente vital de Pound en los poetas delmundo hispano. Se trata por tanto de una colección bilingüe que incluye29 poetas, de los cuales 13 escriben en español y 16 en inglés. En las últimasdécadas, los congresos internacionales dedicados a la obra de Ezra Pound,&am

The stories in this collection give voice to the history and soul of a rural collective. These people want to belong-to themselves, their families, their communities, and their God. Their motivations, disturbing at times, expose their love, loneliness, and their limits. As one character reminds readers, "We move beside and around and in between each other until something-sometimes good, mostly bad-pushes us together. Then we have to get close, real close, and it's no easy job for any of us." From the dizzying Thanksgiving table to the sobering graveside service, these stories exist in their acts of agency and grace.

Founded in 2000 by David Siar and Crystal Bartolovich, Early Modern Culture strives to create something like the active and on-going inquiry of a good seminar. This particular volume contains papers from the seminar on First-Generation Shakespeare.

The Journal of South Carolina Water Resources (JSCWR) is an annual peer-reviewed journal dedicated to scientific research and policy on all aspects of water management to prepare for and meet the growing challenge of providing water resources for the sustainable growth of South Carolina's economy, while preserving its natural resources.

Poetry from the Ezra Pound International Conference, Philadelphia, PA, June 2017

Founded in 2000 by David Siar and Crystal Bartolovich, Early Modern Culture strives to create something like the active and on-going inquiry of a good seminar. This particular volume contains papers from the seminar on Shakespeare and the Anthropocene.

Founded in 2000 by David Siar and Crystal Bartolovich, Early Modern Culture strives to create something like the active and on-going inquiry of a good seminar. This particular volume contains papers from the seminar on Close Reading Shakespeare.

Founded in 2000 by David Siar and Crystal Bartolovich, Early Modern Culture strives to create something like the active and on-going inquiry of a good seminar. Hence, the journal publishes works-in-progress by major scholars in early modern studies, along with a set of responses from readers. This particular volume contains papers from the seminar on Fabulous Animals.

We are proud to republish "Queer Milton," volume 10 (2014) of Early Modern Culture, edited by myself and David L. Orvis. This issue won the Irene Samuel Award from the Milton Society of America for the year's best multi-author collection.

Yeats and Mass CommunicationsW. B. Yeats's pursuit of an audience led him into the world of mass media-a landscape populated first by newspapers and later by radios, which he learned to navigate with shrewdness and skill. The purpose of this special issue is to examine Yeats's various ventures in mass communication. Enlisting a broad range of critical approaches, contributors to this volume show how the demands of print journalism and radio broadcasting informed Yeats's poetics, his thinking about the social vocation of art, and his ideas about how literature might be best received and structured. The essays also examine the reception and legacies of Yeats's experiments with mass media, showing how he was at once self-consciously archaic and exultantly avant-garde.

"Clemson has a beautiful campus, which provides environmental stimulus and opportunity for teaching and learning. This field guide reveals those natural and created settings which allow us to individually discover a true sense of place on the Clemson campus; these outdoor rooms are well remembered as a visitor, student, staff or scholar."-James Barker, President Emeritus, Clemson University

Since 1968, The South Carolina Review (SCR) has published fiction, poetry, interviews, unpublished letters and manuscripts, essays, and reviews from literary giants such as Joyce Carol Oates and Kurt Vonnegut as well as eminent critics such as Cleanth Brooks and Marjorie Perloff.

Woolfian Boundaries aims to explore Woolf's work from perspectives "beyond the boundary" of her own positions and attitudes, taking her coolness toward the provinces and "prejudice" against the regional novel (Letters 6: 381) as the starting-point for considering her writing in the light of its own "limits," self-declared and otherwise. Topics include Woolf's connections with the "Birmingham School" of novelists in the 1930s to her interests in environmentalism, portraiture, photography, and the media, and her endlessly fascinating relationship with the writings of her contemporaries and predecessors.

The essays in this book variously addressed the "granite" of close textual reading and the "rainbow" of theoretical approaches to Woolf's writings. Several more flexible versions of editing emerge in the papers that discuss adaptations of Woolf to film, theatre, and music. Brenda Silver's contribution in memory of Julia Briggs opens the volume, and James Haule's concludes it.